Pijpelijntjes

("Lines from De Pijp"), suggested translation from his bio in Wikipedia: https://en.wikipedia.org/wiki/Jacob_Israël_de_Haan



To my dear

A. Aletrino

(pre-winter 1904)

Arnold Aletrino, who this book was dedicated to, can be seen as the Magnus Hirschfeld of the Netherlands. He was a member of the Tachtigers, a group of young and revolutionary Dutch authors, who like the French Decadents, despised the pious poetry and prose of the mid-nineteenth century Dutch Victorian writers.

when however, he found himself portrayed, be it as a fictitious person named Sam, in this novel, he was deeply shocked, and tried to stop publication and when that did not succeed, he bought up most of the prints to prevent a scandal from arising.

read up on him at https://en.wikipedia.org/wiki/Arnold_Aletrino



1 house search



There's a time of coming and there's a time of going. And our time to go was here: The Bottle came to tell us himself. We'd just had eaten. Bread, some cheese, washy tea and it rained. Our lace over curtains were in the laundry. Just the roller blinds hung hard and square-white in front of the window and the watery white sunlight haunted us heavily or was suddenly gone, lurid.

Sam was reclining in his lazy chair with his hands around his head and legs stretched, eyes closed. He looked saddish, as I observed him. It rained steadily.

Then the Bottle entered real quite, on her old slippers .

'Good morning, gentlemen'

'Hello madam,'

'Is master Sam not well?'

She was clearing the table, plates went to the bread basket and the butterboat on the plates.

Loudly she rattled the silence to pieces moving everything onto her apron . . . and then, resolutely:

'Yes gentlemen, I 'd better tell you straight, right now: but things have to change . . .

You will have to find other lodgings . . . I'm going to move ' . . .

' Well miss . . . so sudden, in the middle of the month ? '

' Middle of the month . . . Well, what difference does that make? This, as you well know is a week-dwelling. . . . I'm going this monday'

' Yes, but ma'm, we rented by the month.' . . .

'Ohw Joop, don't talk back to her . . . She's not going to move any more than we are. But she obviously can get a better price so we have to move on. Very nice, indeed.'

'No ma'am, there master Sam is right: it's not very decent, I must say.'

Decent, nice, who's talking about that, everybody is looking for bargains, you as well as I. I'm decamping this entire household, moving to a condo.'

'Well, then get the fuck out of this room first, I say.'

'Anyways, I can see, master Sam has one of his moods . . . but remember, I did tell.'

Sam had dropped back in his reclining chair, or was he ever even out of it. The rain tone had changed to rustling. The wind rattled the window frame, and chased the fat drops along the glass. I watched it. The street had rained empty. Underneath a breadcart a dog sheltered with wet bushes of hair on his back. The breadboy stayed under a porch.

'Say, Sam a great mess, having to move, while we were just getting settled here.'

'We're not moving; we quitely stay put.' . . .

'Come on, don't make a fuzz. . . if she wants to dump us, we'll have to move. I'll look for someplace else.' . . .

'I be fuckin damned, to go out today in this rain . . . Pleeze, not above a horses stable again ! '

'No . . . Well, then I'll be going out right away.'

'Yeah, that's fine. I have a headache anyway, I'm going to sleep.' . . .

'Is that so? And that makes it fine to let me get soaking wet?'

'Always better than both of us . . .don't go . . . let me quitely do my devil's work. This situation will land on its feet, eventually.'

page 9

'Well bye . . .'

Right outside the front door, the wind howled and it came from straight in front. Right, now let's get out of the Van Ostadestraat first . . . Nothing there anywayz. Then first to the Govert-Flinckstraat, always lots cheaper than the 'Jan Steen' or the 'van Wou'.

Now pay attention. . . a room with a double alcove or one with a side space and a single recess . . . And no velvet chairs or breakfast included, Jees, . . . when is this rain gonna stop ? Our Sam, He's a piece of work, indeed.

Govert Flinck narrow and grey. For rent signs all over the place . . . Small bedroom, sorry, but that's no good! Furnished rooms. Could check them out, if only to be out of the rain for a while . . .

Just one doorbell; that's not funny! Having to ring twice, 3 to 5 times, notices fot the other floors. Well its only one storey anywayz, so let's give it a single ring then.

'Who there? ' Could you step out of the portico, so I can see?

Ma'am I would like to see your room.

The lady looks down on the wet tophat and then at the soaking pants.

'They're already gone' . . .

'Well, the sign is still out here.'

'In that case, could I see the others?'

'That's for the other rooms; I rent out more than one, you know.'

Window slams closed, not in the most friendly manner, more the fuck-you gesture, instead of the wait, untill I'm down to open the door.

10


So, on we go. The rain has gotten worse . . .

A tiny bedroom for rent. . . available to decent lodgers ? let's take shelter and check it out . . .

There's a lot more to say about lodgers than about rooms. Just have a go. Ring three times for a change. Third floor, one straight staircase, and one with a twist. All pitch-dark.

'Who there, who there ? '

'I'm here about the rooms' . . .

Silence, my cape and hat sag and drip heavily. In my head there's a dry sense of tiredness. Grey houses opposite, twinkle in my burning eyes. The staircase beckons above, uninvitingly. The rain pitches up another notch.

'Do come up', mother asks.

Thank you, ma'am.

At the top of the stairs, hanging down curiously over the railing, intent on scruitinizing what is coming up from the dark, is a pudgy lady with a pale roundish face. Wet eyes, puffy cheeks.

,Good day sir,.

'And a good day to you ma'am'. Yur doughter said it was allright to come up.

Mother is inside , skirls puffycheeks; prey do go ahead.'

Mum indeed is sitting there, thin with thin dark grey hair.

'Do sit, sir . . Jansie, will you take sir's cape? And please don't drip all over the place. You can sit right here, sir. I'm a bit deaf. Hang it out wide, Jansie, while we have our chat. So there will not be false creases in it when it dries. You do excuse me, getting on with my chores?

Mother is mending stockings. A dark slimy green thingy stretches around a cup without ear, a large hole in the hardcrusty sole, all on top of a short dress with eery gray feet with black toenails sticking out.

You're here to check out the rooms? Deaf questions the old lady while her words are cadencing with the darning needle.


11



'Yes ma'am, . . . for my friend and me.'

'Oh, that way : Two single men ! That could just come in handy. You understand, as a widow with a single girl we can't have just anybody about the floor.' . . .

Puffycheeks poff futher towards max, blushing, while weteyes looks attentively at the heater.

'You see, they're not really rooms as such, we only have this here room and the bedroom of me and my daughter, and, eh, well, there's also a cole hole. But in the attick we've separated a delightful little space. .. cozy wallpaper . . .'

The stove was burning, radiating warmth around the space . . . from afar the deaf old rattlevoice ploughs on. . . Am tired and sleepy, my wet attire is damping heavily.

. . .'a little painting . . . you can imagine, and Jansie could just as easy show you.

The lazy warmth looms, in my burnt-tired eyes things blurr heavily. . .

The old lady is done mending the socks and quickly shoves the dirty grey feet in the sockhole.

'you'll be like one of my children about the house' . . .

Outside the rain clatters teazingly across the damp windowpanes . . .

'Yes ma'am, I would love to give it some further thought, I also have to deliberate with my friend, you see.

'Don't you want to see the room first ? ' . . .

'I'm afraid it will be too small for the two of us. It's fine with me, but see, my friend is a student.

'mum, please don't take in any students, within a day our reputation will be all over the street'

'Are you a student as well, sir?' drivels the old one, while she bends her back to pull off the other sock and stretches it across the cup, Hetr wrinkly face all questions up to me.

'Jansie, do look around the stove to see if the coal is burnt up.'

'Me? no ma'am ' . . .



12

'Well Jans, Now you see for yourslf !'

'Anyway, you'll be hearing from me, if you'd be so kind to' . . .

'your coat, sir ?' . . .

'If you please' . . .

'Jansdie, don't let him slide it along the walls, it'll ruin the entire corridor' . . .

Outside again, in all weathers, on with it. It's eleven thirty already . . . Schools are opening their doors; boys noising with coats and capes pulled up above their necks. Wind blowing up their unseasonally short breeches . . . a few others splashplaying in a gutter in muddy citywater. And right beside the school: another 'rooms for rent', second floor, decent house, a butter and cheeseshop in the basement. Nothing at street level. Better ring . . .

'jeahh, who there? ' . . .

'it's about the rooms, madam,'

'a burst of guffaw . . . from another room another minor smirk. Four gigling girls hanging across the landing railing tinkling over each other . . .

'oh, Juliette . . . a sir, about the rooms . . . Odette, ça te va à toi... mais non, mais non.’

I'm lit from behind by the light above the door.

'Do come up, sir, oh, but no . . . the rooms have already been rented out.'

Still sanding below the stairs, understanding, the wind jacking at the door and my coat.

And another delicate voice, and onother and one more . . .

'Don't you want to check out the rooms? Day or night ! But Joliette, c'est pour toi Odette’ ....

Back on the street. Rain and jerky wind. On and on. Even the for-rent signs dripping . . . a lodger of good character wanted.

13

. . .Here vacancies for decent lodger' bedroom available . . . furnished spaces' Nr. 254 second floor . . . under a veggyshop, ring 3 times . . . That looks interesting. Better check it out at once.

A lady, an elderly man, two kids, smell of piss.

'That's my dad . . . Dad, a gentleman about the rooms. Do follow me, sir.

It's behind here. A large room and decent light. Double alcove.

'Is it only for yourself, sir?'

'No, ma'm for a friend and myself. but one room with an alcove would suit just fine.'

'What do you think? Look at it: a pretty nice view from here on the gardens of the 'Jan Steen' . .

'The room is really nice, but you see, I still have to confer with my friend, who also may want to ckeck for himself' . . .

'Well, sir, I cannot wait for that; I'm already talking with other candidates, who will come around tomorrow with a decisive answer'. . .

'You know what: in that case I'll take it here and now. If you can tell me the neighbours are a bit allright?'

'Oh them folks are really nice. . . But by the way, sir, you are aware of the deposit?

'Yes, obviously, how much is that?'

'Four guilders sir.'

'Four? Thats quite a lot!'

'What can I say? The rent is fifteen for one and eighteen for two. One week in advance always. So four is even less than a week.'

'Pay, another nine farthing left.

'Allright then, I'll tak down the sign . . . g'day mister . . . when will you be moving in?'


14


'I think monday, but maybe saturday . . . so count on saturday, that's better, as the place is empty anyway. . .

Have a nice day, madam.' . . .

'Bye sir.'


Home quickly; it's already past midday. Let's get an ounce of sausage first.

Fast relief, hurry home through the persisting rain. Cape across my arm, so heavy and my coat soaked.

Sam was laying on the ground, on his back, on a pair of pillows, his eyes dreamy vague.

'Hi' . . .

'Hey, back so soon?

'So soon? I'm fuckin' soaking.'

'still raining that bad?'

'Sure is, did you sleep?'

'Yes . . . dozing, more like it. Now you say, I can hear it still rains. Did you succeed?'

'Yes, I did. Beautiful room with a double alcove, say, and eighteen quid, not bad, hey?'

'No, that's fine. When are we moving?'

'I was thinking saturday. . . say, Sam, me working my ass off, I deserve a kiss.'

'Oh no you don't . . . you can steal one whenever you feel like it.'

And across the brown face of Sam I bent. With a feathery chestbend he moved up and punched me in the eyes, so it flashed white, yellow-white across my face.

'There . . . there,'

'Jesus Christ, say !'


15


II MOVING.


de Flesch had started packing, but Sam said, they were not going to move after all, and that this whole packing sharade was nothing but a reminder and notice that she was really serious. Fridaymorning, when she came dusting, she started about it again: 'If you're going ahead with it, then do it on saturday instead of monday. As then the carriers would come around and that will surely be a terrible racket, and even more so if you guys also have carriers.

Well, then those of yours will have to come on sunday or mondaymorning, say, Joop, we're no-way thinking of going earlier as monday.'

'Anywayz, if you really think that I'm just saying? Say, mister Driesse, do you believe, I would make jokes about moving home? '

'Well Sam, let's just settle this . . . Misses Bont, leave it to me, you'll see, It will all gently land on its feet. Be a bit accommodating Sam, please.'

'Settle? That's the whole point: you all do as you please, whatever.'


16


We deliberated further in the evening. Sam was very calm. He'd quitly worked on all afternoon and we had tea together in the solf yellow intimacy of the light bulb, in the room that really got to us now, and turned us mellow, and quitly discussing with hardly any raising of voices. . .

'say Sam' . . .

'Yes boy, what's up . . . a kiss? another one? you silly boy? ' . . .

'I just love you so terribly, Sam, you may never ever leave, always make us stay together' . . .

'Sure, you crying again? . . . Switch the lamp on and also the one at the desk, this twilight is making me so depressed inside. . . So, what's it now, my boy?'

'Have you thought of the payment for the carriers tomorrow? That surely will be another few bop.'

'You got anything left?'

'No I don't. . . I have payed the last change to that other lady and an ounce of meat. I only have 34 cents left.'

'That's insane . . . I also have zilch left. Bob Helmers came around and I borrowed him thirteen bop, until monday.' . . .

'Jees, say, what now ?'

'Don't you have anthing left to pawn?'

'Nothing but that tiny gold ring from Transvaal, you know, the one that Nellie took'.

'Oh that? Let's get it to the Gerard Dou Straat then.'

'But it still rains. couldn't we do that tomorrow morning?'


17


No that'll be too late, come on.'

The rain was still streaming along the glas, and if Sam had been on the street, he would surely be so angry that he would hit me. Piteous.

'No, let's go' . . .


Not a soul on the street, white lights fluctuating in the wind, moving their rays through the dark puddles of water.

'What do you think it will fetch?'

'a thaler, at best. Or maybe thirty-five pence, it all depends.'

'Dear, listen up, what I'll do: Let's calculate, you may get two fifty on that little ring, and I have those fitfteen pence, and you got seven. If we then redeem my clock, which is down for two fifty as well, and then pawn it back again at Marnixstraat, where we most likely will get three guilders,' . . .


'but it's raining so bad, if we just leave it, I'm soo cold. We'll get by, eventually.'

'No, let's not do that. Those ten pence, are easily earned. It's not that far! And the rain, well rain, that's not too bad, if I go along, is it?'

That subtle flattery made me all giddy inside, and his voice caressing me.

'Alright, let's do it, before I change my mind.'


We got one seventy five on the ring and Sam suddenly gaining confidence and courage now he'd redeemed something, demanded his clock back.

When, marching along the rainy Pijp, and then across the dark Stadhouderskade.

Against the backdrop of heavy rainclouds, the yellow of the citycenter, pale-gold, but for the wet and black. The Kade had blown empty, and even more black, where no tram ran to light it up.


18


'Sam,

'Yes boy,' . . .

'Say, it's a stretch, not ?

He clenched my coldrained hand tightly in his, as he always held them in his pockets. Close together we walked on, bent forward against the wind.


The Leidseplein, crazy, laughter, lights. Busy tingling of glowlights and the white sockets and calm pale-blue deadsmile of the archlights, dangling high above in the wind.

People hurrying along from the dark square corners into the light, while others searched for the darkness.

On the square Sam let go of my hands, as the street we quickly crossed the open space on to the streetgap between the white American Hotel and the StadsSchouwburg. The Marnixstraat was even darker, with some yellow, silent after the noisy square, bald trees, dripping or bending in the dark wind. My coat hung heavily on my shoulders, giving me the feeling of going someplace, but without a clue of where.

Until we arrived, finally.

'How much do we place on top of the price?'

'three guilders'

'three for hat piece of shit? Thirty five pence' . . .

'No, three at least. That'w what I got last time as well.'

'Last time is not now . . . yes or no?'


19


Yes allright then, hand it to me' . . .

Again more rattlerain, lashing down, relentless. But now with the wind from behind. And then the prospect of returning that same route.

I felt sooo streetsick, with more walking and not knowing where. The slimey thickening of your palate and the heavy pressing of a hat on your head, that had soaked though on the inside. . .

'Did you know tat Marnistraat was so far away?'

'Yes, didn't you? You've passed it often enough.'


Leidseplein again, awkward light, with the hatefully grinning bulbs.

Joop, boy, that's too bad, are you angry at me for that?'

'No, silly me, all that way for nothing. Now we still don't have enough . . .

No worries. . . when we get home you'll need to go straight to bed. Then I'll move on to Siep Reesink, he's bound to have some dough' . . .

'Yes, pleez, I'm just too tired'

'Come on, walk closer to me, so much nicer, not? . . . you want me to spend the night with you?'

'No, ratger not. . . then I won't have a moment of sleep' . . .

'Say Joop, You wan to hear a good joke? This morning at the poli-clinic, a woman with t.b.c. , and she refused to get undressed, because I was present. I had to leave the room first. And professor Pel got furious . . . She thought I was a negro' . . .

'Jesus Christ' . . .

Cuddled up close I walked along with Sam and felt the walkmovements of his body. Warm intimacy, that really made me feel better. we, two seperate identities, in the streaming rain, cold, but that didn't boher me anymore.

We were almost home, lightheaded and agreeable.


20


Sam lit the main lamp, as I dropped off the rain muddled mess and comforted myself cozily in my lazy chair.

'Go to bed . . . Joop, I now have to go to Siep, otherwise he'll have left for the PAN.'

'At this time, still?'

'Yes, that one is always at work untill around ten o'clock, as if you dodn't know that.'

'Sure, I was just saying.'

'Silly boy . . . prey, go to bed.'

'only if you will linger on a bit and sit with me?'

'Yes, sure, but go on, or you'll be far too tired tomorrow'

In the warmed up bed, I was already on my backside, the lamp turned away and a dark shadowlightplay bounced off the things, that contoured vaguely. On the chair was my white shawl . . .

I looked at it and got scared.

'Sam could you please move the shawl away from there . . . yeah, there . . . . yes, that's better. . . .

Say, Sam, am I really other than the others ?'

'Yes you are . . . Let's not talk about that now . . . do you love me ? '

'I'm not saying that, you know I will not.'

'Just like I love you? . . .

'Starting the old questionaire again . . . but I will not answer . . . It's always the same with you.'

'Please, just this once, just one more time . . . Just as I tell you?'

"No . . . You know I never repeat things like that. So, once and for all . . .


21


You positively love me and sometimes you like me to sleep with you, but I only do coz I love you . . .

otherwise . . . I allow what you want, but will never ask for it. You very well know that ' . . .

'Yes' . . .

'And you see, you sometimes love other boys as well, and I would never permit that from anybody else' . . .

'No. . . only me' . . .

'Yes . . . I will one day get myself married, really officialy, with an official license.

'Oh no you don't . . . Then it must be over between us?'

'Fuck, are you getting serious? No? Then I'm on my way' . . .

The yellow lamp-shining faded out and the humid-wet darkness engulfed the entire space around . . .

'Sam'. . .

'Yes' . . .

'Bye' . . .

'Bye. . . don't stay awake, you hear; when I'm out with Sam, it's bound to get late, you're aware of that' . . .

The door closed. And in the straight-on rain noise his footsteps faded . . . until they were lost and the downy darkness was all that remained . . . sound of silence.


Wide awake in the churned up choking warm bed and listening. But no sound, just the swishing rain, but that was no sound to listen to, because it was similar to silence, tight and sounding soundless. And again I listened, to make out anything, but nothing there, until my eyes peered sharply focussed from the staring listeneing to the emptyness of rainrumble. Sharply white, sparkling, it hurt in my head, while there was nothing. My eyes hurt . . . my eyes clamming lame . . . in dark silence, something moving . . . black in black . . . warm black . . . sitting on my chest . . . again moving a touch . . . again . . . until the entire deep waving night silece was moving . . . invisibly, but velvety-soft nestling-soft. In my mouth it tasted woe-sweet . . . and I could not move.


22


A heavy black fear had descended on me . . . untill I suddenly had to jump out of bed, all the way, with my sleepywarm feet on the sharplychilled tarp floorcovering. That broke the black spell . . . in my ears something was bubbling up, like a black mudbubble breaks out. Heard the rain, a dog barking. Nicely freshcalm I stood there in front of the tossed up blankets. An agreeable sensation tingled through my spine and along my abdomen. No longer feeling like going back in, I layed down backwards on the rug, to look at the black room, not-feeling, not-thinking, not-sleeping, not tired, from time to time hearing the clock strike, like : one thirty. And then, just before two Sam returned home.

'Hi Sam . . . good day' . . .

'What day . . . where have you beeen ? . . . I'm laying' . . .

'But not in bed? What's this supposed to mean ?'

'I'm on the floor, quite nice, you know . . . I couldn't sleep anyway and the bed got too warm.'

Sam lit his room lantern. Finely squirting its yellow ray through the drabby darkness.

'You should return to bed anyway' . . .

'You go, I don't feel like sleeping anymore. I'm just fine here, and when I'm sleepy again, I'll return to bed.'

'Sam come sleep with me.'

'Something different again, just after you refused, when I asked . . . are you going silly again today?'

No, just the opposite . . . come on, I'm already floored . . . say, I'm pulling off my underwear . . . Come on now?'

Yes, in a minte, you silly boy of a man' . . .

'No probs, as you told yourself, I'm allowed to do whatever I want.'


23


'Sure, you are, but I just rather not now.'

'Oohh, come on' . . .


In his arms I was, trembling lightly, very close to him and a pink tingling ran just beneath my warm skin . . .

'Sam, we're not doing anything bad, are we? . . . I only love you.'

'Sure, nothing the matter . . . you're a very nice sample of manhood, eh boyhood' . . .

'Sam, are you truely as ugly as people say you are?'

'Oh dear, you're even uglier than that!' . . .

'And still I love you, horribly much.'

Then all of a sudden, not knowing why, I started to cry, raw-sobbing-shuddering against him . . .

'What is it now?'

'Nothing, I don't know . . . I'm just sooo tired . . . soo terribly week' . . .

I climbed across him, out of bed again.

'What are we doing now?'

'I'm getting dressed again, I'm all cold.'

'Joop, what is to become of you. You're such a handsome bloke, but these emotions are spoiling it all. Now you'll be completely upset again all of tomorrow.'

'Maybe not, . . . let's just sleep.'

Sad, with an intense deep feeling of sorrow around me, we both fell asleep. A cock crowed and crowed continuously and shrill, red, piercing right through the dark rainnoise.


24


III Stray Day


When I woke up, the twilight shone of doubt, of the after-autumnmorning peered in the room, but the alcove was still dark, deeper black. Sam sat on my bed.

'Jopie, come on, wake up' . . .

'Did you call?'

'Yes, we're on our way, remember what time it is?'

'No . . . early still, I presume . . . have the porters arrived? Is it still raining as bad?'

'Oh please, It's pooring! Don't you hear it? Come out quickly, it's past nive thirty, I left you there as long as possible, but now you have to get going . . . Everything has already been packed.'

'Yes . . . coming.'


In the lumberroom we stood, having a quick bite of breakfast. The rain was even more violent than the day before, but the light was brighter white, as opposed to the dingydark that we had all week, the tall houses stood freshly washed in the rainy sunlight, but without the sun.

'Look here Sam, what a funny white light, just as if the entire business has been washed clean . . . crazy hey, that with this light it can also rain.'


25


'Yes, if only it would stop raining . . . say, there we have our porters . . .you still want to go to the Bottle

'Well, yes, let's say farewell to her . . . it's not that she's been absolutely horrible to us . . . I'll call here . . . miss Bont' . . .

'Yes sir' . . .

'Well, Master Sam and myself, we're on our way. Is there anything we owe you?'

'No, master Sam has payed everything.'

'OK, so we're off then . . . goodbye madam' . . .

'Goodbye genrtemen, I do hope youre new home will be decent.'


Quickly we moved off the street, a airy white joy in our souls, even if it still rained heavily, without knowing why we felt so happy. The carriers ahead of us with the cart, a huge felklow and a tiny lad next to him, scraggy.

Along the Sarphatipark we rolled, laying drippybrown in the waterwhite thin sun.

'What a jolly rain, hey?'

'Yes, that's quite different from yesterday, the entire scene looks different today, I've slept deliciously, did you rise earlier?'

'Depends, around eight, I'd say, but I left you in bed.'

'You'll see, what a deliciously fine room it is, and such a delight of an alcove, you can now easily hand in our notice with madam Kater . . .you've now been with me for such a long time . . . how long?'

'Let's see . . . four months, about. But let me hold on to that room. . . . You never know . . . and de Kater cannot afford to do without the rent.'

'It's wasted money, nevertheless.'


De Govert Flink; But now normally gray, snarly chilly, where the white rain light did not shine the slightest ray, oppresively narrow.


26


'What number was it again, sir?'

'two hundred fifty four, second floor.'

They halted for a moment and sat down on the wet cartsaddle, queerleaning against the container. the awning shone rainwet with litlle puddles, wherever an indentation presented itself.

';well allright, Dries, let';s get a move-on. . . number three hundred fifty four, that's another twenty houses'

Our white rainsunlight joy dinged to gey in the narrow housing street, leaving us resigned.

'That's it, we're there, that has been quite a hefty cargo . . . sirs.'

The small one is back on the carsaddle, afraid it would otherwise run off, and the tall one, looking under the wet cover for his ropes and messy toolbox. But I rang. No sound. A long wait, then another ringing, furiously smashing up the rainy-noise-silence. . . No answer.

Sam looking up . . .

'Jees Joop, the house is empty.'

'Enpty, you're mad.'

'Wel, look for yourself.'

Taking a fe steps back from the nouse, my head bending over backards, I dod watch for myself. . . It was indeed empty. Weirdly the curtainless wiindows gaped . . . Not a soul in sight.

'Well, I’ll be darned! . . .This I do not get. . . . It was number two hundred fifty four, not ? . . . Do check.'

'Sure is. . . I understand all too well, those people have done a runner with the four bop.'

The carriers remained impassible on the cart, spitting out their brown chewing tobacco.

'this is just sooo beyond me. I'll have another ring one storey up.'

From the window on the third floor, white grey camisole, traipsy hair.


27


'What the fuck is that ringracket ?'

'Madam, we're supposed to be here at the second floor' . . .

'Well why not ring there?'

'There's nobody in there; we hired the backroom with the alcove, and now she ran off with our four guilders deposit.' . . .

'Jees, now did she really? With your deposit., well well, you just should not let her get away with that, you hear! Run along to the Ferdinand Bol . . . What a dirty bitch! Running off with a petty deposit.

From acrosss the street another 2nd floor window was opened by a lady and at the basement and shoemender appeared, wrinkley, crooked, deaf-like.

Whose yelling and halllering from the window . . . I see you screaming all the while, what's it about?'

'That maggot from the ground floor ras run off with four guilders from these gentlemen here.'

'Well, I say, the one with the child? With the bulged back, shall I say?'

'you can safely call her a cricket.'

The lady on the second floor gestures in amazement, deaf anyway, she moves back in, not any the wiser about what the fuzz is about. The cart getting more soaked as are the carriers. The troup of people surrounding them stilkl enlarging, gesturing an uestioning about what to d . . . The misses from 2 hight tells. Police.

'You're not allowed to park here.'

"You have an idea where we should be instead?'

"How should I know, I've got nothing to do with that, but you will have to move along.'

The people crowd around us ever closer, crazy b;lack from the rain . . . with umbrellas up, dripping their dirt onto others, nd then another row is started about that. Two boys start a fight and the rain intensifies.

'Run along people, people: move . . . and porters, you have to drive on with that cart.'


28


'We don't have to do shit, we've been employed by these gentlemen, sirs . . . do we move ?'

And Sam , decidedly all of a sudden.

'Yes you move up a bit, back to de Van Ostadestraat'

And so the plumbblack cart pushes the human mess aside, and on they go, dripping back to de van Ostadestraat.

'Are you going back?'

'Yes, back to the Bottle, who I'm sure is not planning at moving at all, we'll drop our things quickly, so we can see about how we go from here. Maybe we can stay there after all.'

The carriers remain calm and whistle a tune, think it's all rathr drole, and only consider how they can charge for the return freight and turn it into another half day hire.

In front of the window of what was our room we see the Bottle, hanging lace curtains.

'You see; what did I tell you, there's another one coming'

'That's not what I thought of her.'

"Well I did.'

The Bottle, composed behavior, comes down her ladder, backwards into the room, looking how her drapery falls down. Open the door, she did not.

"Well how do you like her? Is that why we settled with her?'

The carriers had returned to their cart seats, spitting more brown goo, and quitly let themselves rain even wetter.

'Miss Bont . . . Miss Bont.' The window slid open.

'Gosh, is that you again Sam? And you as well master Driesse? What a rain, hey?'

'Yes, we come around to shelter once more'

'Shelter with me? Why is that? Did you not hire elsewhere?'

'Yes, but please Ms. Bont, do open up, we're soaking wet here, we've come to return to your place . . .

as obviously, . . you are not moving anywayz, that much we can see, not, Sam?'


29


'No, indeed, I'm not moving. Just when I saw you off, the postman brought me a letter, informing me that the other consession was off the table.'

'Well, than we can just as well move back in here with you'

'No, because, I just happen to meet another gentleman, who was looking for lodging, and I already offered him' . . .

'You would almost believe her, don't you think, Joop?'

'Well, then you will not believe me. . . What do I care what you believe.'

'Well Sam, it is not impossible, and miss de Bont, why would she lie?' . . .

'Hear, hear, you can say that again.'

'If another person has rented the place, we cannot return here, that's obvious, but we could stillpark our stuff here, for the time being?'

Window slides shut; the Bottle gone.

'You'll see, we will be allowed to store our stuff with her.'

But the door remained shut. Totally at ease the porters stayed put at their cart. Chewing tobacco in the intenified rain. Two schools close by, were running out and loud laughing boyvoices noised around the street. It was eleven thirty. Us looking rather silly in front of a closed door, de Bottle casually going on with her business through the curtains.

Then Sam made a decision.

'We must get our stuf under a roof today, Joop, there's no other way about it, we will have to keep moving about until we've found a place.' . . .

'Yes . . . and I'm dead tired already'

'Come on now, it will turn out right . . . say men, what do we owe you?'

'You want to settle the bill? Don't we have to carry on?'

'No, just tell us what we owe.'

The two confered in silence with twitching eyes, the tiny red one said it:

'Well, sirs, we;ve been running about in the rain for quite a few hours, we were thinking of a thaler each.


30


'That's fine, I'll give you guys a guilder extra, but then you must allow us to keep the cart until tonight'

'The cart only? We never allowed that'

'Wel there's a fitst time for everything, we surely will not go out on the town with it'

The two carriers, were off, and we remained abandoned in the gloomy raindawn, embarrased and deserted.

'Ahead with it, then'

And Sam pushed the cart, that creaked from its position.

'We'll take turns, we'll first try our luck at de Jan van der Heijde . . . and when I ride, you can make enquiries, and when you ride, I'll do it.'

Out de Van Ostadestraat, and on to de Ruysdaelkade.

'Shall I take over the pushing?'

'No, you keep a lookout . . . see something?'

'Yes, stand still for a minute . . . I'm moving in.'


a Misses, languishing, skinny, two puffy blkeak children, a stuffy lideroom.

'Yes, you see, I'd rather have a lady than two gentlemen on it . . .when woukld you care to accept?'

'If possible, tonight.'

'No sirs, that won't be possible . . . taking people just from the street, not me . . . You do have a room at the moment?'

'Oh, sure madam.'

'Well then you'll have to give notice there and then move, no, sir, I stand all alone in this. I very much want to rent the space, but not like this' . . .

We joggled on through the rain until half three, it never dried up, Sam pushing the cart.


31


Emptyheaded by then and white of hunger we stopped for food, a cheese sandwich and warm coffee at De Volksbond. First Sam went in, while I remained at the cart, to prevent it being heaved. Then I went in and Sam stayed outside and finally we both moved out in the rain again, pushing on, but nowhere finding a roof for us.


Half five. The streaming rain had stopped and turned into a foggy drizzle. The lanterns were lit already and the shopwindows reflected yellowish. I'm sooo tired, I can't take it any more and start sobbing out loud in the middle of the street with severe bouts of pain . . .

'Come on Joop, don't be silly. You look like you're twelve instead of twenty two. . .

We now are going over de Centuurbaan and then across that bit of the Willebrordusstraat until de Amsteldijk . . . perhaps we'll find something there' . . .

Firmed up and composed again we pushed together, looking around at places ffor hire.

Nothing. Until at de St Willebrordusstraat . . . there. . . something . . . furnished rooms for rent, at nr. 29 . . .

'Jees, say Sam, over there is another,' and all cheered up: You'll see, that one's for us, shall I ring or will you?'

'You go ahead'


A little girl, bleak with black shadow lines around her face . . .a blue cap and a cape.

'Is your mum in, little girl?'

'My mum is dead . . . I'll get my aunt for you . . . aunty . . .aunt . . . here's two sirs for you.'

'Just prey them into the corridor, I'll be down in just a second.'

Luckily we were dry there. Aunty came down, tiny woman, dark with already greyish hair and a touch skew-eyed at one side.


32


Do go on to your evening school Toos . . . goodday sirs, excuse me for leaving you waiting. What can I do for you?'

'I'd like to see the rooms, if you please.'

'Oh sir, for sure . . . it's a backroom with an alcove . . .but if you rather, you can also have the front room.'

'Let's see then.'

We moved along to the back, from the downstairs depth of the souterrain little dog barks pinched up, overthundered by the bass of a larger one.

'Silence Hec . . . Quite Sis . . . Anne, do hold on to those beasts . . .those are our dogs sir, but they will not be any trouble; they never come up here.'

'Oh, but I'm fond of dogs as a matter of fact' . . .


The room was large and airy-spacious.

'How much is it?'

'Eighteen gulders for the both of you, that's it.'

'Do you need any sort of deposit?'

"I kindly leave that to your discretion.'

'Well, I can give you a week in advance.'

'And when would you like to move in?'

'As soon as possible'

'Immediately?'

'Yes, ma'am, you may find that odd, but when we were calling our landlady this morning, we only found a note, that she was off to live with her lodger, leaving us do deal with the debts . . .

'Oh dear, that's just horrible!'

'So you see, then we were homeless all of a sudden' . . .

and happy to find a roof over our heads, I called out at the door:

'Sam, I've hired here; do come up with our mess.


33


IV Sewer.


Morning. In front of the working window I sat, where the bald branches of the empty pear tree, stretched and arched dripping black in the slightest gust of wind. But at least it had stopped raining, just the tree afterdripping, The crooked autumnsun, without shine, strayed a ray in the chickenshed.

The cock crowed. A delightful sound of contentment shockshouldered through me. We now were about a few weeks with miss Meks and it had been a satisfying serene time. I had not slept with Sam anymore. We worked and lived, as if the wak white suffering had never happened.

Sam lay backwards on the old blackleather canapé, with his hands under his head and his eyes closed, as he prefered it. What a terribly sillyfunny face, round and brownish, and with that fine black pointless moustachiothingy, actually some sort of a negroface, of sorts. All the time I kept staring at him, with this continuous rosy feeling of doing sweet nothings inside of me, which became more tender with each of my grizzled words.

'Sam' . . .

'Silly Joop' . . .


34


'I love you'

'I say, it's goingb wrong again; you have that same softness in your face and voice too.'

'We just never had it so good, here'

'Yes it's fun, much better than at de Bottle. . . but do keep working quitely' . . .

Across my books I bent down again, but the autumn sounds from outside I sensed intensely and softly. . . On the window sill the falling treedrops tickled.

And I stayed motionless . . .said nothing afraid to lose the silvery gray mood.Across the outhouses of the Hoedenmakersstraat the sky spoke of fall. . . a fine trembling underneath my skin.

'Sam'

He was asleep and then, soo vulnerably happy and craving to keep it that way, I laid my head down on my arms and tried very clearly to observe the room with the two of us and the pleasure of being that ourselves, even nicer to taste that. And profound and deep I peered into myself, pysicalkly feeling my eyes stare, seeing the two of us as a separate entity.

Until Sam finished this off and cut through my wishful thinking.

'I'm splitting, and will be back about four o'clock.'

'And you're leaving me here all alone all day?'

'Yes indeed, bye' . . .


Saddened I peered into the garden: it was nothing but the ordinary colorless fall hassle and the silent beauty of just now was lost, it had turned into another garden, with other houses. My fine mood, through which the light of yhings hit my eyes in a completely different fresh way, was wasted away, differing everything.

Miss Meks entered the garden, with her rake, making violent rake movements to pile up the leaves that curled up wet and brown and clung to the rake teeths . . . she shook 'm off hitting the rainy treetrunk, that in turn dripped its gratitude, rustling.


35


Attentively I looked at her, happy, to see her bustling movement in the otherwise orderly garden. She looked at me nd noodded. I nodded back, and wanted to chat some, now I was alone.

High open I slid the window and sat myself on the sill. The smell of rain aired into the room, bluehumid.

'Good morning, sir.'

'howdi, miss Meks.'

'Master Sam not in? What a stech sir."

'I don't smell anything.'

'You don't smell this? Miss Koppé, Master Driessen doesn't smell a thing.'

Miss Koppé from the second floor, her husband a pro-wrestler, also teaching boxing, small female, bitchy.

'Well, but I sure do: ir smells horribly. Why don't they repair that sewer?'

'Third floor comes into action. Occupied by a Française, who gets maintained by a jewish gentleman from the stock exchang, slender, elegant, always wearing very whitecolored hats, not speaking Dutch, and understanding it even less.

'There we have Madam as well . . . Isn't it a crying shame, the way that woman is going about things.'

'Dear oh dear, it may be bearable at your place, but here in the basement the turds are floating about. Plaise yourself lucky you have no gentlemen callers.'

'But why are you not going around then?'

'Me? Woman! . . . I indeed come around there any more. when the rent is due, I always have Toosie bring it around.'

Four Fifty, not?

'Four Fifty, nay, five guilders each week . . . what is that French Madam meddling all of a sudden; it's not of her concern, not?' . . .

Bleak silkence, fell over the conversation. But then the words colored up:


36


'Does Master Driessen prove satisfactory?'

'Oh, sure, master is siting on the window sill just now . . . we were having a chat.'

The faint white the talk grayed up, until miss Koppé suddenly exclaims highly reddened:

'Well if only she would come and smell waot a puke-stench it is around here . . .

can you not call her to come around?'

'No Toos is not here and our Anne does not feel lik it either.

'Well call her from here then, you've got a fine voice that easily reaches there . . . Fuck what a stench' . . .

Poignantly sharp, brightred, in the early afternoon the voice of Meks pierces:

'Misses Bramer' . . . Sudden, and imidately halting so the silence takes over.

'She's not home, surely' . . .

'Not at home? She just got in and went up . . . She just does not wan to hear.'

'No kidding; in that case she'll have to respect my call . . . Miss Bramer . . . Miss BRAAAmer . . .

landlady' . . .

No reply. The concierge dwelling next to us remains silent in the moistdrying wihte sun.

'She just does not hear, surely.'

'oh, she'll hear from me . . . such a scoundrel. I'm ashamed for my gentlemen, that I have to holler and scream, and what does it get me?'

Across behind us at de Hoedenmakersstraat a scruffle, womens heads, the coallady, the tramguard, . . .

'What's at hand?'

'three fingers pink and thumb.'

'Do you know what's going on, miss Ellemers?'

'The sewer is clogged across the street in de Willebrordusstraat . . . Where those two new gentlemen have moved in.'


37


'Well, does that justify making such a racket? I really thought there was a fire.'

'The landlady does not seem to be intent on repairing it. . . . You can get into all kinds of trouble with sewage . . .at my sister's' . . .

The conversation narrows about the sisters plumbing, ours smells like . . . in the lightblue humid sky the stench bubbles up intensely.

And the violently red shrieks of miss Meks get a repeat . . .I lose the window, which dulls the shrill sounds.

'Don't you hear, madam asswipe. . . the sewer stinks . . . the gutters run over. . . don't you hear? . . . We're drowning in the stench of your turds here . . . but I'll get it fixed, from your rent pennies . . . you hear madam?'


The houses across the street in attentive hush await anoyed response, but from the concirge place, not a sound.

But the crycuriosity weakens

'it won't get you anywhere . . . You only cause a scandal.'

Most sign off, only the French Madam of the third floor still hangs fromm her window. Then just bleak emptyness, cold and white contrasting the red-hot exitement of just now, and strangely lonely, silly-small, all alone she stood in the garden with only silent houses surrounding.

And then, weakly angry against the Francaise:

'Silly cow, what business is it of you . . . you nasty, mean mentainee <!--kept lady--> . . .

The drabby stench continues to bubble through the lightblue sky.


Afternoon. Sam had not returned yet and moodlessly I continued my work . . . longing for some movement in the relentless shoving around of the hours. The garden trimmed and tingeless as the sun moved towards evening grey.


38


From the souterrain hatch miss Merks pops up and miss Lepelaar, who resides on the other side of the house. Sharp and skinny, bitchy woman, always angry and ready for engage into any argument that may arise. The Meksen woman, modestly smaller, an enamelled pan with chickenseed in her hands. Miss Lepelaar sneezes.

'He still has not recovered?'

'No, nothing yet, he's just sitting there all day at the back of his cage, and if I feed the chickens, he looks like it's none of his business.'

'Then he might die.'

'Well, I hope not . . . I'll take him inside one more time . . . Master Driesse, have you seen how grouchy our hen is holding up, like the lame chicken of late, do cummhereb my Pietsie, cumma my little mutt. . .

you can jump off your window with the steps.'

'In front of the chickenshed we stood, the chickens, domesticated, came scrabbling nearer, hearing te sound of seeds in the pan. The cock, melncholically-sinister, nestled away in the darkest recess did not move.

' Oh Gush, what a waste, such a beautiful cock' . . .

'Well, he's not dead yet. I'll take him inside with me, and set him down near the warmth of the stove. That often does them a world of good, like the limb chicken te other day . . . ahh, cum ere, my little darling . . come to the misses.'

The cock remained where it was, not moving.

'You'll have to grip her'

'Yes, I know. . .'

A pityous joke of a cock crow, and then the sick beast huddled up against madam Meks.

'Poor beast'

Ans so we started to move back inside, as it was cold in the little garden, miss Meks ahead, carefully feeting her way ocross the rotting treadplank, that lay across the puddle in front of the chickenshed.


39


Ocross the fence our concierge lady appeared. And friendly-sweet:

Hi madam Meks . . . Something the matter with your cock?'

'Yes, he's been shambing for quite some ime now. His crow is ash-whitish and he does nothing all day but sit there huddled up.'

'Well . . . and what can you do about it?'

'I will settle her down in a basket beind the furnace. . . Maybe he'll pull himself together that way.'

'Yes, could be . . . but is it me or is there an awful smell around here?'

I was blown away at the calm comosed sweetness of the talk, but miss Meks did as if nothing had happened and seemed not in the least surprised:

'The sewer is out of order again . . . They obviously did not repair it properly, you'll have to have them look it over again.'

'Yes, if only I'd known I would have taken caare of it . . . if you would want to even tonight.'

'Oh, that's quite allright, the sooner we're rid of this stench, the better.'

"I will take care of it . . . but what I wanted to say . . . can I have Picky over another time?'

'Oh yes, by all means . . You know our concierge's Puckie, don't you?'

I know Puck, dark brown scoundrel beast with the nice loud bark.

'I had planned on going out tonight, to my niece at de Jacob Catskade, and then he's always so troublesome, and with you he's always such a good boy. Yesterday we also went out; my husband's sister was married twelve and a half years' . . .

'Jees, I didn't even know thar, congratulations.'

'Thank you, well we took Pucky with us over there, but I can't tell you how awkward he behaved.'

'Oh but do bring him around, just as easy, . . .he's never any problem when he's with me.' . . .

The sick cock gurgled.


40


'Thank you kindly, it got to be pretty late as well . . . as you know . . . a glass of wine . . . a sandwich, they can make a serious do, and if you consider it's just for a short while . . .bur such a nuisance our Puckie was, the house was too small and now tonight, if we'd bring him along to de Catskade.'

'Well, don't worry: just bring him around, by all means.'

'Well to return to my niece . . . I mean tom my sister's, we came home around half past two and my husband was nicely boozed up. But luckily he slept it off this morning, until half past eleven.'

'Well, and were you able to sleep after all that ado?'

'Oh sure, when I sleep I sleep; and I won't hear a thing, even if they'd kill my neighbours.'

'Ah. . . well, please don't frgetr about that sever, I don't want to make a fuzz, but the stench is horrificv.'

'I will sent my husband about it'

'Well, aieu, I'm off inside. You will surely have a cup of coffee with me, master Driesse?'


In the brown cellar-room we sat, outside it was still greyish, here the dark grey brown fethered on the kitchen utensils. The white tin, lightshade shone with a sigle light spot. I stared at it. untill the brown of the room faded to black in front of my eyes and I turned them away with a sudden prickly pain.

A sadness suddenly boiled over in me, that Sam had left me alone all of this sad autumn afternoon and turned my mellow talkative mood into sad and hopeless brown.

It's obviously just about that Puck, that she's so sweet to you now. . . She must have heard you loud and clear this afternoon. '

'It's easy to see, but I did not say a thing, because I planned to skip this week's rent . . . here you are sir, your coffee, and when you need more sugar, just say . . . I have to refill my goldylocks.


41


a Greyish silence loomed in the room, the corners all ossifying teb brown black evening. The sick cock gurgled piteously.

'How silent you are master Driesse . . . anything the matter?'

'Mastr Driesse is not happy, because mister Sam is not around . . . not sir? . . .

'I'll just light your lamp, so we can see what we are saying'

Slowly broadly widening the light spread across the room and clashed yellowish up and down against the sidewalls.

'There you go' . . .

Ans so, livened up, we drank our coffee in the colored lamplight. I stayed downstairs to eat some bread and we partied on tripe and stayed on to chatter about the days events.

Until the concierge brought around her Puckie and then left and until the sewer guys came and set off on their dark smellwork, lit by rosy torches.

It was late when I moved upstairs and saddened looked out onto the spooky garden.

Deep in the night Sam returned home.


42


V When Sam wa away.


Sam was not here; for fourteen days he lived at the room of miss Kater, where he kept his books and preparations. He always kept that room for when we were not able to stay together. Because sometimes it was impossible, when my desire and longing for him was too intense, and we parted our ways, instea of doing what Sam did not want. Or when anger rose against me all at once, that he handled my nasty and beat me up, afther which hed left, until we both had quieted down and piecefully resumed our together ousehold for months on end, without anything out of the ordinairy happening.

But last time it had been really bad, suddenly one night it roared up in Sam, whileI was busy writing and he was quitely on the canapé, he pinched me. Short and venomous.

'Come on, stop it.'

I thought,he would laugh or say something, as I looked at him, but he just stood there being serious and saying nothing. Then suddenly he pinched me again, in my upper left arm, and I had to rub it with my other hand, that's how much it hurt.

'Please, Sam, don't do that . . . You're hurting me . . . Seriuously.'

His voice ws deep and serious.


43


'Yes I will.'

And attentively he hurt me all over with a tight joyless pleasure to just hurt another.

And yelling I did not want to, but tears swelled up and pained heavily from my eyes . . .

When al of a sudden he said:

'Joop, cm'ere.'

He was stronger than me and my attitude just dropped willingless in front of him.

'Joop' . . .

Right in front of me he stood, his eyes scintillating darkly, then he made for the room door and turned the key. Brightwhite a blow flashed through the black silence. The entire room seemed to get serious now . . . things tight, with a grey wooly dizzyness in my head. One blow on my cheek, bloodred. Deeply sick, and crying I fell on the floor in front of the canapé. I just felt Sma hitting me, not remembering that it stopped and I remained painpanting on the floor.


When I woke up I was on my bed and Sam was sitting beside my head.

'Hi Jopie' . . .

'Hi Sam, is it over now ?'

'Not yet . . .it's toned down, but I'm not feeling allright yet by a long shot . . . Did I hurt you, boy?'

'No, it was not that bad for us, we're a couple, right? a weird couple.'

'Yes you can say that again, I have the feeling I'd better go live on my own for a while, don't you agree that would be best?'. . .

'I dunno . . . when do you want to leave?'

'Right away . . .I have the keys of miss Kater's' . . .

'But what time is it now?

'Half three.'

'But you cannot just leave in the middle of the night, you could just as well stay until sunrise?'

'No, I'm going right now, that's safer.'

'Then I will bring you.'


44


I rose quickly, the light was on and outside the night was dark and the black houses across silhouetted gloomy. I stood in front of the window and looked at them. Without a sould we glipped out of the house. The street dark and quite, just resounding the footseps of one lonely man. Close together we walked on, not speaking.

'Goodbye Jopie . . . bye boy . . . I'll write you often, look, the mailbox is close by. . . and when you're better I'll be back soon.'

'Yes . . .yes, you mustn't stay away for too long'

Then we parted. Sam staring after me. And suddenly my teardrowned voice broke in my throat.

'Sam . . .Bye Sam'

The echo sounded silly on the nightly streer and my own voice frightened me; if somebody would have heard. But everything silent.


And then the uptight, painstretching lonelyness, autumn days sadly drawing to winter, but I didn't notice that much. Stayd home whole days and worked. Madam Meks had asked.

'Is master Sam not here?'

'No, he was called out around half past two last night to attend a patient at the hospital, and this morning I got a letter, that he was going out with him and didn't know yet for how long.'


Sam wrote often. Very short notey things. And so did I. Every time another intense moment of pain arose, I quickly scribbled one of those and also got such short letters from him. 'Hi Jopie' or 'I'm doing fine' nothing more. With one delivery I sometimes got four or six of those, and miss Meks would bring them in, odd, that so many letters arrived with the same handwriting.

'strange, sir, a whopping for at a time, must be from your girl'


45


Forteen days Sam was gone and I had not left the house.


With the four o'clock mail miss Meks brought four more letters from Sam. And the fun joke had become a soothing habit of her:

'Four letters, from your girl, sir. I quickly opened them. They were:

'Hi boy' 'I'm doing fine' 'will be back soon' 'are you hurting?'

'You think master Sam will stay away for much longer?'

'No, I don't think that. Maybe another week, or so . . .'

'Wel then I think it's time we had a talk, if that's convenient with you.'

Her voice wobbling around her words, she trembled and her face whitened.

'Oh, please do, and take a chair.'

'Yes . . . that's good.'

She sat down between my windowtable and the bookshelves, with the quickly fading light just touching her up. And then she started, monotonous voice:

'I would not have told you, if you'd have left or Master Sam, but now you're staying, I'm obliged to. You see, if you're going t hear it later from others, it will be even worse. Anyway . . . you may have thought at some time, that I was married, as Alex always cals me mother, but I'm not . . . you see Alex actually is a misfortune, so to say. His mother was a bit loose, and then she walked into this guy . . . and she kept on sayiny: "I'll drown myself, and the boy with it". I understand, that I had to take in the boy with me. His mother later on married a tramguard and they did ythen officially recognise the kid, and he also stayed with them, but now for a few years already he's staying with me again.

Imagine his father, you see, it is not really his father,


46


just only for the law, and he one day just kicked him out on the street, and then our An saw him wljing with these awful holes in his stockings, you understand, that's when he returned back with us' . . .

Her grey voice dozed softly and a mellow silece surrounded us in the now fully dork room, and I remained silent. Then the Meks sadwoman's voice again:

'but that's not the point . . . I just wanted to let you know about Anne and Toosie, it's so much better you hear it from me than from strangers' . . .

You see, Toos and An, are no relatives of mine at all. They're kids of a girlfriend of mine. There also is a third one, called Stientje, but she is in Groningen at a deaf and dumb institute, so she won't be any bother to you. . . well, Toos, as you may have observed, she's always so pale. Has it from her mother, who died of consumption. You see, I was with her as I was her best friend, and when she died, she took my hands and said: "Ketoo, will you take care of my kids?" "Honest to god", I said, and then she was dead at that very moment. Soo dead. Well, now you know yourself, if I'm not always good with the children, yes or ne . . . and what I did for Stientje, cannot be described in words. She was in St. Michielsgestel institution, with the nuns, but then I heard, she was having it awful there, so I went over to take her up and away from there. Anywayz, at that time their father was still at home . . . he's in jail now.'

Her voice feebleweakened in the dark room . But when a stray ray lit it, het face palewhitened and trembled.

'You see, I have to tell you before others will . . .and now the missu from the second floor said, sh was going to tell you and that he was sure you'd react by leaving . . .but I would so much rather have you stay, he has been there, but that does not mean you are a fully furnished blackguard.


47


He's been a post delivery man for twelve years and never have there been any complaints or agro . . . and then, all of a sudden, he does something stupid by pocketing a mail-check, that was not for him. Well you see, then the shit hit the fan. He'd don it in August and in November it came out. Jees, when I remember my head hurts . . . I was waiting for him with the supper, when Toos storms in . . . o, aunt, aunty, dad is being taken away by two men . . . Jees, how that frightened me . . . well, I won't bother you with all the details, you have other things to be bothered with . . . but I just wanted to ask you not to be so upset as to want to leave and master Sam neither.'

'Nay, miss Meks, I wouldn't dream of it. What business is it of ours anyway?' . . .

'Not even if he returns home come July?'

'Hell no. . . you also don't ask us about the misschief we could have been up to? For all I care master Sam and myself could also have a jail history'

'Well, sir, don't make jokes like that, it's not that funny; not fun at all!'

'I'm not making fun of you, honest, but it just could be,'

'No, you would never be so careless . .. you should know, what we've been through . . . that day, the day you came here t o hire the room, we were left with our last nineteen cents and our Alex without a job, that's why I took you in without hesitation. anyway, I'm so happy we have you guys here again. At least now we can pay our rent. . . You want another cuppa? I got really good coffee in the filterjug.

'Yes please madam . . will you come over here to have the coffee with An . . . Toos is not around, not? I'll make sme light.'


'Yes, that wuld be nice, so, then let me just call An for the coffee . . .but no, I can ring her . . . well now, just one moment' . . .

The doorbel tinkled, coppery aftersound.

'Sir, there's another letter for you, with the porter.'


48


It was Sam's. I recognised the lightblue pointy letters straight away. It said:

'Joop, will you come around tonight at nine in de Pan?'

I sigh of relief I immediately uttered because of it and immediately envisioned how we'd be sitting there in the light salon, with us separated in a light-dark shadowcorner softly re-discussing, as we always did. And now it had not been for ages, but suddenly I remembered and felt all of that again. What had been and I couldn't control myself of anticipation, in that lamplight room with miss Meks having coffee with us. But it was only five o'clock.

'Miss Meks . . . I just have to respond to this letter immediately, don't wait with the coffee for me'

'All of a sudden? Not one moment for a cup with us?'

'No, really, I'm very sorry, but have to run.'


The weather had cleared up greatly. a bright lightwhite wind and the streets were dry. Now let's be reasonable. . . around nine at the Pan, that means past nine, because Sam will have to be there first . . . otherwise it could go wrong. . . and no lingering in the city or walking about a long way into nowhere. Somewhere, that's better otherwise I could not compose myself until then. . . Where? . . .

Halfweg, Zaandam, that would just be a distance to make it back home at nine. Well, Halfweg it'll have to be; that's a nice straight road. . .


On de Stadhouderskade the street was broken up for the tram, a row of red twinkling lights around it, but further on the Kade was dark.

And straight on, to the right at Leidseplein and than onto Nassaukade, piecefully in the winterlight. The Raamgate clock hit six.

Quitly it kept resounding in my head what Meks had told me . . .


49


Such a decent person, to take care of other's children, who would feel for something like that? Anyway, a good kid too that Toos . . . and soon back with Sam . . . say it again, softly: 'Sam, sam, Malle malle ** Sammy'


That evening I walked all the way to Halfweg and back.

It was just past nive when I entered De Pan.


In our usual twilight cornr Sam was sitting, his hands in front of his eyes, darkening the top of his head more than his chin.

'Hi . . Hi . . .hello' . . .

'Hi Jopie, how nice and fresh you look! Did you walk a stretch?'

'Well, not a little stretch, actually; nice and cold outside' . . .

But my bright blue outside mood withered straight away in that bright lit salon .

. . .'Feeling alright ?'

'Yes'

A silent sadness greyclouded around us again and our voices muted softly against each other.

'You're coming home now, yes?'

'Yes, tonight I will be coming with you . . . did you have a miserable time?'

'Yes, but I did write you often, and I liked that a lot. . . shall we leave here?'

'No, let's stay . . . I don't feel like, like going home' . . .

The languid light evening dawdled its hours, re remained together in the greyness similar to our moods.

'Let's be on our way, then' . . .

'Yes' . . .

At home it all got better, the ordinairy things around us, making us stronger.






**

Mal or malle meaning silly or crazy. Quoted from the landmark song from notorious queer singer songwriter, actor Ramses Shaffy "Sammy, loop niet zo gebogen"


50

We left he main lamp switched off, and the small light standing silvery white on its shiny pedestal tremblelit shadowy.

'Sam, say, did you hear about wat miss Meks has told me'. . .

And when I was done:

'She's ripe for Meerenberg.'

51

IV Death of the white thief.

Plainly similar the days feathered on, in the continuous tight tension of eveyday work, emotionless. We were in mid winter now; it rained less and the clear light of a bright sky stretched far more prominent over things.

Sam was quetly working on is M.D. exams and I did my Latin duties. We were working all day now t home, only late afternoons, when the daylight started to fade into evening, we walked a stretch up the street, along de Amstel, got home not before it got deep-dark and then worked on through until night. It alk felt really ordinairy, we piecefully loved each other, clmly, without passionate desire. Sam stayed sedate and good, without any of the fierce cruelty of deliberate premeditated pinching or beating.

Until the unrest returned of Hector, the white dog. Bald and skinny he was with always that unsatiable hunger emptyness in his weak belly. His beak pale warm-red inside, he always kept it stretched open when someone came too clse for comfort. a Bad dog. But miss Meks loved the mutt, because she rescued him from the canal when he'd only just been born and now she kepthim as a symbol of her passionate love of animals. And proud she was, that he only agreed to come out if she went too and then walked right behind her with his beak in her hand.

52

And Sam just hated him. Indifferent at first, but it slowly grew into a solid fullblown stiff hatred, that he uttered in all kinds of pernickety detail,m Sam uttered with the detailed attention of a well serious person.

Like when he wet to get black pudding, and fed it to Sis and Mimie, attentively, his face tightly beown and unflinching. And the hungry white thief kept jumping around, with short yanks at his chain, his hot-bright beak open and barking ludly.

We laughed about it, that Sam hated and teased that dog so much. But one day he lold me: "Joop, don;t laugh about it" and then I realised and felt that it was the sickening all over again:

'Miss Meks, it's obviously your own choice, but I would appreciate it very much if you could get rid of the whiute thief.'

'Well yes, if I can find a good home for him, I will, but you know, that's easier said than done; he's surely not Mister Adorable.

'You could just throw him out on the street, without himn having a home.'

'What do you mean? Out on the streets? You'd see, how fast he would be back in here, no, if I can find him a decent home, he can leave, but until then, no way. . . Are you that troubled by him ?'

'No, not me, but master Sam can't stand him and you cannot imagine how lousy it gets him. He could just get sick f the beast.

'Now, I say . . .'

Actually, that's pssible, when he does get cross with the dog, he can mope about it for months.' . . .

'All about such a sweet klittle dog, who evidently is in te souterrain most of the time anyway.' . . .

But, let's not discuss it any further. when master Sam starts, we can always see what to do.



53



Weeks after that it remained calm. Sam went and came and went, and did not mind the white thief any longer.

Until one day. Miss Meks was ustairs for a moment and Sm walked from the downstair into the garden. It was going towards evening and the house was quite. When suddenly we heard sharp crampy barks, that ebbed away and then suddenly came up again, short and smothered.

I jumped down he dark stairwell, into the cellar space. On the ground lay the white animal, violently shaking, a light grey spot in the brown darkness, and Sm on top of him. Jamming the weak abdomen between his legs, and his ribs twitched between his hard knees. The whute beast was no lnger making a noise, just short bursts of breath, while Sam's legs forced it into itself.

'God . . . Sam, what on earth are yu doing? Have you gone insane?'

'He has to die'

'Let him go, what nonsense is this ?'

Miss Meks had come down with the light, that shone reddish on Sam and the dog. . . .

'But master Sam . . o, mister Driesse, my entire dog is being killed . . . do stop it' . . .

Sam was still on top of the completely flattened beast, with one hand smothering his snout and with the other hitting and piunching . . . here and there. . .

'Miss Meks, do be careful, when Hec won't bite when he is released, then I can take care of master Sam.'

With a hard tug I pulled him backwards away from the dog, that moved lame and panting onto his basket. Meanwhile Sam got sick.

'You see, miss Meks, I told you, you have to get rid of the animal, please.'

'Yes, my god, if only I knew where t, but I seriously have not a clue.'

'Whell, then have him terminated. I'll pay for it.'

'No, that I could never allow. You cannot give nor take away that animal's life, that's what I say.'



54



It got quite again for another few weeks. Sam mending and working and forgetting about the white thief, who was left for days on end attatched to the chain. Until ne night . . .

We were suppsed to go out with a friend of Sam's from earlier days, who had returned to Amsteredam, and we would make a long walk onto the IJpolder and we were waiting for his arrival. A bell rung, just one little pull.

'Quite now, let';s have a listen if that is Herrie' . . .

Miss Meks opened up, her white scarf on.

'Goodday madam, are you interested in fresh eggs?'

We laughed and looked at each other.

'Sam hi!' . . .

'Hi Jopie' . . .

'Do you still love me? . . . let me lay down with you.'

Backwards I let my head drop onto Sam's lap.

'That Herrie, just never on time hey?'

'No. . . let him stay away for another bit, for all I care, what about you?'

'I could not care either, we're just having it so good, there's miss Meks; what could it be?'

'Good day gentlemen' . . .

'Hi miss Meks, anything the matter?'

'Yes, I got news for master Sam, I just sold Hec' . . .

'Well, so we're finally rid of him . . .good, hey Sam, that's great news.'

'I really couldn't care less what happens withthe dog. It's none of my business.'

'No, but, that just great, it may not be mr sam's affairs, but who insisted that much on

doing this? Anyway, I'm rather happy myself to be rid of him, nt withstanding.'

'Will he have a good home?'



55



'I think so . . . I sold him for a thaler to a farmer.'

'well, that's good fortune.'

'Please, I can always do with that money better than such a deadwringer, and if I add another sixty two cents I can redeem that standing clck of mine. Imagine, that was the man who came with the eggs and than he heard Hector bark.'

"Well, he said, that's not a small one'

'No I said, he's rather tall.'

'Anyway, then the farmer said, if it's not a pulling-do, I'm interested in taking him off your hands, and now I've sold him. I'm happy to be rid of him, and so you must be, hey Mister Sam?

"What difference does it make to me? He could have stayed for all I care'

'Yes, easy talk now. Tonight the farmer comes to fetch him.

With Herry Deutz we made a delicious walk all the way into the plder and then we brought him back to the train. Latedark we returned hme. Sam quit, just dropped on the canapé. I worked some and itbwas an ordinairy moodless night.

'Sam' . ..

He layed staring backwards, the lamplight finely splintering around his round brown face, bland, emotionless.

'I'm off, are you staying at hme?'

"Shall I go along?

'No, rather not. I only go for a walkabout.'

When he was gone I could nt work anymore and just had to think about him. Whay could be the problem now? It was something almost every day nowadays and never something good. Anywhow, back to work . .. A ring, what could that be? . . .

'Toos, can you peek out the window for me?' . . .



56



Yes, aunt. . . aunt it's master Sam.'

'Master Sam?'

'He needs to talk to you.'

I'm coming'

'Jees, what's it now? What kind of antics had h mustered up this time, to cme around ringing the bell, well let's see then' . . .

'God Sam, what's up?

'Don't you interfere miss Meks, I'm here to fetchn Hec.'

'Fetch Hec? Are you kidding me?'

'Yes, you sold him to a farmer, and that farmer in turn sold him to me and now I'm here to fetch him.'

"All good and well, and you can say so, but I could never hand him over to you when I sold him to another person.'

'De Gooijer'. . . .

From the dark cornerhuses next to us an elderly little man loomed up.

'Hiallo madam, hallo sir;

'De Gooijer,miss Meks here does not believe that you passed the dog over to me' . . .

'Yes madam, so I did'

'But what in heaven's name you want with him then, masster Sam?'



Then I realised it was a premeditated deal with that farmer, and that Sam wanted to get rid of the dog that way and I grasped what he intended to do with it.

'Sam, don't be so silly, please, use some sense' . . .

Stay out of it . . . Miss Meks, Hec will be drowned.'

'Drowned?'

'Drfowned.'

The four of us stood in fromnt of the door, miss Meks crying, a felt a bleak spell of nausea well u in me.

'Sam, you're mad . . . this is just insane!'



57



I realise that . . .for months I have suppressed it and now it's time he dies... at de Kalf he will be put in a bag of stones . . . De Gooijer has everything he needs with him, do fetch him now, miss Meks?'

I've sold him, and I don't want to start a fight about this, but it remains a dirty mean low-down. I'll get him.' . . .

Loud barking blares from the basement. He sounds happy, that he's been walked outside. Wildly enthusiast and happy he barks and jumps from the stairwell.

'There . . . youn have it your way.'

De Gooyer, attatch his muzzle.

A bark, a throtling cry, and done.

'That's it and now the walking leash.'

'You'll have to work out for yourself how you intend to get him to walk along . ..He never wants to walk with anybody else' . . .

'Oh no ? Just you wait and see.'

On the street the white one stands dead still and refuses to move another foot, his legs spread wide in resistance. . . his bony back bent backwards.

'You see, he does not want to be on a rope.'

But the noose smothered his fine white throat and the beast just stood there in fear.








--------------------

57

Across his ankles a smackstripe of the dogwhip crashed . . . moaning he fell down.

Behind the doorwindow miss Meks and myself looked at the scene.

But suddenly, paralized and numbed the white stood up, and meekly followed the leashpull.

'He is following master Sam, sure enough, maybe he's not serious'

'Oh yes he is'

Through the lanternlight circle they passed on into the darkness . . . Older farmer bent over. Sam squarly straight up,m the white one behind them on the rope. Around the corner of the street they went, onto de Amsteldijk. And we went back in.


58


VII People for tea and it's not for girls.


Sam had to go to Utrect for two days and sunday afternoon when it grew darker hge leftr me alone. After the death of the white thief there was a sharp twist and a sharp separating from our former suffering. A really good period seemed to have arrived. And it was now drawing close to spring again, so we got more intimate after the sinister winter.

In the dusking room I stood staring at the darkening light in front of me, and the room's corners thickened the darkness further. The alarm sucked drearily slow at the time and fastsharp the metal wallclock tingled through that. I listened and tried to separate the two sounds, until my ears hurt and a tight sissroar pierced through my head, vibrating behind my eyes.

There was a knock. The light tingle halted with a shock and faded.

'Come in . . . is that you miss Meks?'

'Yes it's me. I wanted to ask if maybe tonight you feel like a cup of tea with us.'

'I don't know . . . I have a slight hedache today . . . could you please turn up the light for me?'

'Yes, sure, where are the matches?' . . .


59


My eyes wanted to stare, each time looking at a defined lightsource . . . no, not going for tea with miss Meks, not now . . . that way it would all get s brutal and busy once again . . .

The lamplight twitchedd a bit . . . Miss Meks drew the curtains closed, with a loud noiserattle. . . .

'Gosh, that way he could have done something out of the ordinairy . . .well, how about it? You ar coming around for a while, not?'

'Are there many people coming?'

"Gosh no!, not at all . . . let me count . . . no you count, I'll call the names . . . The landlady with her husband and niece from de Van Wouw, and the aunt and children of miss Lepelaar, well and then you, if you come, and then us, of course. Anna and Alex and Toosie. But you see, she is not allowed to stay up all that long, she gets one cup and then must be on her way.'

'Yes, in that case it's fine, I will join you for a cup then.'

'Oh, that's delightful . . . and if you like I would love to do it in your room . . If you have no objctions, that is. . . . It's so much more spacious here that in front.'

'No, go right ahead, clean up the mess a bit . . . as long as you don't muddle up master Sam's belongings.


Then, walking quite a stretch through the city, I felt weak and white pale and did not want to go further out of the center, where it would be black and light yellow.

De Utrechtsestraat. There the gellow light brightened with shopwindowbulbs, bleak-overblued by arch lights. Now keep a left, then you can see straight into the fces of the people., that's much nicer than watching all tjhose backs, walking as fast as they could, as if they're in a hurry. . . Jees, what a jolly and nice kid is coming up there . . . Funny leg movement and how well he fits into his clothes and what delightful shiny agreeable eyes . . . passed already.

No, don't let him slip out of sight so easily; have another look around.

Behind the boy, I quickly walked back and looked at him once again, trembling for a second.


60


I felt myself getting bleak and dizzy.

Then I forced myself stringently onto de Utrechtse Dwarsstraat . ..a stretch along de Reguliersgracjt and sadly alone I returned into the lightc ity-in-the-city.


Just after eight I sarched for my key, on our doorstep, but didn't find it, so I rang.

Toos opened upand hello-sirred me in softly as was her habit. My mood was disisively tired.

'Are they all there?'

'Yes sir . . . the landlady is singing.'

When I opened the door I was welcome by the warn sushing in the room, but when they saw it was me, they all cried out, that they'd kept a seat for me, over there behind the stove.

Next to Anna, the husband of the landlady hinted and they all laughed about it, roughjolly. But the landlady turned all blushy red and stopped in the middle with a sudden endtwitch and a strange questioning in her eyes.

-Oh it's you, master Driesse? I did not hear you come in.'

'But prey do continue the song, you know how I adore music.'

'Yes, do sing the entire verse all over, iss Meks called ouyt, mister Driesse is a real uthority.'

nd then they all exclaimed: 'Yes miss Bramer, you should do an encore' and 'miss Bramer do let us hear, please don't let us down' and then the landlady sang .

Standing grand in the middle of the table and the lamplight flooding yellowish across her red face . . .

'Allright then.'

Heavily shocking with her glaring shriekvoice she started, looking straight-staring into the distance not to be distracted. Intensely we all listened:


61


'Why is one walking arm inn arm

in the moonlight.

Why beats my heart so warm,

free of sorrow and pain? . . .


And faster-melodious, lighter-moving het voiuce refrainied the end bit:


And yesthat's al caused by love,

Such a sweet thing

That's the refrein of the song,

of the song that I sing.'


And they all sung along with the end lines. wordless humming first and then softly singjoking, with thgat eery feling of not having all the lines right, but at the end stanza getting to loosen up in joke, with just miss Meks gently heaving, because she felt it improper for me, but still couldn't help herself, forgetting she was a few weeks behind on her rent.

When it was finished, applause, handclapping, footstamping, and miss Meks, who felt it was finished when it ws indeed finished, pooring another cup of tea, but it was not finished yet because there was an ncore couplet.

A solidly sonorous landladylike voice:

'Your applause, dear public,

is a great honour for me,

Coz, ladies I cannot refuse,

and gents even less,

And yes, all that because of love.'


. . .so we all jolled along, bleask Toos as well, who remained seated with her trembing glimmerred spots on her cheeks. The solid sound of the house mistres still echoed, but a dampening warm silece now clouded around our hotheads, that were shiny-yellow-lit . . . by lamplight, that shone roughly warm-red and tellow allaround the entire room.

'Yes, I've urned up all the lights, so much cozier,


62


miss Meks softer-whispering with Lepelaar and the landlady: "Can you get your head around that? Master Dresse and mr Sam are always sitting here with a separate light with a green cp' . . .

'That's best for your eyes, you know that we bth have very bad eyesight.'The full room drowsed sweetly around and over me, it ws better here after all. Better than being alone in a room with drk green writing light, and the soft intimacy embraced us as if smiling.

'Master Driesse is laughing, he';s thinking about his girl . . . jes, yes . . . now don't deny' . . .

'Toosie, it's your bed time sterned miss Meks, who was worried that it might turn wrong.

An, do run up with her, just to make sure' . . .

The convrsation intimized again. en drowsily I looked into the lamp.

'Well, well, now do sit down beside me and tell me honestly, what you thought of my performance just now.'

Itb was the house mistres, intense and red.

'Oh, very good . . .you must have quite some experience?'

'Yes . . you see, I'm always asked and if you can please the people, well, you just can't refuse, can you? . . . I'm glad I have this opportunity for a more intimate conversation with you' . . .

And in the yellow intimacy of the makeshift tearom she talked civilizedly about music and the People's Concert.

But one conversation towered above all others and made everybdy quiten down and listen attentively all around.

It was niecy, whose niece name I never got to know/ She started it. Niecy was nothing less than absolutely in devotion of our Lordy, and had nothing else in her vocabulary thgan his teachings. Spitefully sharp she had remained silent in our Lord-less company, her one arid hand at her chin, and a pointy elbow resting on her lap. When she had tried to chat up the husband of the landlady,


63


he had plainly told her: ''all vicars are assholes." And niecy remained silend once again. . .

Meanwhile the aunt of the children talked with miss Meks about setting up a business in ironing and washing . . . if you only worked with your own folks, miss Meks ironing and An doing the washing and Toos for the commissions, it could be done easily, and the children were as good as their own folk anyway, and miss Meks nagged along, because it was just half ten and you could not come around credibly with the sandwiches before ten or half elevenses.

I had drifted out of the warmyellow intimacy of the landlady and gotten quitly intimate with the lady of the house and relaxed and unintimidated listened to the clapexclamations of the landlady's husband, who laughingly told one dirty jke after the other, and shook jolly exclaining: 'yes, that's a god one . . . was it good or not? Just a toch to raunchy . . . And softly I heaved along. a pleasant calm now rested around the room, only distorbed suden-sharply by the shriekvoice of niecy, which just as suddenly was force into an interruption. And I could no longer determine the plain blanket of talks.

Then one shrieky cry popped up . . . it was miss Lepelaat: 'How can you say that, niecie?' And the shriekquestion caused amazement and pulled others into the conversation, Just as intended.

The children's aunt watched drowsily . . . miss Meks, who sas joking about with the landlady, looked serious. She felt it her duty as host. It was quiet for a moment tension filled silence. And when that was at its most intense, miss Lepelaar declared:

'Just imagine, now niecy is bound to say, that all written words are sinful, and the holy scritures then? . . . say, how about the scriptures then?'

Niecie remained silent.


64


'No, lriumphed Lepelaar, if I know my religion, than I do want to know it well, but just as well, when niecie had everything to say about religion and then even some more' . . .

'We have a dog's religion. the flesh is better than the bones; Meks joked soothingly.

But Niecy fell out in scorn.

'You even make fun of the holy basics of religion, thse are the lord jesus words that got him crucified'. . .

'Yes, it's not a matter to joke aout, miss Meks, said Lepelaar, who did not like her affairs to be ridiculed.

'God woman. who's mocking? I'm just saying, leave your religion at the churchdoor.' . . .

'Am I imagining thgings, that niecie wanted to strike off six crosswordpuzzles in a row, that wayb you can strike off everything from the letter to Paul up to the predestination' . . .

'I'm not striking off anything, we were not talking aboutn that' prickfingered nipping niecie. 'We were discussing the souls of the heathens, who never knew the words of the lord jusus and his crucifiction, and I say, what will remain of your faith, when such creatures are allowed into the heavens . . and as miss Lepelaar does noit believe, then I suggest she needs to go around to revered Deelman to hear.'

'All vicars are wattles, lectured the landlady's husband 'I know them'.

But the scorn of niecy intensified, in this care having more of a point than against miss Lepelaar:

'You dare to say a lot miter Bramer . . I have courage . . . Do you know reverand Deelman? Is he a wattle? Now, is he? . .

Wrathful and redhot she lists all local vicars asking if they are as well, and then even fiercer: you dare to say a lot mister Bramer'

'cmon niecie, calm down a bit, the Meksenwoman sussed, not wanting her teaparty infuriated.


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'mister Bramer does not mean it all that serious . . . and we just had it . . .

'Yes, I 'm the one to keep quit, when my local vicar is being mocked'. . .

'Niecie, that was not what it was about, bossed Meks, we were talking abut the souls of heathen, who don;t know the first bit about jusis crisis and his cross, thst he will ot be equalled at heaven's eternal justice with a christian, who breaks bread of the soul, and if miss Lepelaar knows all that better, she just has to move forward' . . .

Miss Lepelaar did not give in yet.

'Yes, knowing, knowing, we don't kknow sjit, as it;s written, the wisdom of the children has been reveiled, but is hidden to us, I'm sure hiecie also knows that' . . .

She did.

'Well then, triumphed Lepelaar, 'If niecie knows as well, than I dont grasp how anybody can talk that way'. . .

'Hear hear,' niecie nipped.

Then the bored landlady. She was just sitting there, cunting for nthing, whike niecie and Lepelaar had the floor. So she got hold of tjhe attention, and soaking up the gist of the arguments she started:

'Yes, I'd rather not talk abut such matters f faith, coz nine out of ten times it ends in a row and we never go to church anyway.' . . .

'Shame on you' snapped Niecie.

But her of Bramer sweeted:

'I would not know how to find the time for it . . . with all these houses and other affairs to attend to.'


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Niecie kept quit; she had no real estate.

'We do our faith for urselves . . . t be honest, but to get back to where I started, if you talk about an authoroty in religious matters, than you should talk to my husband's cousin Teun.

You surely must remember him, miss Mek . . . did you not once live on the same staircase?' . . .

Miss Meks had indeed.

'Well, that's a guy of well into his forties and he still believes in Adam and Eve and that gd created them in his image.'

'What about it?'

'You should let me finish, niecie, learn that from me', poch landlady returned.

'but my nephew Teun wh still believes in Adam and Eve as first people . . . well, then I obviously told him, that means nothing, if a man and a woman get to know each other and become one flesh and blood, that something that niecie also is supposed to know.

She did.

'At first he would not believe that at all, but I asked him what else those fig leaves were for, and the tree of good and evil, well, niecie, you gather, he did not have much to say to that, so, niecie, I only want to say that I don't understand how you can still; . . .

'Niecie kept quiet.

'Come An, lets set the table, miss Meks ended the discussion, think about the serviette for master Driesse and the landlady.'


67


VIII The German Lady.


Who had the small sideroom at the end of the corridor, with just one window, as opposed to our two. Wh never got asked for tea and against whom pale Toos kept a jking brutality laded with filthy innuendo.

She was skinny and yellw, always ran around in a summerjacquet, and a wildly feathered hat. That was the German lady.

'Yes,' miss Meks spoke upwards to their window from the garden, 'I came across that German woman ever so crazy. If you care to keep the window open for a bit longer I can tell you, while the smoke can blow away from your room'.

We were bth on the windowsill, windows wide open, because the heater had been blowing smokebecause the exhaust pipe had come off . . . and the sun was already warming up some. Across the separating fence leaned concierge-lady listening in.

'Wel u can grasp, when you rent rooms, you cannot always de too fussy about the people you ger. No . . . say for yourself. Anywayz, a week or so before you two gentlemen came, the s small room became vacant . . . and I placed a sign: 'bedroom for rent' and already on the3 second day a gentleman came around to check it out, and rather liked it, and, you'll have to grant me, it is indeed quite a nice little room, well, he hired it, so to speak,


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'only', he said 'It's for my sister, and she will not be any trouble to you, even less than a gentleman, because she's outdoors most of the days with her pursuits. But,' he said, 'what I need to tell you, she has been staying in Germany for quite a long time, and now she has unlearnt quite a bit of her Dutch.' 'Well, I told him, no trouble. And then she came around the same afternoon. . . and I must confess, I just didn't like her the least. Not that she gave me goosebumps, or so, but I immediately told our An: 'that lady, she has someting in her eyes, that I dn't like, she looks kind of mad.'

Absolutely, it came true, you see, at first we hardly noticed anything with her, the came and she went, without saying Booh or Bah. But then, one day, miss Koppé told me:'who do you have on the small room?' Well, then I told her the whole story.'

'Aaah', she said, 'how did that brother of her look then? And I told her, quite long and blond.' And there suddenly miss Koppé roars with laughter, as if it was a miracle. 'What's it, woman?' I uttered . . .'well madam, they've been pulling your leg, as I suspected. But I wanted to be sure first: that is surely not her brother, that is the man she lived with' . . .

You se, when you give notice to that person, she will not be going, and willjust do as if she's deaf and she did not want to leave him, so that's why the man tried to find here a better place t get rid of her. Imagine, I surely don't like it either, She brings the entire hous in disrepute. Miss Koppé has seen her at three at night dancing with a red lamp burning in the window. and at Paul Kaiser she wanted to haggle about the breadprice, who does such a thing?'

'Yes, when you need the rent, you sure can get some weird lodgers about the place. I for one would not at all be pleased with someone like that.

Housemisses has houses, so miss Meks, who rents out rooms replied kindly:


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'It's not easy to always get the rooms occupied in a decent fashion, . . . See, if you rent out entire houses, then you don't have to deal with the master of the place, but with lodgers in rooms, you do. You'll always have to keep up appearances. '

'Or rent out yourself with the room', pricked nextdoor's housemisses, but the Meks calmly replied:

'Anyway, I rather rent out rooms, than being a housekeeper, because then you're completely somebody elses dirty asswipe.

Miss Bramer had been housekeeper herself, so she did not know what to say to that, but:

'Well, to each his own, said the farmer and he ate figs.' And that is what she said, turning red of anger. a Row was dangling in the air, but m,iss Meks was not finished yet with her story and the housemisses did not want to argue with the two gentlemen present.

'But you're not at the end' miss Meks continued, 'She'll have to leave, I already told Toos she can no longer do commissions for her. You don't go shopping for a crazy woman, you just don't, and she smokes and quids as well.

'You don't say' housemisses wondered.

'Well, then you don't belive me . . . I never come across the floor of my lodgers and neither do our children, master Sam and master Driese can attest to that, but she here is a crazy wioman' . . .

Into the cellar stairwell miss Meks dived away, and from the stairwell so popped up again . . .

'Well, what did I tell you? She triumphed. It wàs tobacco, chewing and smoking tobacco.'

'No, she'll have to leave, I already had her move from the backroom to the souterrain and now she'll have to vacate there too. . . I will not keep her; when she goes out she sticks her wet finger in the air to feel which way the wind blows, and as the wind blows , so does her hart' . . .


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Miss Bramer agonised.

'She cam home recently with all her shopping in her umbrella . . .which was thát far open.'

Miss Bramer goshed.

'Well and then there's that nasty beast of hers . . . now I ask you, am I kind to animals or not? But that white mongrel has already bitten me twice. And for that she could spare eleven guilders of her poverty, and then he was picked up last week as well for not being muzzled. Eleven guilders and almost a summons as well, because she hit Palmer the detective official with her umbrella. Well I ask yu, who wears a parasol these days?' . . .


And a fortnight on the German lady was still there, playing deaf when miss Meks gave her notice, paying the rent exactly on time. She now even was a week ahead.

But miss Koppé had seen ar about again. She had been dancing with the red light at her window last night; you could se the shadow of her movements on the opposite walls . . .

bbut this time she'll have to get lost. Not a minute longer I will keep her here' . . .

'But why don't yu shove her out on the steet, then?'

'Yes, you're a fine one to say that, master Sam. She's strong and all. Strong as a horse and if you point as much as a finger to her, she has you by the throat or that white mongrel of hers will jump you.'

'Then give her official notice'

'She doesn't care about that, just does as if she can't understand Dutch, whenever you tell her something that doesn't please her. . . I was just about to ask if you could be so kind to give her notice, as you can speak German, and then she wil not be able to feign iliteracy and will have her congé.


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And so Sam went down, all of us quitly stepping behind him Sam entered, we took cover in the darkness, listening.

We heard Sam talking wih her, distinguished, in correct German with a bargaining soft tone and emotionless even, that miss Meks needed the space, so she had to move out before monday next. . .

'What was it all, that master Sam said?'

'Quite now, let's listen . . . he does it reallyt well.'

'I can't make it out.'

In the brown darkness we all stood heads bent down, behind the thin door of the cellarroom.

Sam was silent now and so was the Germn lady, and then Sam again:

'You have nothing to say, madam?'

'No'

'Then leave, shit!'

The door flung open and Sam stormed out, the white fox barking, and from the inside the German locked the door.

'Now that does it . . . did you hear that? No, she said.'

'You see, cheeky as well, she is. What is a woman to do? I even owe her a thaler, so I cannot just throw her belongings out on the street, you see' . . .

'No you can't'

'Than she can even throw us a spectacle . . . no, you'll have to go to her yourself and you actually don't know what you can force her with. She's not in pension with me, she makes her own bed, empties her bedpan herself, with permission, and Toos has not been doing her shopping for a while now. . . I really don't know how to get rid of her without a scandal.

The three of us stood in the upper corridr, that was fast getting dark, but not as dark as the glomy souterrain, wher Foxy was barking still.


72


I felt so awkward then, that we needed three of us to get a silly German woman, who could not find any other home, out on the street.

In deep thought sam stood, lightless eyes, sadly, while his voice dulled:

'If you give me two eggs, I will get rid of her for you.'

'Oh no, master Sam.'

'Yes indeed, will you do it or not?'

'Yes, if I can be sure that you'll get it done without causing a scandal, than it would be different, but yt cannot be done that easy.'

'Without a scandal and that thaler you will not have to pay either, you'll see.'

'That's easy for yoyu to say;

'When I don';t succeed I'll give you three eggs in return.'

'Alright then, okay with me, in that case.'


Just as alays Sam was whistling in the room.

'Whe will be gone' . . .

'You're insane.'

'I know I am.' He whistled on, a calm soft caressing tune, which got me furious.

'What difference does that woman make to you? Just leave her be.'

'She will be gone, and now I know exactly how.'

Miss Meks brought the eggs and the pepper and salt set and Sam slowly ate from the cup, spning the last pieces of white. and Meks negotiated:

'How do you intend to go about it? Should we not get a bailiff?'

'Not at all, tomorrow you'll say to the German that she must be off and that there's a shop coming here, and you'll see; she'll be on her way . . . Joop. remember, that is how they got us out last time, or not?'

'Sam, you're insane, leave her be, what has she done to you?'


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'She's out of there . . . a mean dirty trick it is, miss Meks, you must just tell her that we all have to move . . . and you'll see, mister Joop, if somebody plays a dirty trick on you, like the Bottl did with us, you have to count your losses, but don't hesitate to play the same trick in return on somebody else, and you'll see: what goes around comes around. Then we've really settled things and are on equal footing again. And every time you take the mickey on somebdy else, so much the better for you!'

'You're talking nonsense, as if there's any profit in it for you!'

'But of course, the profit is in the gratification, get it?'

'Well, I just do not get it, what good is it to miss Meks, to put her out on the street, while she is one week in advance with her rent, and that gossip about the burning lamp, that's just rice pudding with lumps.

'Gossip? n your bed she'd leave you to burn.'

'And still it is a dirty low-down trick to just throw that poor girl on the street.'

'What is it to you? It almost looks like you'll have to join her on the street.'

'Dirty, mean, how can master Driesse say a thing like that? Mean is the way she, who's chewing black Porteriek brings us in disrepute.'


Then sam said the lady would have to be moving and that we all had to go before monday, but still she didn't budge, went out, came home with her fine white foxy beasty, did not move. Shrugged it all off het shoulders indifferently. Smking, chewing.

Miss Meks came up for advice.

'Well if you go packing bownstairs, just start off with some of the junk, and if she has not run off the day after tomorrowe at noon, then you call me.'

The German stayed put, not moving.

Then, two days later miss Meks came back up, furiously curious

.

'Now you see for yourself. She did not mve.'

'No, we'll begin; is she home?'


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'She just got out, but you can't be sure, sometimes she runs up and down a hundred times a day.'

'And de dog beast?'

'the white bitch is still in there'

'Come along with me then'

And serious, and tiresome, he went down the stairs.


In the darkness of the souterrain is turned into a wilde invasion of the small sleep kot. They went clearing out. Laughingly splattering water and buckets all over the place.

Miss Meks, with her overskirt tied away round the back in a thick knot and on kloggs. Sam with his trousellegs pulled up.

The white foxy trembled and whined, one pay angrily raised. But sam grabbed him malapertly by the neck skin, and with one blow yanked it into the toilet bowl. Dropping the lid over her and holding it down. In the plague-stench the animal squeeked piteously, quite smothering beeps out of fear and disgust.

triggering more mellow sensilility in Meks.

'h god, no, don't do that, please get her out f there.'

'No . . . no, is just fine in there, I will go and have a shit right on top in a minute.'

Just for a short while the relaxed and drank coffee, miss Meks, small, in front on the stairs, drank from her saucer, leaving her cup aside. Sam lay stretched out on the floor, sad and white. From the smelly john the dog yammered up, cramped and moaning.

And then it started all over. They flushed water in a fiercely violent rage to destroy everything. miss Meks cried laughingly with her skirt even higher up, pumping buckets full of water, and Sam just yanket them at randm around the little room, where gradually everything got soaked and the color plates on the wall hung torn and drippy.


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And then miss Germany returned home.

And Sam sneeringly mustered up his best German.

We're moving out madam, we're moving.'

And the Meks woman in silly courage joined in:

'We're moving, you shitmadam . . . moooving!

In the john the squalor dog whimpered.

The German woman turned and left.


Tired and weak after the insane uproar Sam lay on the canapé and his voice flattered me:

'hi Jopie,'

From downstairs we culd sill hear the dog squeel.

'Joop, I'm just tired; need some sleep, say, shall we leave the white bitch in there?'

'Ja . . . come on, be quite for a change.'

Quitly he lay there and cried.


a Quarter of an hour later the German was back. With two carriers. And they loaded her poorly posessions out through the waterywet mess.

In the john it had gotten quite, no more squeeling. And the German did not ask about her Foxy. She understood.

Behind the front door window sam and miss Meks looked on how the porters rurned around and drove the cart forward. German woman behind it. Off into the city.


76

IX Maid and Sam


Miss Meks found it a great idea, miss Meks found it a superb idea. Now the gentemen had come around for a tea visit and them asking her to return the favor. She found it very attentive.

Because they both were sad and didn't know why and then Sam had told, that they should do the returnvisit tomorrownight, as a nice diversion. That is what we were talking about with miss Meks. Firstly who we should invite: the landlady obviously and her husband, and miss Lepelaar again and niecy, as they could surely enter into fierce debat. Then we would not have to worry about them as long as we would be kept out of it. And finally the two of us ourselves, that is, if the gentlemen had no objection to Toosie also cming alng. It's always that much easier when you have a serving waitres at hand, and als she could pass on messages and do some late shopping. So Toos would also be there, while miss Meks would take care of everything. We were the hosts, but she did the work. First with the tea and cookies, and then the grenadine and pies, and at the end a decorated sandwich or two. Busybodying miss Meks convinced: 'and then we clear the room and you should not be just out the door when the guests arrive, and then come in a long time after, because this time, shall I say, you are the hosts. But that really is the only thing you need to take care of'. . .


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Then they all listened and the landlady told: 'One atb a time my brother kicked them to death, all six of them, but the male rat, we had him first, so after that the only thing remaining was the mother.'

'Well' Hein said 'I'm not leaving now, until I also have that motherrat.' And then he softly started breaking up the floor, all the way, and all he found was rubble, papersnips and bones . . ., untill at last, there she was, such a monster, totally huddled together. But my brother, not born yesterday, he said: 'Wham, smack, and had her at once' . . .

Landlady stopped and the glory of our teaparty was at its pinnacle. the prime moment, that we would get back to later when we remembered this teanight with the two of us, we would surely get back to the old rat-moment. Silently attentive all faces sightened, just the landlady's husband, acted as-if he was paying attention, because he'd heard it all before.


'Yes', said miss Lepelaar, who did not grant any of the attention to flow to the landlady 'my husband has once struck dead a rat in a vat of Malta potatoes, yes' . . .

But landlady calmed on the talk and listen balance passing on the story:

'He held it by the neck like this' / / /

'Okay' he said 'now give me the axe,' and then he laidd it lkike that on the stone floor and chopped it off, just like that.'

Landlady stopped right there and oversaw her flock. Niecie had called out 'O' and miss Meks 'Oh dear,'

And after that they all started on ratmurder history in the family and miss Lepelaar continued about the rat in the barrel of Malto potatoes. Which ws overtrumped by landlady:

'We have kept all of them in an orange crate with some paper in between and sent it around the neighbourhood.'


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Arrention had gone, miss Lepelaar continued about the popatoebarrel with Niecy, who contunueeously kept eating sugarsweets and the landldy husband teased Anna with Adrian. But the animated rambling of the teachatter had come to a silence. Niecie thanked for another cuppa and the landlady told me in intimacy about niecie's sister, who had been working a window at de Nes and had died of you-know-what.

Then miss Meks decided that it was time for the grenadine and pies.

'An, can you clear out the teacups, and pass on the other stuff.'

And it busied and cheered up with cries of amazement from all sides, when the yellow brown grenadine bottles came to the table and the colorful platters with pies, two with meat and one tray with fish and niecie quickly overlooking to decide what she preferred. Behind the large tray with glasses the Meksenwoman sat and poored. She did not have to look twice to measure how much grenadine had to go in a glass, just up to the third ridge in the glas, and that is why she poored royally. Toos passed the glasses around and Anne filled up the water.

'Do taste this, miss Bramer, and if you want some water with it, the tap is close by.

'And if you need more grenadine in it, can we get that served with it as well? Joked the landlady husband.

'There's plenty of it in it, said miss Meks dignified, while she let the last drop slide down the side of her glas and placed the bottle next to it. 'An, do fill up these glasses and pass the pies around and let Tosie go to bed now.'

The pies made the rounds. The landlady took one with a delicately outstanding pinkie,

finger and thumb and a rabbit's snout of decency, a real tiny cream puff and niecy took another moscovisch with mocca.


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And the all ate, everybody with their typical mouth movements and niecie sucking the brown mocca piece by piece from her spoo, and then went on with the mosconic food, quickly muttering with her worked up mouth. And:

'Niecie, you're not supposed to do that, ever. First eating the mocca and then the pastry. That way it's much too dry, advised miss Lepelaar.

It was another delightful moment of joy and mis Meks beamed radiating over such a royal treat and the househusband said he was supposed to eat a bit more healthy by masters Sam and Driesse. And followed that up by picking a huyge crem scone from the fish tray and clumsily talked with his mouth full:

'To your health'. and he joked fter himself: 'the first one to get below the ground'.

And then they all started yelling, that they also wanted one of them pies, but landlady acted as if she never heard that, and talked intimately with me about her houses, and not being such a sweet tooth anyway.

The front door rang. Loud and clear it songed.

'But no, who could that be,' asked Meks, 'It's already past ten'

'Shall I have a look?'

'Oh noh, do sit down, and let me take care of it.'

It got quite in the roomm, and the talk was getting lazier, not pretending to pay attention, but with long carried silences, to still be able to hear something. At the door there was woman's chatter; undefined, but with the clear and piercing shart tone of miss Meks.

I woulkd ask sir, but there's company, and we're all sitting together, the gentlemen and us, but I do want to enquire; And then she did:

'Oh, master Sam, there's the lady of the Paul Kaiser shop, and she said that already for over an hour there's such a racket going on over her head.'


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"Shall I have a look? But why is she not fetching the busdoctor?'

At the door more of the animated women's chatter and the voice of Sam greyish across all that and then Sam re-entering:

'I'll go over there and have a look after all. It's probably nothing . . . Don't wait for me with the final course and the sandwiches, miss Meks.

Yes, he's becoming one fine doctor. miss Kramer laughed. They always have to go about at any time.'

And Sam went.


The redyellow partymood was dampened to greyish and vaguely voices murmered up and some words popped up. Nicie drowsing a little with her old mouth partly open, making fine snorting noises from her throat.

Silences now interruped the talking,and nobody even tried to bridge the gaps. A languid apathy. And miss Meks ittitatingly remarking that it now was getting really late, and time for sandwiches, but without Sam they couldn't start ans thus slowly the happy event faded into paleness.

So I decided:

'Let's just start with the food course, as master Sam had suggested.'

'No, let's just wait until half past ten and if sir hasn't arrived by then, we'll see.'

Enptied and apathic we sat down around the table again, the landhusband with his hand in his pocket playing between his legs, his fatpale eyes staring into the lamp/

Anybody for some more grenadine or another piece of piethen? No, not any more for you Niecie, yes girl, do take another pice, by all men. An, please top up hger glas.'


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But the blandly sad mood remained, until it sharply rung half past ten.

'Well, we better start now.'


Festively white the dish looked, rolls and cheese and salmon on separate dishes, and marinated harring of Fuente and pickled onions from Fuente as well.

Wide awake now they all sat closer by and ate. Thehouseladyhuisband had his upper leg stifly crossed his other one, his pale cheeks coloring sharpred while he was eating greedily.

Then, all of a sudden, hurried rattle of keys, and Sam was there again and everybody called out: "hah' and were all so relieved that he'd returned.

I looked at him, to see if it had been bad, but his face didn't betray anything. Just ordinairy plain and his voice also just as even as always:

'That's that! I think I'd best take my earlier place here'.

Trembling curiosiy lit from the eyes of the landlady, but she did not dare to ask, nor did the others. They ate for a while, and then cheekily looked sideways at Sam, who also ate. Until the landlady softly blurted: 'There wasn't any danger involved, not, master Sam?'

And he calmly and casual:

'She gave birth.'

Nobody ate another bite and the landlady blurted on:

'Who gave birth, then?'

'the girl of the misses at the second floorabove Paul Kaiser.'

'Oh, my dear, that black lass?'

'Yes, I believe she she was indeed black.'

'Well, well, that does amaze me, such a goodlooking lassie, she obviously wasn't married, was she, master SAm?'

'No, obviously not. . .she's only seventeen' Sam said calmly,


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precisely cutting his roll and then slowly eating, but I learnt, that something must have happened, that carried him over the emotions into more lucid emotionlessnes.

'Then it must have been a difficult delivery?' again asked by the landlady.

'Yes, quite, would you like to hear all the details? I'll gladly tell 'm'

He laid down his knife and fork and his voice continued flat and sad:

'When I arrived, I already heard her scream from afar. . . From the loo and I went up there. "What's the matter", I asked, but no answer whatever I asked and even yelled. But her screams continued, well, you can grasp, that started to bore me, and so I in a jilly I got the hook on the toiletdoor open with a kitchenknife and there she was that girl on the john . . . first I thought it was only her stomach or so, but then suddenly I saw there was a baby, already born, a boy, and he was still attached and the afterbirth also had not come out yet, anyway, I helped her with that' . . .

Evenly his voice heaved through the silence. Niecie fould it all just sinfull, and the landlady colored all red on hetr cheeks out of curiosity and her husband put his hands back in his pants and his eyes stared evenly and humid while Sam told on:

. . . but it was a tough lady, she cleared up all the mess herself and then went up to her attick room . . . Jees, when she fell down on the bed, she was a very pretty girl, pitchblack hair and those eyes . . . If there's anything you need,?'

I asked . . .'no', she said. I'd better stay in bed here. the misses and sir are out . . they will look weird, I was thinking that it would be a long time before the child was supposed to come'

'Well, you surely are still very young' I said in return.


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'Yes, seventeen' . . .'Can I maybe do something for you with the father?' I asked again.

'There's some sort of union, that takes care of that, would you want me to go around them? . . . Could you not get married, that would be so much better' . . .

'No', she said, 'don't bother, coz it will make no difference . . . it's from my brother.'

Violently shaking with amazement was his listeners reaction. Miss Meks looked at our An, it was more than she could take, and the landhusband just smiled in disbelief.

on top of the disturbing amazement another clear silence fell, in which the voice of the concirge sharpened out.

'No, that's priceless! And you surely told her in simple terms . . .you guys got it? How can such a girl not hold her head in shame?'

And Sam soothingfly:

'She spoke very calmly about it . . ."you see, we're just like twins. And I thought, I was not due for a long time. In August he did it, my mum and dad wern't home and he wanted it very badly. and he said that he wouldn't think any less of me and then I just let hm do his business. Later on he did it another time, and then I started to also like it a bit . . . how my mum will be amazed' . . .

'If only she said it that way . . . good lord, what acreature?' angryraged the concierge lady.

All around they say shaking and getting red of curiosity and disgust. Miss Lepelaar twinked her teary eyes.

'Wel, I find it all a jolly good joke', Sam finished his story. And if the girl has any sense about dying, than everything is healthy and her bother has been out on the cheap.

Disgusted the talk about shame went on, and


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landlady enquired attentively ifall the rest had been going as it's supposed to. The landlord was again fumbling inside his pants and moaning deeply from his throat, so that they all looked up and they compsed themselves with his noble and pure feelings and greedily looked at and listened to him.

And they only looked away in embarassment when he turned red. He stared away, his eyes sad and sombre.

'Sam, you're tired . . . let's walk around the block, that must be better; . . .

'Yes' . . .

And it turned into another crisscross chatter by everyone. That it was cold outside and it could kill you if you went from a warm room out in the cold all of a sudden. . .


On the dark nightstreet it was freshwindy with a touch of rain, making the streets shimmer.

Then Sam started cying about the girl and along de Amstel, they walked up silently together.


85


X Chickenfun.


Miss Meks said, that sas not the way she would do it. That's not the way to sell a chicken. If you sold a chicken, than you only did it because there was a profit in it, but burchering one and then keeping half for yourself, was not done. And eating your only chicken yourself, that absolutely was inexcusable, and certainly not the limb one.

Housewoman was in calm conversation across the fence, that such a lame chicken could not really have a decent life and that it's only an act of charity, to help such a beast out of its misery. But miss Mebs stubbornly disagreed. the lame one never had any bother and didn't know any better, coz when it happened he only was a newborn chick,so young that you couldn't yet determine if it was a chick or a cock, and he didn't have a clue anyway.

Our window was open, because it was a nice breezy March day, so we could air our very sombre room and let the sun shine in. Ouside we heard chitterchatter of miss Meks and miss Bramer, and in the chickencage they made their usual gurgle sounds, while the cock crowed bossy, the lame one reked the ground. He had been stuck with thgat leg behind the coop door, when we was tiny. And we looked at him, seriously affected by the small events around us and because the sun shone.


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But miss Meks started again, if you won't eat your own chicken, than you should also not sell them, coz then somebody else would eat them, and if they were eaten anyway, than it better be me to eat.

And curtly she wondered, if it would be alright to sell half of the lame one for twelve dimes, so miss Meks could keep the other half. But the Meks woman was still opposing. Just eating chicken all of a sudden, that's no good, and if the lame one came out of its shed, zhe would at least require a thaler for it, less would not do, coz he was worth it and more. Houselade counterclaimed a thaler was way to much at this time of year. and that she would always prefere a whole chicken instead of a part. If only she and her husband had an idea about where o leave the animal with the two of them and that a bowl of chicken broth would not hurt miss Meks either. and Toos also, forth that matter. She was looking awfully paeaky of late .

But miss Meks was not behind on her rent ans so she said well and resolute, that the lame one was not going to leave its cot for less than a thaler, and that Tooks was not peaky at all and that she miss Meks did not need chicken anyway.

Than suddenly miss Bramer:

'we could always pass im to masters Sam and Driesse. Those gentlemen were the most likely to have any knowledge of it . . . You'll see, they would be thrilled. Master Sam is a gastronome, if ever I saw one.

I wouldn't mind, so that you know, but I will have none of it when my gentlemen are pulled a leg. . . Youhave to decide for yourself what you do, but I tell you, if you want to eat chicken than you pay for it, just as who-ever is living in the house.

'Are they home?'

'Yes, I think so'.

'Their window is open.'

'Well, they leave it open more often, master Sam may be having one of his headaches.'


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'Well, the I'll be around, do open up' . . .


Lightly amused we head their conversation, but now in our vulnerable sunny mood Sam said that we should act as if we knew nothing about it and that we felt to let the chicken go.

Miss Meks knocked with the knob in her hand, and entered immediately, when I called her in, while the housemaid wauted, smiling sweetly.

'Hi miss Meks . . . hé hello, miss Bramer.'

'Goodday master Sam, mastr Driesse . . . you may be wondering, what are those two up to, but we have a job for you'.

'a job, for us?'

'yes, m,iss Meks wants to sell her lame chicken to me.'

Angry brown miss Meks eyes lit up. the left eye squited for just a second, and trembled in anger.

'Me . . .woman where did you get that idea, don't tell me porkies.'

But Sam, being diplomatic:

'That's very wise of you mess Meks, and I'm sure master Sam agrees withme, Anyway, I'd love to buy the chicken, don't get me wrong, but miss Meks want us to pay a whopping full thaler for it.'

'a Thaler? Well, that does not sound like it's over the top? . . . I was not aware that miss Meks was tryiing to sell, just the other day I rold master Driesse: Joop, I said, if we could only buy that limb one, that would be worth another thaler or thirty five pence.'

'Oh but sirs', the Mekse quickly added in delight: 'for thirty five pence, you got it! and I will even roast it for you.'


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'That's a deal then' Sam calmy continued, 'Joop we'll be having soup and chicken tomorrow afternoon . . . half in the soup and the other half roasted.'

But housegirl angered:

'Yes but, those are no manners, master Sam is excused, he didn't know anything about this, but that's not fair. I had bought half the chicked already for a thaler, if master Sm would take the other halve, dhat was the deal.'

'There was no such deal, I only said that he wouldn't go for less than a thaler.'

'Those are no manners, miss Meks, what would you say, if I would rent out your house from under your ass to another and cashed the profit myself?'

Miss Meks understood.

'Yes, she sussed. 'there you have a point, and so has miss Bramer. I indeed already sold half the chicken to miss Bramer . . but if you'd like to buy the other halve?'

'oh, that's fine . . . half. That's seventeen and a half pence for each of us.'

'I bought it for a thaler, so half is only fifteen pence; our stingy housgirl uttered.

But Sam did not budge.

'a Thaler is too cheap, that's no price for such a chicken, you can get half for eightysenven and a half cents, and if you don;t like it, than we'll take the entire chicken . . .

I don't understand how you can fuss about twelve and a half cent,it's a chicken of a few guilders at the poulterer.

'Well, sure, why not a thaler, miss Kramer sneered, but decently she soursweetened: 'I don't die from twelve and a half cents less . . . you did a great deal, miss Meks, thirty five pence for such a chicken.'

'a Chicken of two guilders, Sam joked calmly, of which you now bought half and deal is seal, but rest assured, I'd still want it whole for two guilders as well.'


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Housegirl trembled in anger, but Sam reasoned on:

'When you cut it straight along its length, so we don't end up with just a fat arse and some bits, but honestly along the middle.'

'Oh, nut sure, if only my husband can get the hart and liver, he's so fond of those, then you can have its sytomach. . . .


'But how do we go about it, it must be plucked, butchered and roasted, and we have to roast first before we can split it.'

'I'm not butchering, miss Meks countered. 'I woulddn't have another moment's piece and quite to know I had butchered my own chicken, and plucking, don't want that either, but I'm allright with roasting.

'Well sure, you have a point' sneered miss housegirl 'no butchering or plucking, leave the dirty jobs to others.'

'No, now that's a good one,' miss Merks fell out. 'I would have had so much less agravation if I'd sold to smeone else, and if I do anything about this chicken, than it's only for master Sam, otherwise I'd pull out here and now.'

'Come on now, don't continue to quarrel' Sam spole piecefully towards her, Let's do it this way, I'll butcher, miss Bramer plucks, miss Meks cleans and fries. Tha's to good way and the only way.'

'Yes, allright then, the housegirl repeated , 'let's butcher her straight away, coz I'd rather have it plucked before nightfall. So miss Meks can roast it tomorrrow.'


The four of them stood in the garden in front of the shed.

'I might feel sorry as yet, miss Meks cmplained. If it wasn't for the money, I surely would never had agreed . . .Isn't is just a realk fine beast?'

Wild whirling in the chickenshed when Sam opened the door.



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and his hand went in to grab the white lame one and they all flew about towards the corners, leaving the now healed cock to crow and defend them.

'You will never get her that way . . you won't succeed,' giggled housemaidy. You'll have toget all the way in there, and then grab it with both hands.'

'Thank you . . .it's too smelly here, miss Meks, you call him now, he's used to your voice.'

'Crying shame to mis-use the animal's confidence,' but still she called out with one long and then five short shrieks. Until she came. Lulling the lame leg behind her. And quitely came tugging on to her upper arm he sat, his head against her chest and then cackling, just for a second.

'How will you do it, will you cut off his throat?' housegirl asked liptrembling and her cheks colored even redder.

'Turn his neck? Hot exitement crew up in her, that the chicken was about to be slaughtered, and she cried out: 'turn the neck, . . . turn the neck.'

Sam, angered:

'No, I will cut his nick with one solid notch, and then, we'll let him run out dry, so there will not be any blood in the meat. . . miss Bramer, will you hold him for a minit?'

'Me, . . . not for all the mnoney in the world . . . that's not a lady's work, let mister Driesse do it' . . .


Holdiing white chickenthing I trembled . . .kept wings and paws together in one hand and the thin meatfold in tw fingers of the other. Sam held herm head, plucking the dawnywhite neckfeathers, so the area of the cut came in sight, the neck vein pulsing. The housegirl watched greedily as did miss Meks.

Then sam did the cut, across the pinkish neckspace.


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It stained bloody, a short fearsob jolted from the opned throat. Sam threw the beast away from himself, into a corner. The cut hadn't been deep enough, because chickenbeast grasped at the wall and stayed quite for a while, momenta, and softly gurgling , broken neck limb on her chest feathers, slowly getting red of the dripping blood. . .

'Dear, how she must have suffered . . . you did it so clumsy . . he can remain alive for hours longer like that, miss Meks wailed.

'No pain at all, woman, joked housegirl, who fstill felt it ws funny 'his nerves have been severed, so he won't feel a thing. . . . What you, hey chickychicken? Do you feel anything? '. . .

She kicked the dripping beast with her feet. So she raised once again, and fluttered a little way on. The fine red blood sprayed, across the neckfeathers.

'Chicky, chuckey, hey' sobbed miss Meks.

Husgirl joked on:

'He can't hear you . . . his hearing has been cut off.'

Chicken sobcackled piteously. And then miss Meks fell out towards mousegirl: 'It's bad enough that such a stupid animal has to be killed, but you jking about it, that's the piuts!' Downright mean and vicious. Do me a favour, master Sam, and gut his neck one more time, please?'

Flashy light brightly shot from Sam's eyes, radiating steel blue cruelty:

'Yes, t's mean, his voice troubled in his throat, we'll take care of it.'

And bending down fast he grabbed the cnvulsing chickenthing and flung it in a sack.

He began beating it with wild vilent turns and bangs hitting the chickensack against teh wall between the gardens. For a second more wailing from the bag, but then, silence.

Totally disturbed and frightened the eyes of miss Meks looked at me, and then she screamcried.



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'Master Sam, what is this? . . . Do stop it' And housegirl kept on bursting with laughter. But Sam continued to hit the animal anry and hard rough, calmly vil, when he was always s calm and sweet.

He kung the bag from a fencenail and tore it open, the red neckcut gaping brom the bagbrown, and again sam hit the chicken against the fence.

Then suddenly the nail torn hrough the bag which now open and the chicken featherflapped ocross the fence into the garden of houselady.

There it lay, cramping his broken paws and the eyes open and half-closed, brownbroken.

We looked at it, in silence an the Sam blurted: 'Well Jesus, the bitch is still alive.'


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XI. The boy.


Het Rokin and the late rainy day, just a touch darker grey againt the evening. In the distance he heard the high Dam houses, greyraintinted and us two walking, Sam and me. The trams were filled to capacity that afternoon and run their bells as they speeed past us, quitely walking and with inner tranquility quitely discussing the things. Softly grey Sam's voice rained down:

'Intestinal tuberculosis . . . nothing can be done anymore, so sad, it was such a tasty boy, just turned twelve, he said. He already had begon to call me Sam, and now he died and is transferred to the cutting room.'

In silence we walked on. The rain had grown heavier and whipped our faces sternly.

From a sidestreet two boys bumped against us. And there it was again, sudden, struck by that one boy. Bright light, felt it hit within me, and along my spine it vibrated down to my legs, that nodding knees.

'Fuck off, snarled Sam angrily, who punched the other guy at the hips. He was wearing breeches and a short jacket, too narrow around the waste, looking silly down below.

Pale white languor blurred up n me and I was will-less,


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and could only lok at thge boy. Trembling desire. And when I'd seen him from behind, I just had to look at his face. That's why I quickly moved ahead along them. Just for a second I herd his voice, again slowing the walk speed down to be able t pickup the voice just a second longer. He was talking with the ther guy about cigars. Then I saw his face. It was nicely rainred and his eyes were dark brown with blueblack underneath. We'd passed ahead of the boys now, but in frnt f a shopwindow we halted and waited until I saw them pass by through the rainreflection and I waited to have another look. Just a short while later we lost them as they turned into an alley.

Acrss de Dam we walked in the rain, which was really pooring now. Sam talked softly about patients, about a girl of seventeen, but I only heard him from afar, vaguely, as if he wasn't there or he was talking to somebody else. But I did notice his raised voice when he asked: 'What are you thinkng of? Anything the matter? '

Mu ears suddenly heard clearer.

'No, not at all, why?'

And then de Nieuwendijk, sarrowly dark with hoses vaguely falling away. The people were wet and busy. Pain made me sadly long for the boy, as if I'd never desired or loved other boys, and yet , there had been so many, but just thinking about this one alone overlit all other thinking and my longing desire for him. Just all of a sudden.

In the diningroom we had our own regular space. Sam on a bench and me on a stool under the sharp shining of three lights. I looked at it and was thinking of the boy, as I couldn't eat. Sam continued chewing, soup, colliflower and meatloaf, because he was at Duval's.

'Anything the matter?'

'No nothing' . . .


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And later that night at home, we worked. But every time my thoughts drifted to the boy, and then I felt the pale sunless rainy afternoon and his redfreshblushig honest lusty disirability. Across me sat Sam, the light benevolently yellowing on his round face, with one hand supporting it. There and then, I just wanted to tell hi,m.

'Sam . . . Sam.'

'What's it, my boy. Anything the matter?'

His eyes shone good and brown and so i said: 'Moving alongf?'

'Depends, still have a smack to doi.'

He bent over his book as I did over mine. More lucid it dawned on me, what I wanted. Well being at de Rokin at exactly the sam time tomorrow and then wait, until he would appear. An then buy him a great room close to ours, where he would always be when I needed him. And then give him everything he wanted. And nobody would say anything about it. Even Sam had no comment.

The evening hours passed painfully. Sam sitting quitly and piecefully and so goodish, that it hindered me an I got angry at him. So I went up to bed, while he continued working in the motionless lamplight, into which I stared from the dark alcve, and I just saw his strangely round negroface.

And bored in the even tight sleeplesness I laid awake for hours loking for the nicest and sweetest flattering words I knew. Before my eyes cinematographed all the little scenes between us, as In envisioned them to be and in a thousand little scenes between us, as I thought it could be and in a thousand fast-changing movements I saw the boy. My eyes hurt, until I fell asleep.


The next day. The pale sunnying up of the sunless hours of rain and then darkening again. At three o'clock I got on the street, still wet without rain. Calmly I oversaw everything. It had to be.


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I would wait untill he came, even if it got real late and then for instance ask for directions and walk up with him. Then have a bite to eat, not at Duval and then abduct him.

De Reguliersstraat now. Brown and grey, trees dripping, even now the rain had stopped. a Nice clear grey rainlight, whitecleaning the houses. And then on to the busy inner city, all the way across t de Rokin. It was even brighter rhere than yesterday. At de Rokin I again could imagine the image of the boy that I saw the night before, which saddened me.

That's that, there was the alley they appeared from, so better stay here and walk up and down uo to the next alley, in which they'd disappeared.

Half past three, past it really; the clock had chimed when I walked along de Munt. Up and down I kept walking between the two alleys. Up and down. a Cadence in my legs and not thinking of anything else but the boy. For hours I walked. Evey now and then the palace clocks carillioned, but the hours in between remained black and empty. The weak afternoon light browned against the night, that downlit all over the city.

Sharp yellow the lightbulbs toned in the black night. Vibrating tiredness whizzed through my head and desperately I started to think. It started to rain again, which got me shivering wet. Chilly.

Maybe he wasn't coming, silly really if he would eventually, and even sillier to think he might be working there. But don't give up and go now. Walk on, long and longer, sad and tirering, steady on being tortured by rain.

The clock struck eight, as the rain rattled against houses, angrywet and lashing like the wind hitting his face. Factory workers appeared from the alley, just when I was close by. Now he would come.

Accompanied by two other guys he walked amids the men.


97


They walked in the direction of de Damstraat, busy-taking. Obviously happy to be free after a long days work.

Happiness lighted up in me, now he was there again. Now, just keep following untill the men would go their ways and maybe the two other boys as well. And then ask directions and see what it would take to have him with me.

At Dam square the two boys were still with him. Together they turned onto the Damrak. There I did not dare to wait any longer and quickly passing them by I asked trembling of fear:

'Can you please tell me where is de Gravenstraat?'

They halted and I could clearly observe his eyes and suddenly tasted the pure loving, that sometimes stayed away for months and then returned. Now it was there in front of him, oh surely, just for him.

'Oh, you enter into this alley here and then the first main street, that's it.'

One of the two others said it and then nothing anymore. Strangely dizzy I looked at the one I wanted and had no clue of what to say next. Silly we stood in the middle of the street with the four of us and then I clearly felt it wasn;t working, not now, not this way.

And with a casial calm voice I aid:

'Oh, thank you, and walked into the alley, down Nieuwendijk and then onto Dam Square. Along the nightly deserted canals, avoiding the busy shoppingcenter, and upset I found my way home.

Sam was in. The light was on. Dead tired and miserable I fell down on the couch, my black cape, rained into heavy folds next to me. Silently Sam raised and bent over me, speaking soothing softly.

'Jopie, anything going on? . . .what's the matter? '

'No, nothing' . . .

'Yes , ther is something.'

'yes, yoy're right.' . . .

And then I told him, while we both were down on the canapé


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and cried for me, sobbing close together. Silent without speaking. And carefully Sam forced me:

'You'll have to let it go completely, you must.'

'Yes . . .'

'And let's go to bed. We might just as well, it's nearing ten.'

That night we piecefully slept together.


Gorgeous weather the next morning. When I woke up I saw the sunshine in the room. I got up and walked into the garden, where the raindrops had gone. The wind blew, a skirt, that was hangingat the other side, flutterflew along the wall. Sam was still asleep. It was half past seven and I left him to sleep. Laid down backwards on the canapé with my hands under my head. And again thought of the boy. Another challenge today, to remain firmer. And then I pondered again; what I should say and do.

'Will you go along this afternoon to Siep Broersma; there would be a couple of guys and he's asked if you came as well.'

Sam did not trust me, did not want to leave me alon and so I said:

'Yes that's fine.'

And so we worked on quitely all morning, and in between the work I detailed the entire plan more specificly, word for word of him and me, just talking to myself.

And now don't go there at eight, but earlier, like four, and then wait, because it was likely he'd come earlier than eight, but earlier than four was highly unlikely.

After the busy coffee hour we relaxed a little. Me on the canapé at the cornerwindow and Sam on the floor with a few pillows. A yellow sunray played on the walljust as I looked up, and slowly slid omto the room corner and then onward into the alcove.


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When it was gone I said:

'Sam I'd rather not go to Siep after all.'

'no? Why not?'

'Don't feel like it, I want to go to Zaandam and visit Mary, the weather is great for a boat trip; will you go along?'

'Hell no, don't make a fuzz, I'm going to Siep and you will join me, that's what we agreed.'

'No, I'm not going to Siep, I'm off to Zaandam . . .please come along on the boat?'

'What time will you be back?'

'Well, we can still catch the boat of two PM, so I coulkd get back around six.'

'Allright then, I'll bring you, and then go to Siep's house with the card.


Pleasantly cross the city. Things were clearer now and Sam finally felt I would be safe. That is why he talked more lightharted about us and me. And we laughed together about city things around us.

We walked to the end of Rokin onto Kalverstraat. More determined I felt it might happen: In the middle of the citycrowd I's find the boy walking next to me, his legs moving faster and his black stockings tightly spanning his calves.

I didn't hear what Sam said any more, but the boy next to me I had saying all the things I wanted to hear of him. And then I was figuring how our living together would have to work out. If he still lived with his parents, he'd have to stay there. It couldn't be done any other way. But if he didn't . . . enfin, that would have to wait. He obviously had to have money, and he would no longer be allowed to work at a factory.

'Are you going on the old or on the new boat?'

'The old one, the other is pounding horribly at the stern.'

'Then go second class.'


100


A pleasant jollyness raged in both of us as Sam brought me to the boas, about to leave.

On the windy frontdec I stayed watching the foaming waves in front of the bow.

Well done, Sam was gone, not thinking of my evil scheme. I would directly return on the other boat, that sailed at three. And then quitly wait untill he came. So I'd have another six or seven hours with the boy., who would have to stay the night with me and we could both check into a hotel. Just thinking of the boy exhausted me, so I could not stay in the wind. Quitlky I sat down in the lee of the boiler and again thought of him. It just had to go as planned this time, it was inevitable. I would bring a package and have him bring it back home. When we'd be walking alone I could tell him hoow much I loved him, and that he just had to become my life-buddy, and that I'd get him just everything he wanted. And he'd like that and would very much like to enter in such an agreement.


The boat moored and I immediately stepped on the return one, sailing at three. Quitly sitting at the boiler corner of this one and vaguely looking over the quay and harbour and the wide water of de IJ, I kept thinking about hims strongly, su much so, that I forefelt how it would be in the evening. I just closed my eyes and saw him deliciously desirable in my arms and felt the week bulge below his slender waist again. Eyes shut, I kept seeing him, and nothing else. First onto de Rokin, like that first day when I passed there with Sam, and then the second day when I saw him again, I refelt it all.

Against the clear afternoon sky I saw the memory of that first rainy day


Then fear started to poor up towards my throat, that he wouldn't come, that he'd already be gone. That I would arrive just a few seconds too late.

It made me so desperate, I could not remain seated and


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started to pace up and down the deck, slowky talking to myself, that he would not have just left.

In the distance the houses of Amsterdam towered up and the boat fast made its way there, but a nagging impatience made me sick. No, he would be gone, and I could not see him today. And still I had to; there was no other way.


Took the tram to Damsquare, again with the staming impatience, of him just gone, while I was on this tram.

So finally we got at Rokin. Don't run off now, Wait untill nine . . . longer.

Maybe he'd be sooner, and it all had been just a silly fear, that he'd be gone, like yesterday or the day before, voices kept sounding in my head od painful fear that he'd be gone, then changing their tune: with the comfort that he'd be there at eight exactly.

Until he just was not there at eight.

Stifly and sick to death I kept walking up and down between the two alleys and wild hopelesness cried through me. Nooh, he was not coming . . .

Then he was there. They walked up the two. Another guy than yesterday.

Freshly I revived at his sight, and my weery tiredness lifted like snow in the sun. And I wasked after them, for the sat time overseeing everything to its finest details. We were almost at de Dam, now I had to move in and ask and take himn along.

My voice dried up and scorched my throat. In my ears it sissed: It was time . Then the other guy said, and I heard it clearly: 'Jees Tom, what an ugly fart you let go'. . .


At a pace I ran home, dizzy through the city. And pressed close to Sam I told him of my misery.


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XII. Thugs day


First and third Tuesdays of each month miss Meks would go visit the crooks.

She got up early and Toos would think she went to Weesp.

Only tuesday afternoons she'd return. Our windows were open because it had started to be nicely sunny outside and in the garden as well. From there she talked up:

'I've been over there again. . . a nice mess.'

'Ahh, how was it ?'

'Well, as good as it could be, but it's better not to see too much of each other, I'm there behind bars and he's a long way away als behind more bares and some chicken fencing as well, and in between there's some sort of a guard walking u and down, hearing everything. So you see, saying everything, I wouldn't dare, because they will have you pay double for it.'

She remained silent. But with her long wait, you knew there was more coming.

I was on the windowsil and Sam lay behind me n the canapé.

'Is master Sam at home?'

'yes . . . what about it?'

'Oh well,it's of no consequence, really, I just wanted t ask smething, but you must not find it silly' . . . .


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'No' . . .

'And not inpertinent either' . . .

'No . . . just tell me what's on your mind, it can't be that bad.'

'Bree so wanted you or master Sam or both to come along for a change, whenever it's a visitr's day again. . . you see , for him it would be a serious diversion; it would so please him.' . . .

'Yes, I'm not sure if master Sam agrees . . .It's a very early rise.'

'Oh, but that shouldn't be a consideration: you're up very early more ften anyway . . .yes, the people of Heeren or Keizers gracht will never come around there, they will not burn their fingers, but the houselady, he already went anong once . . .so.'

'It's allright' Sam said 'We'll go'.


Tuesday half past six. We were never awake at that time and I enjoyed it being light already at that hour. As we already were seriously on our way to spring.

Nicely happy I turned over and snoozed on a bit, a sweet sense of caressing ringled about me, but miss Meks was calling and pleathreatened:

'come on then . . ., you lazy men . . . get a move on'.

I still remained laying downj, Sam also kept sleeping. What a different face he had from other people. . . But there was miss Meks again: 'If you still want to go along, you'll have to rise right now, so I can still bring you a cup of tea.'

We were up, strangely cold in the chilly golden sun. Looking at each other, as we stood there. And Sam:

'You go?'

'Yes . . don't you?'

'Yes'

'So why you ask?

'Just because . .'


104


The chillight in the street, rainlike, although it didn't rain. Sam trembling:

'It's not easy out on the street'

'No, you can say that again, but it's still early; but what I wanted to say, will you please not say too much once we get there? . . . You have a tendency to blurt things out.'

'No . . .'

'And you also can't take about the fact of the crime itself, will you please remember that as they will immediately put a stop to you'

We silenced.

'I'm going there just about the thirtyest time . . .'

Nobody cared to comment. Sam payed for three tickets and miss Meks said: 'Oh my dear! You shouldn't have . . .'

The three of them sat in a no-smoking compartment , just outside the station's roof, where the light was brighter. Miss Meks unpacked: Well I thought I'd sake a few rolls with me for us all . . . . Do pick one, there's no margerine on it and the cheese is from Noack.

The gave instructions in a sedate mublechatter: 'Do please keep in mind not to talk about the case itself', she nagged again. 'Because that is not allowed . . .they can throw you out of the premises for that, you see, and that's not all . . .another twelve minits and we'll be moving.'

Sam was quitely chewing his bread, and we watched over the city, laying there in the early hours of the morning, wettish.'

But miss Meks opened the porter's window anyway: 'Do come here, miss Vos, we're sitting here.'


105


The fourth, and elderly lady joined our company in the coupé, brown wrinkled. a Decayed yellow shawl was tied around her thin bodice, as he runpanted in.

"Gosh, is that running! . . . I might get a stroke any moment.'

Smallishly she delved down in a corner as I observed her.

The train slowly came in motion. Through the narrow stripe of sunlight, that lingered on the old lady's face.

'Hè.' winked miss Meks. 'That always hapens to me when te sun shines, and you ride along a fence.'

'Yes, agreed old woman, looking amazed at us.

'Those are our sirs,' miss Meks exlained. They live with me at the extra rooms, and now we're going to see De Bree.'

'ah, old lady sounded inquisitively: 'and the gentlemen are related?

'Oh no, silly woman, I already told you many times, they're strangers, but de Bree soo wanted to see them, so now we're heding there.'

'Ah, now I see, old woman sounded satisfied; nodded her head three times, while aI watched attentively.

We were silent; only the broken rattle of the train in our ears. But still a calm intimacy dropped down between us, united as we were all going there. And quitely familiar, our old woman informed us:

'Have you ever been there before?'

'No, never'

Sam looked out of the window to the meadowland, light green under the sun. For a second I watched too, but then old woman came around and asked:

'Are you the doctor?'

'No, that's my friend her, or at least he's studying to be one, not finished yet.'


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'I'm sure', she nodded.

'Well, they'll look up, when they see you, your kind of people don't get around there much . . .hey, I'm feeling so much better now I'm sitting dowmn . . this has never happened to me in the years that I've been going there. . . This morning I almost overslept' . . .

'Ahh?' . . .

'Yes, you see, I can't afford a wake-up man, and it already costs me all my savings, and now my neighbour always wakes me up, when he goes to work, but we had a row testerday, and now he said "you pimped out whore, with your rotten son in jail' well the I said:' you a dirty whore runner yourself, running after the white virgin girls . . . and so he left all quite on purpose this morning. . . but I'm alight sleeper, so even as I did not hear his door clap . . . anyway, I'm here now.' . . .

'Well, if you'd missed the train, they surely would have let you in a bit later,'

I babbled on to her. Miss Meks had drowsed off in the soft sun, Sam still looking out the window, said nothing .

'Oh no!', old lady went on, 'you have to be there on time or no entry . . . deary, the misses is asleep . . . well, she keeps worrying too much . . . yes, I know all about it. . . . Terrible.'

Her voice faded away softly, but returned with emphasis:

'let me tell you what happened to me . . hear . . . U may already know that you're not allowed to come there every tuesday, only the first and third of the month. . . but I did not know that back then, and you did not need to write an application, as you do now, and then I had miscounted my tuesdays, a person is not a selleryroot, you know, we can all make mistakes, so when I


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got there, I was sent back the way I came, what about that ?' . . .

Sweetly drowsing the old lady bleated on. Dizzied by the dull steamheat of the wooden kot, to which the sun also added warmth. Miss Misk remained asleep and Sm still looked out., strangely un-moved so I nagged on:

"You still have to go many times ?'

To which old lady promptly repied:

'After Haarlem still quite a while longer: my one son is in for five years, you see they never stay there for longer, and he hasn't done two years yet, so I'll have to return there many-a-time. . . .anyway, my husband has been at the same place. Not in the big round one, that had not been built back then. It's a serious expense for me every time, but you got to do for your children what you got to do. And if he had somethingto spare, he always did everything for me too' . . .

'Oh, you must have more children, surely?'

'Yes, I got four. . . . but it's hard : none of them came through in this world properly. . .Not that I had anything to do with it, nor my family, but on my husband's side, they all were up to no good' Mij husband himself neither, the times he's spent in there, god only knows, anyway, at least he died at homew, that's a solace.'

Her old weakened voice heaved up, without any movement, and she talked as if she'd tolt it many times before, and it had turned into a ranter normal story, as if not concerning herself. But I trembled hearing old clookmother, who so loved to tell about the thugsmess.

Halfweg wizzed past as we watched the little railwaystop and the few people waiting there, and from the other window Sam looked out, while miss Meks kept sleeping.

In the middle of open fields again, that we all knew, the old lady resumed:


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'As I said, my oldest boy is now sitting for five years in Haarlem, because he broke into a house. He said he didn't do it, but yu understand, they won't incarcerate you for five years for nothing . . . and my daoughter is held at Montfort, that's behind Utrecht, you may know that. We only go htere rarely at irregular times, because going that far twice a month, runst into too much' . . .

'You surely aren't in straitened circumstances either?'

'Straightened? . . . no!' she talked back, 'but I can make ends meet'. I get a thaler a month from the diacony and a thaler from charity and I live burden free and I have my reguklar houses, once a week or once a fortnight and I go dry-nursing evey now and then'. . . .

'One may hope, your son will not return there whenever he gets out.'

'No' madam nodded, 'that's just it, because it's notoriously bad in there. You cannot even bring along the tinyest snack, and what they get there, that doesn't account for anything either. . . no, then Meremberg is a lot better, there's another of my boys and a girl too' . . .

Hot fear pearled across my back for trhe fine brown woman, who was calmly telling her life's horrors in the sunlight.

'Yes, Piet has come away a lot better than Johan, who had stabbed somebody with a knife, and not jjust once. But his lawyer had gotten him through, first he had objections, because it's so hard for a mother, to have one of her own declared insane, but is was for his own good. . .he's in there now for about eight months, but there at least you're allowed to bring foor, like a fried fish or shrimps . . I go there every month on a sunday. U must think, for me it's also some sort of an outing.


109


You're also allowed to make walks there . . .and the travel money is always payed by a misses. You see, my other daughter also is there, she got there just like that, without police involved, but she always was a bit muzzy.

'It must be quite for you then , , ,all alone at home?'

'Oh no!' She aired, 'I have very nice neighbours, and I have gotten used to it and all . . .

yes, I can't remember the days I had all my children at home, anyway, that's the ways of the world . . . young birds fly away from the nest.'

'Nothing sad in the lonely brown shrinking woman, just desperate terror about fear of crime. She just sat there calmly, her brown sunny mouth smiling ever so kindly. . .

The train rattleshook across the old station, violently swaying across the points., from rails to rails, until we got to another straight bit, towards the new station.

'Miss Meks, wake up . . .we're there.'

'Oh dear, already? ' miss Meks scared awake.

Sam looked up. Under the huge dark station roof the train rolled along; no more sun, just black brown shadows, suddenly. I opened the carriage door and we got off, first the old lady, then miss Meks. Heavy on my shoulder laid Sam's hand, I looked at him. He cried and said:

'Hi Jopie.'


The station square was sunnywhite and fresh after the brown confinement of the traincompartment. Miss Meks flung her winkle frock out to clear the crumbs and pointed out all the other criminal support to us. A nice gentleman, a pale girl. 'They travel first class. Now i ask you?' miss Meks cried out. Just as well they have no classes inside the prison gates. . . just imagine. They even take the tram here, as if you cannot walk that short distance.

'Do walk along,' sad Sam, 'I first have to attend to something.'


110


They walked on, slowly, and then Sam to me:

'Are you going in there?

'Yes of course, you don't?'

'No, I'm not going in'

'Well I say, come on . . . don't make a fuzz . . . come.'

'No,n ot me . . . I can't . . .I just can't . .let's g t Zandvoort, the sun shines gorgeously . . . do come along."

"No I couldn't . . .let's just accompany miss Meks and then sunday, if the weather remains good, we go to Zandvoort.

'No . . I don't want to change plan now.'


Around the corner of the sunny square miss Meks and the old lady slowly proceeded, waiting for us to catch up and then walk on to meet the crooks.

With the electric we trammed to Zandvoort and enjoyed the freshwindy sunny day. Delicious.


111


XIII. Weird funeral.


At five, when lighter greywhite started shimering through the nightblack Sam came home, softly closing the door, as not to wake me. Butb I'd stayed awake all hours he'd been gone and I'd looked outside how the darkness was slowly turning into day. And I'd been sed, thinking about the boy. It was like this:

Two months ago he'd arrived at the department of Sam, with an emergency certificate from Indie (then Dutch Indonesia). At first Sam had mnot payed any more attention to him than to all other hospital occupants. It was a strange case of a hartsarcoma and Sam had told about it. At first they did not suspect a sarcoma, so they'd done an operation to take the swelling out , but at the punction they'd realised it was malignent and now he was there, just waiting to die, Sam told. And they did not talk about it further.

Until ne night it came. One of those sharply noticable nucleus moments, that you later look back on. That is how the furniture stoon, that is how the light around us toned . .

'Say Joop, you know, the Inian boy with the hartsarcoma' . . .


112


'Yes'

'Say, I've really come come to care so very dearly and fonly about him.'

'Well, well' . . .

'Yes, not at first, but gradually, and now I do'.

'How is he?'

'lousy, he's going to be gone. Say, he's only about nineteen years old or so, but you should see him, so funny brown,and than those blue eyes he's got, you know, those really greyless blue ones!'

'Well . . . you really seem to love him.'

'Yes, and he loves me too . . you see, he does not have any family here . . . we should go visit him together; I've lready told him about you . . .will you go along?'

'Yes. . . sure, . . . please.'


Biy was laying backwards looking to the white sunroom, as we came in, quitely. It was outside visitor's hours, in the middle of the room the silent greyold nurse, and four beds on each side.

'Hallo nurse.'

'Hallo gentlemen.'

'Hi Bobby-boy, here we are again.' Sam's fine voice caressed deeply in me and I saw the boy trembling as Sam went on:

'Well this is the Joop, I told you about. Joop, this is Bobbi . . . How do you find him?'

'Oh good.'

I said it weekly faint and looked back at him. Fine brown and pale as well his face was with deepblack lines of pain around his mouth, but his eyes tingled bright blue.

And his voice flattered us: 'How do you find me now . . . let Sam be honest: will I get better . . .

Sam, will I?'

'Yes of course, the operation was really succesful.'


113


Than he veered up happily, frighteningly pleased in the warmtossed bed and rubbing his hand across Sam's arm: 'When I'm cured, I'll come and stay with you guys for a while . . Sam promissed me, and I've never loved anybody as much as Sam . . I've really never loved anybody the way I love Sam' . . .

And he softly rubbed his own words.


The final days Sam always stayed by his side and when he asked I also came along, but he loved to be alone with Sam most.


In the early hours of the nighthe'd called for Sam, because he was getting so smothery. And Sam had immediately gone to him. In the empty night streets his footsteps ran, sounding away, I stayed awake alone and kept staring in the room's darkness, that eventually started to lighten up as Sam returned home.

'are you asleep Jopie?'

'No . . anything happened?'

'Bobbie is dead,'

He lit the lamp and it rocked around the furniture. Sam sat at the bed's top end.

Bobbie is dead . . . sick hey?'

'Yes, was he in pain?'

'No at the end, but at first, sure. the sarcoma putting pressure on his hart and chest, but sy, Jopie, I've promissed, we two would come along to burry him . . . at first he thought he would still get better, but the day before yesterday he suddenly turned worse and he prepared everything as meticulous as he could. . . and then he'd said, that he found it so lame, if there would be nobody accompanying him, and he asked us if we'd want to come along . . . you're okay with that, not?'

'Yes, sure, if you promissed, when is itt?'

'Tomorrowevening at seven.


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'Tomorrow at seven?! You're kidding.'

'T's true, really, at seven.'

'Don't fol around with serius stuff, where in the world to they d burials at seven?'

'Where? At the Jnal Daniel Meijerplein? Is he going to the cuttingroom?

'Yes, yu dn't mind, do yu?

'Yes i do, that's sick!'

I envisioned the boy as he would be there, completely naked . .the line of his chest . . .from his abdomen . . . six tudents would be carving. Two at his face . . . Two at his legs . . Through my own arms a cramp pulled up, painfully. Sam softly stroked his hand acrss my cheeks.

'But if he goes to the cutting room, than we cannot bury him?'

'Bury . . .bury . . no, of course not, but if he's brought there tomorrow night , then we go along from the hospital to the morgue, eh cutting room.

'Oh no' . ..

'Yes, I promissed him . . Will you do it? I have to d what I prmissed.'

'Yes, allright.'


Sam went to sleep some now, after the unrest and emotion of the night so I blew out the lamp. In front of the right window I sat down and stared at the garden, where the lightwhitegrey dawn emerged. The houses behind evened out their rainy grey grizzled walls, hard cold white the suare curtains hund down, but one backroom on the third floor stood out, empty and its black window openings darkened against the wall. Woodwhite sign with 'For rent' . . . strange, really, wh would hang


115


a sign with for rent around the back. . . not a sould would. Then I thought of the Indian boy who died, what fine lightblue eyes and lively brown cheeks he had. and my ears felt the soft red flattering of his voice as if he was here and next to me complaining about the fact that he died.

A sudden fear emerged in me, squeezing hot sweat from my cheeks and I could not get it under control anymore. I did not want to rise, as Sam just slept so fiercely fainful I remained on the chair. But that did not calm me down. The pain and fear could not be chased off. Cruelly my teeth gnarled the wak mouthflesh, spraying blood lukewarm on my lips, but even that could not get rid of the panic. Steadily the fine boys' voice nest to me kept yammering 'oh such pain' and begging he called Sam's name. I could cry from fear, but did not dare and just bit my tongue harder. Sharp and clear the boys' voice weeped the voice of the dead boy. . . o . . .oh . . .

Then a vision, deadwhite, corpswhite. The naked body . . his face brown but pale . . .his arms with those black frizzy armpit hairs. . .. and I saw him with a sense of soothing pain, as if somebody else was watching me. Around me the six students . . one with an anatomy booklet, that had been used often and smelled like horrid dead body. The scent got stronger and filled the entire room, suffocating my breath. Then one of the students picked up his scalpel and started to cut. The fear subsided. Calmly clear the room lit up with sunlight and for hours I remained on my chair at how they cut him up and laid all the little muscles aside, as with the white nerve wires. Until yje wee finished an walked off. Only the corpse remained on a slab lit by scorching sunlight.

When the student were gone, I could finally get to work some.


116


Sam was still asleep, and the morning went on like they always do.

We made a lang walk in the afternoon along the north side of Het IJ. My fear had gone totally and healthily I walked along with Sam. He did not talk about the boy and I was just thinking about the weird funeral next evening. Maybe Sam would refuse to go after all., when the time came. It was silly anyway, to walk behind him towards a cutting room.

We came home refreshed and slept a full night emotionless.


The next morning Sam got up and left. Lazily I remained in bed, my hands under my head, eyes half closed, so the finegrey morninglight sived in. Time drowsed on, and I did not open my eyes, out of fear that the fulkl daykight would wake me up. If only somebody would close the alcove door, so it would be dark enough to open my eyes. . . . should I close it myself . . . yes, let's do that. Trying to raise from the bed, but I couldn't. Under my warm body a cold chill whiffled. Just leave it till later, then. Clearly awake I laid with eyes open now, and still dozed off.

Sam got back home.

'You're still in bed?'

'yes . . you returned? I thought you'd stay out.'

'I intended to, but decided to rather work some at home . . . Do get up, I like that much better, don't stay idle.


Nicely we worked on all day together and stayed in all afternoon: 'You slept through your walking hours.'

"I didn't sleep; I was just thinking.'


117


Well, what of?'

'Nothing in particular, and about you.'


Around dusk we paused and drank tea. My mood was dimly vulnerable and with a delicate sense of security I observed Sam. Around his crazy red hed the gevening's greyness darkened the sockets of his eyes. softly caressing I said with a high shart 'a' :

'Sam, . . .malle Sammy'

He said nothing, the lowlight browned around us, I looked at the fragile tea things . . .

'Jopie, come on, let's go.'

'Let's eat at home this afternoon, Anna could go and fetch us a few tins.'

'Hell no, we have to bury Bobbie-boy, so we're eating decently at Colonnes.'

'Ah . . . if you want it that way?'

Sam sat quitely and we ate for a while in a very darkened dusk. Just for a second I could see Sam's face. He did want to do it after all, the sillyness of a funeral . . and I just had to accompany him, forlorn as it was.

With a shove Sam pulled my chair backwards, so it hit the bookcupboard.

'Come on Jopie, time to go.'

His voice saddened me and also made me tired and weak:

'Yes.'


118


'tWas not yet completely dark outside, but the shop lights yellowed through the evening grey. The weather eveninged clear and beautiful. Houses silhouetting against the light sky. We said nothing. Utrechtsestraat; asphalt dry white in the shimmer of motionless archlamps, bleakblue in the distance.

And animated yellow the gaslights. We walked along with other people, straight on, silent. An anger boild up in me. No, this was all too crazy, I should not just agree to this . . SAm may have promissed so many crazy things . . . no, I was going back. But I did not dare to laook at Sam's face, sadly staring brown eyes, widely looking around the busy street, and I did not want to hurt his feelings.


The light salon cheered us up a bit, we had our regular corner at the buffet and our regular waiter, who was familially funny to Sam about money and making ends meet at the end of the month. But still civilized and modest anyway. Sam ate slowly and talked a lot, but not about the boy. About another carcinome case, and he laughed , when I found it gross, under dinner. When we'd finished he ate some more potato salad wixed with baked potatoes.


Exactly at seven we were at the infirmary, in the drkness of the canal a lantern spread sraight lines of light around the entry. a Cart was waiting outside and a little man sat on its stool, slowly heaving from one leg to the other. We kept wlking up and down. Nothing in me but the weekwhite sadness, not about the dead boy, but about the goings on with this silly funeral. Sam startled me:

'There they are.'

Frm the entrance two men appeared, carrying a long white basked with belts across their shoulders. In one swing they hurled it onto the cart and covered it with th black sail. Then they went. Across the city, where no-one recognised this as a hearse. In the shopping streets the atmosphere was usually snug in yellow light, thge man behind the cart hurried on, and we walked along, focussed tightly on the car.


119


'That's that, said Sam, at least now he has his funeral.'

'Oh yes, but still I find it all so silly.'

'Of course, in the end we're all insane, and we promissed, and I'm just happy we did it.'

Silently we proceeded behind the car and Sam l, very grave said:

'Remember, on a cemetary no words may be spoken.'


In the darkness between the houses and the wooden emergencyschoolbuilding, where only the police station's lantern lit things up, the car halted. The cover came off. And they carried the creaking narrow basket, in which the body would be, inside, into the cutting theater.

'That's it,' Sam said done, . . . come along, we're resdy here.'

And so we went back home with the tram and piecefully worked on all night.


120


XIV. Dear student.


Late in the afternoon he came along with Sam. Who already had told me about him often, but I did not know the guy himself. He was a student in Utrecht, doing medicine. But he always stayed on as assistant at the cutting room, because he just loved anotomy.

They'd been off together for a few days to Haarlem and then to Den Haag and Sam had left me on my wn. In the morning he had written me a note, that he would be back later that afternoon with Geert Fenz and thgat I should wait for them with dinner. Ans so happy I was, that Sam would be thgere again after days of sinister living alone. Nicely on my own I spent the afternoon, worked a bit, but as darkness fell I 'd laid down on the canapé thinking of Sam.

How delicious it would be to hear his soothing warm voice again and being loved by him. Crazy, really, to love each other that much. . .if he would leave me . . . mary for instance or die . . . what should I do>. .I would for ever remain alone, without him, . . . each and every day, all days. Pain shot through my head, thinking of it, that it could happen, him not being around anymore and in my eyes hot large tears welled up, getting heavy and then dripping down.


121


But why should I be so sad . . Sam would be returning todat. And the pain of being lonely, even when I wasn't, returned to me. . .and finallythe silent white suffering of knowing that he would not be with me forever.

That's why I finally laid, sweetly sobbing.


But there he was and Geert with him. Almost dark no and the other guy stood strangely ill at ease in the dusky room he didn't know.

'Hi Sam . . .Hi Sam, hi Sam.'


I kissed his mouth and his cheeks. Vehemently happy with his return, and he calmed me down:

'Hi Jopie . . . be quite now . . .sit down, and I'll light up the lamp.'

Geert observed us, strangely amazed, while Sam explained:

'Yes Joop is a little different . . . Jopie, Geert wil go to dinner with us and will be staying for a few days . . . You're allright with that?'


The lamp shone and lightshadowed nicely around the room. Geert sat in the center of its yellow circle, and sam remained in the dark. But my joy of having Sam back, saddened hopelessly because there was another with him. As usual we just caried on chatting about this and that. Sam made tea and poored it in. Geert drank, while I observed. Wgat a strangely wrinkled face he had. His eyes bluegrey with a just as bluetrembling skin below and his cheeks young and blushy red. As if he was a just ripened peachboy. Like sunny mist the suffering of happiness fell on me. . . tingling all through me. It was because of Geert, my voice trembled as I said:

'Now o;ld are you actually, Geert?'


122


'Me? Twenty four.'

"you don't say! I really thought you couldn't be older than eighteen or so.'

He laughed and we talked together, but lowly getting aware that I was starting to love Geert and trembling intensely in my chair. How fine he looked, and how beautiful . . . god . . . how could I not have seen that immediately . . .o, but now I realized, and saw it all to clearly. A lusty desire began to roar up, to just kiss him on his peachy cheeks. Tired but happy I leaned back and relaxed my muscles, halfclosed my eyes and stared into the light. But I just couldn't bare staying still and started to nervously walk around Geert and touching him just casually. Finally I leaned closely over his shoulder against his cheeky flesh and deeply flattering just uttered:

'Hi'

He looked up in amazementt and strangely laughed back.

Then I returned to my chair, but the desire for Geert didn't quiten down. For a moment we remained silent and then Sam said: 'I don't like your attitude today . . You'd better stay home; we'll have dinner at Américain.'

'No . . . I';m coming along.'

'You stay hom; you're sick . . . very sick . . .stay home.'

'Yes . . . Geert, I'll stay home . . . don't feel well . . . I'll see tomorrow morning or later tonight, if it doesn't get that late.'

'No, we'll stay in the city tonight and you should just go to bed early.'

Sam's voice was prevailingly rude, he'd understood everything at obce. And that soo weakened me, I could not bring up any counterargument , so saddened I just went along:

"Do run along bouys . . don't find me silly, Geert, but that's the way things around here go more often.'


123


And off they went, leaving me in the emptyness of the screaming room, where light brightened mercilessly against the wallpaper. My eyes hurt and red pain burt in me. So I blew out the lamp raised the curtains high with a hard jerk. In the dark, that was just disturbed by the moonlight I watched the black windows and thought of Geert. The alarmclock ticked . . . teasingly slow it dragged time on. . . I jumped up and struck it off the chimneymantelpiece to the ground. It fell with a loud crash and the feather snapped to pieces, which broke my tension and I listened frightened if anyboudy had heard the loud bang. But silence. In the distance a cock crowed and another one, and then black silence all around. Once gain turning my thoughts to Geert.

Sam had understood, what I felt for him and that's why he'd taken him along. I would not see him again. Long I kept staring in the darkness of the room and felt my pure boy-love was gone. But then I would just find and take another. The gory, not the good. Calm, collecte and well aware I knew what I wanted.

In the darkI searched for courage and my hat and coat, only finding the hat and so just knotting up my jacket tightly high and stepped out on the street. 'tWas foggy; ;ow hanging clouds. in which the lanterns turned red. The trams were lit and crowded. I jumped on the front balcony and pushed my back against the copper support rail. Along the confusing lit streets the tramthing rattled on. The coachman happily chatting witha boy at the front., and me thinking, how I'd go about it all this time . . .

Dam square wide and stirred, people hurdled in groups around trams. I saw him. He sold a tramticket to an elderly lady, stood next to her, scantily and seedy.

'Hi Koos.'

'Hey, Hi sir . . . long time no see.'

'No . . . had no time . . . will you go home with me ?'

'Oh yes, sure sir.'


124


He wanted to very much, always receiving a guilder when he went along and spent the night with me, sometimes more. But still, I despised the boy, who rather earned lazy money, than making a serious living for himself.

'We can take the tram, give me two tickets.'

'Here you are, sir.' I gave him a quarter and he was pleased and thanked me. But I didn't want to gom on the tram with him,; he was so measly and dirty..'

'No, let's go walking afterv all. . .here's you tickets back; you can keep the quarter'

Meekly he walked along with me, on to the darkmisty Rokin and Reguliersgracht.

'You must spend the night with me, master Sam is away.'

'Yes, that's fine'.

Next to each other we walked along, in silence.

No, I didn't love him . . . but he was a goodlooking sweet biy, I'd known for a while. And again I saw him just as the day I saw him first.

In the middle of a scorching hot sunny summer's day on the square. Dirty and beautiful with a golden brown glowing eyes and shining white teeth. And that first a sense of desire welled up in me now again. In front of me he stood in front of me, just like he'd been that first time, naked and trembling. with his dirty gorgeous meat. Slicky lumps of dirt between his toies, on his knees and a hard brown crust of dirt with whitish ceracks, iwo patches of other dirt on his chest . . from then on I'd always have him gon wash at the bathhuse first.


At home everything was as I'd left it. Two letters had arrived, and I proceeded to rad them, plainly, without dsire. The big boy stood next to me, humbly and tame.

'Do you want anything to eat ?'


125


'Yes, please.'

He ate hungrily as I observed him from the canapé. The main lamp was out, just the desk lamp circled on the table, leaving the rest f the room plain and dark.

How beautiful he was, terribly7-gorgeous, and funny, really, yhat I still didn't love him. Painfully comforted I was thinking of Geert. . . What would he be doing now . . Sam always understood everything immediately . . . Good boy, really . . . if only he'd stay with me and not leave me all alone . . . this Geert . . . what a funny airy kind of voice he had . . . when would I have another chance with him . . . maybe just go visit him in Utrecht. He wouldn't have to know anything about it. Sam would say nothing . . . and Koos . . .

'Are you done?'

'Yes sir'

'So, now here you have your seven nickles, for you know what, but remember, if there's only one bit wrong, you can leave just the way you came.'

Yes sir, I will do right by you.'


Now I was laying down again and thought of Geert . . .what would he think of me . . . Sam surely would have told him that I was no good, but he obviously did not understand how. or what . . . and so I thought on about a friend os Sam's, who was promoting on the subject and had sent a shitload of the silliest of questionaires around . . . we also had filled in a few, but completely wrong and just making fun of them, come to think of it. . . When his thesis would be finalising, we'd tell him, surely. And if he knew now about me and Koos . . . God yes, he needed his jenever (dutch gin; like Ketel One), as he was used to get some here. He also did it without, but if he'd had a few, he was far more beautiful. with flickering surrender in bright golden eyes. Just had to get some, do it himself, it was nobody elses concern. Lazily I rose and took our blue drinking jug off the cupboard and walked onto the street. The gog was thicker now and chillier cold . . .


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I trembled, so quickly on to the little pub around the corner. Smoke and damp stood thick warmwhite in between things. In front of the counter were two men, coalcarriers, their facess pitchblack, with dingygrey of their eyes in there. One hung sideways at the corner, the other, straighter, sat astride on his chair. When I entered, they fell silent while one of them had his glas refilled. They looked strangely at me, then the lady behind the tiller:

'What can it be for you'

'Jenever, yor best.'

'Anything is good here, as long as you pay' joked the tired man at the end of the counter.

'How much would you like>'

'The ladybent over again towards the container under the counter. filled the jug, and the old man said familial:

'You can really hit it! Does all that have to be drunk before you go to sleep?'

'It's not for me.'

'If only it was for me . . . Jees, boy, if I could afford it, I'd do nothing but drink and sleep all my life.'

And the other:

'You'l probably already downed your own portion.'

'Now please.'

Jenever madam was done, and swung the jug back on the tiller.

'How much is it?'

'One guilder five . . . there's almost an entire can in it.'

I payed and the old drunk man:

'Well, if it aint for you . . .you might just as well give me some . . . You've got plenty ofdough . . .wel, come on, if you're a real man.'

'No, it is for me, I really need it.'


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In the door portal Koos was stading, cold and clippy with his hands in his pocket.

'Hey, what are you doing here?'

'They didn't want to let me in, because you weren't home.'

'Oh that's allright . . . do come along with me.'

In the room I lit the light. Now I could see him better. How beautiful he was, and deliciously attractive. . . his eyes flickered golden brown as before. I placed the jug on the table, softly trembling I led him towards the canapé, my voice fainted.

'Did you do it right?'

Yes sir.'

'Very good?'

'Yes, excellent, if I may say soo. Shall I get undressed?'

'Yes that sounds good.'

Quickly he got out of his clothes . . his coat, vest, undervest, stockings, pants, his thick underpants. Now I saw him completely in a twinkling intoxication of gold brown joy.

'Get out of the light some . . . that's it, just a touch more to the right.'

He stood still in the motionless shadow while i watched . . . what a wonderboy . . .

nicely slender and strongly muscled. My breath hotpanted and violently my desire rose up to take and kiss him, anywhere.

'Koos, come here.'

'Yes sir.'

But my cool calm collectedness regained control against the bought boy and getting my composure back I said:

'It's arright, I just thought I saw a dirty spot.'


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He trembled in the black lightshadow.

'Do sit down and if you want to drink some, you can . . . just cover yourself with the white scargf of mine . . . your clothes all stink and you will too if you put them back on.'


Strangely lit white he sat at the table in th bright light and drank. Meanwhile we talked.

'What will you do with the money?'

'Not sure yet . . . I might give it to my girl.'

'Ahh, you got a girl . . . surely a different one for every night.'

'No sir, I've had this same one for over a year now, we may be getting married.'

'Ok, that's good . . drink some more. You have another half hour to drink, but that has to be it.'


Slowly he drank himself drunkener, aand more beautiful the golden glow around his eyes, strangely wide and shining overfogged but remained focussed in his drunkenness. His tight body trembled under th white cloth, that creasingly fell to the floor. Finally he stopped drinking and let his arm fall down. nIt ws time.

Softly I went up to him and had him rise. Warmwhite jeneversmell welled up from his mouth.

Then, nicely dark bronsed, I lay him on the canapé and pulled th white cover off of him.


129


XV. (another one of those nights)


Nicely at rest was our life of recent time. Sam had explained to miss Meks, that we really could not have joined her inside the prison that day. We had met an acuaintance there to whom Sam was greatly endebted, and who would just not leave us alone. Miss Meks said she found it odd for miss Vos and nothing more was spoken about it.

I had not seen Geert any more, as I expected, but I was still thinking about him with a fine sadness and felt sorry it had turned out the way it had, but it had soothed away. When sam had returned after the night with Koos, he had noticed the smell of jenever. And strangely meek I had told him everything. Promissed it would never happen again. But Sam didn't trust me and remained close by, guarding me carefully.

Every day around dusk we went out for our walk. Along De Amstel or a stretch along the canals, that were dank in the nightly spring light . And my sober treasurechest of nice impressions got richer, pleasing trees bent over the dark waters, houses silently and dignified.


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In the middle of a busy day I sometimes observed it all. As I did that afternoon. Sam had worked late and slept a little more. I was tired and looked out across to th other side of the street.

There was a knock. It was miss Meks, who came in softly smiling.

'Is master Sam not in?'

'Yes he is . . . but asleep; so please keep your voice down.'

'Oh is he, master Sam ?'

'Yes was there anything the matter ?'

'Actually yes, but if the master is still asleep' . . .

But he ws no longer asleep and happily his voice sounded from the depth of the alcove:

'No, I'm not asleep, do come in, you too miss Meks, do give her a chair. Move out of the way a bit.

'Dear master Sam, you are in master Driesse's bed.'

'What about it; you had something to tell?'

'Yes, actually I came to ask if you feel like spending another sunday with us. Sunday evening.'

'Well well, what;s to celebrate?'

'a whole do, a very big party, miss Mex said, sounding importantly. Our Alex got engaged.'

'You're not saying!, well zay, Joop, how about that? That must be such a joy for you. And is the gil to your liking?'

'Oh yes, beamed miss meks happily, I've ony seen her once yest, so I ca't give a final judgement, but she's from fine stock, a very decent family.'

"oh, that's reassuring.'

'That's just it, she's a shoplady in one of those larhe hat shops at Utrechtsestraat,'

'Well, then he had done a really good choice.' Sam chatted on, quitely. He liked t sound softly now.

'Please, but you'll have to grant me, that our Alex is a pretty decent boy himself . . .


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Back to where I started, now I'd love to have one of those smaller parties this sundaynight, for when he comes to show his misses.''Oh, but thayt woukld be an honour for us, we very much would love to come, how about you Jopie? That is, if you ask us . . .'


'I was just about to, you take the words right out of my mouth, so you'll both be coming?'

'Yes for sure, and you can put half the costs on u tab.'

'No, but that's fantastic! Now she can see from her sid, that we're not just drawn in from the streets.'

'No, it's really good this way . . . who are you asking?'

'Well, I'd thought, apart from ourselves, the house lady and her husband, and miss Lepelaar and nicie . . they can have such an animated conversation, you know, and the cousin of De Bree, who's with the policeforc and his wife, and that's all, nobody else.'


When miss Meks had left I joked:

'Well you're in a generous mood!'

But Sam replied earnestly:

'I don't know . . . don;t you ever have that tingling all over your body, that makes you feel like being good to everybody . . . come on, I must get up, it's time for our walk.'


Miss Meks had counted correctly and calculated what was needed: tea with cakes and bonbons, then beer and lemonade and for the connaisseurs a Cognac and later a cold supper. And we all had agreed it shuld be held at ourbackroom.


Now they were there. The last one was in. Distinguishedly late the housemadam and her husband arrived. And te uneasy waitanxiety subsided nicely and turned into quite conversation. Groups forming. Miss Meks in the middle and next to her


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miss Lepelaar and niecy and the policeman with his wife and next to them Sam and then the husband of the housewoman and she herself and me. Then miss Meks again, because it was a round table and Toos with Anne were a bit aside in the back.

I was in the intimacy again of warm housewoman, who, in her warm charrety voice was talking about a novel she was writing and what I thought of the basic concept.

a Count was married and had a bastard son with the maid at the castle, that he'd rented out at a wax statue man. By coincidence the girl gets to work at a farmouse next to the castle, without the count knowing anything about it. One of te farmhands is in love wit the farmer's wife, but the count, whose first wife has meanwhile died, fell for her too. But the girl laves the farmhand and not the count, who in turn then clubbers the farmboi to death and forces her to marry him. But just at that moment the waxstatue man arrives, wo had been in jail most of te story, and reveils the secret. The girl gets insane of fear because her father has dishonoured her and the count imself dies.'

The sooting voice of the housewoman had sharpened, as she told the intense intricaties of her novel, while around her silece of attentive curiosity fell, miss Meks listened sarply with one hand under her chin, and niecy, who momentarily was alone with her Lord, shook her head.

'Jes, yes,' said policeman's wife, cray things can happen.'

'There you go, no lack of sin and lechery' niecy thought aloud.

'How in god's name is it posible, miss Meks inquired, 'to get all that together?'

But housewoman intimized the noveltalk again


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between us two and quited down even more, asking what I thought about it. Around us the chatter intensified. Just policeman's wife, who was in happy circumstances, stayed out of it. Tiredly she leaned against the cupboard, with hardblue circles under her eyes and her hands folded over her humped lap.

Policeman and Sam gossipped about the brken back of one of the children, as the dad in gory detail explained cruelly, how that had happened, and the mother detailed further; a significant side issue with that broken child. 'His back is entirely broken, so he just lies there all day, on his back, and if he has to do his business, it all, with permission, runs all around him' . . .

We all listened feastingly now, and found it soothing, to hear of the maladies of a broken back of one of their kids, and housewoman said: 'Yes Yes.' And the moter continued:

'And the trouble we took with him, it's just too uch to tell, but we've given up now, as the doctor said, tat when marrow is leaking into his heart it will be all over.

And she retired with her lumpy tummy to her cuboard corner and sighed.

'Yes but, master Sam,' said housewoman in a serious tone 'what do you say, is all that possible? . . . Is there nothing more that can be done? Does that poor child just have to die? '

'Have you already been to the Somebuul (jewish religious healer) miss Lepelaar inquired.

'Cold shit, those people' said miss Meks "I know of a case . . .'

'No, you shouldn't say that' said housewoman, who wanted to contribute: 'I know of a case where they did help; it was not one of those somnebuuls, but a fistelpot, I'm sure master Sam wil know about them.'


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Tension rose as they all listened to this new case, only the policeman's wife didn't listen; she'd fallen asleep, in het separate corner, making growling noises, but nobody payed attention. Housewoman continued calmly, while she had the word:

'That was with my other brother, who had a fistula on his chest and all his bones got loose around it, so loose you could hear 'm rattle. So we all thought he was going to die, as all doctors had given him up, Wel, then there ws this old lady living in our village and she said: 'You should lay a fig on it' But my brother didn't believe any of that nonsense, and he said ' those are all just magictricks and just ate the fig. So don't tell me that it's all superstition. Anyway, to please my mother he put the remaining figs on the spot, and now . . . you should see him, Hollands finest prosperity. Miss Meks knows him and can affirm he never had any problems after that. . .and it could just as well turn out like that for your son.'

She now only talked to the policeman and around the table a wide variety of gossip was turned up.

Anna did the waiting service. Beer, lemonade, brandy, Sam was tired, had his head leaning onto his hands and talked lazily.. The clock struck nine.

That one is a quarter of an hour ahead, said miss Meks. Silence now. But the husband of landlady stood straigh, lifted his brown tingling glass:

'Miss Meks . . . even if the bridegroom is not here, I still want to propose a toast on you. You're a fine woman and a good mother to Alex. miss Meks, there you go . . .'

And then they all repeated: 'Miss Mweks, there you go, to your health and that of your sons and girls.' A nice yellow mood of joy colored up, and got more intimate again. But menacingly red the sharp fear loomed trough, as miss Meks got more anxious about what was holding Alex up,


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Where could he be? Sweetly smiling she stretched the slow conversation, but fearfully red she turned to me and shrugged her shoulders. The others noticed and realised slowly letting go of the cheerful chatter. a Bleak silence fell on the partypeople, talking muted now and attentive to ant sound from outside.

Redder my the minute, miss Meks sat don . . . she'd have started the supper, but what could she do, now Alex wasn't there with his girl. And her desire to save the evening grew ever dimmer as the waiting went on. She gave up, leaning hevily on her main armchair, as she stopped Anna from serving drinks and snacks. The conversatons dragged hopelessly, policeman's wife had fallen asleep again, niecy, who had moved to de Jordaan, feared it was getting too late for the last tram.

'They do keep us waiting', soured housewoman.

'They're really late' nodded miss Lepelaar.

Miss Meks remained silent, but housewoman's husband started rather inappropriate fun:

'god only knows where they are . . young and young, they've got other things to do, than sit up here with us . . they're at a rustication on a bench.'

But the joke didn't catch. Squarely they all kept silent and nobody tried to get the talks going again. The clock stoke eleven. . . The houselady rose.

'Come on, we're going.'

'Are we . . . wht's the hurry?'

'It's getting too late for me.'

'Then I'm going too' niecy said, 'or I'll miss the last tram'

They all rose and looked at miss Meks who had nothing to say about staying or going. . . the Meksenwoman just lay tired out in silence and sagged down in her chair. Miss Bramen put on her hat, quitely and


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with the long pen held between the lips of her toothless mouth:

'So sorry we did'nt have a chance to meet the girl.'

Mother Mekse kept silent, but housewoman nipped on, embarrased with her departure, still curious to see if and how late they would care to arrive: 'It's a nice do, I must say, miss Meks, very respectable' . . .

Miss Meks again had no answer.

'Whenever you have an engagement party again , do ask me' she sneered, 'very reswpectable, indeed.'

It had gotten eerily quite, just the policeman's misses sleepily passing time in her corner. Niecy had sat down and so had the housewoman's husband,, but not her; she stood straight and shrewd:

'Yes fine lady Meks . . . realy respctable, even if you do keep quite now, that will not cover things over. . . it's half past eleven, for god's sake . . . wel, where is he now, and where is his misses . . . are those manners? No manners; a scandal ! . . . I won't stay a minute longer.'

'Well why are you not going, you've stood there with your coat on for an hour now, our elegant miss Bramer. Why have you not left? We can wait. ' Our tiny miss Meks said it calmly, but her lips trembled nervously.

Well, have you ever?' In that case I'm not going anywhere: first they ask you toi come, and then they chase you away, well, not on my watch.'

'You can stay or go, for all I care, but there's no need to make a racket in my house.'

'Your house? Miss Meks, it's my house.'

'surely you rented it to me.'

'No longer if I have anything to say. This is a weekdwelling, you go if I say so.'


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'And I go if and when I choose to.'

'oh, in that case, yes, you can go whenever you please, you've got houses, where it's not that easy to leave, in Haarlem, for instance, as if I wouldn't know, you decent miss Meks.'

The silence was horrible . . . even redder miss Meks face turned, and housewoman shoved back in her chair. . . at the cupboard the soft snoring of policeman's wife continued. She obviously was in her last moments, intense!

But there the bell rung, chiming softly through the silence, That relaxed things. Anna went to look and happy triumphantly the clock struck twelve.

It was our Alex. His had stood ridiculously askew and his hollow cheeks palewhite. He was drunk and alone.

'Where's Lize? miss Meks uttered.

'Lize . . .Lize . . . she's not here . . . out of town.'


138


XVI Scallywag boy.


At nine he'd be back and it was eight now. Sam had to be in Haarlem that afternoon, and I'd brought him to the railwaystation. Slowly across the city I'd wandered back home, avoiding the busy streets and a fear trembling in me for the frightening emptyness of the remainder of today. No, not just stay working all afternoon in the white room . . .and don't avoid the street . . .rather lay still on my bed in the downgloomy obscurity of the alcove with closed doors. And thus I'd remained in bed for hours, not moving, eyes wide open staring at the ceiling. Emotionless. Until the dry pain of the room started to torture my head, softly at first, softly . . . and then drybunt worse, until I had to move out to the street. There itt was pieceful in the sunless shine of the evening, and quickly I moved along de Amstel, calming my sharp pain until a white weak sadness remained, that did not hurt as much, but trembled intense around my body. Just one more hour, than Sam would return, we'd be together and I'd sense his movement around me again . . . wasn't it a really good time these days. The day after tomorrow Stientje would return . . . six weeks of holidays . . .and then another few weeks and her father would be back . . . so it would also be better for miss Meks. . .


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Good woman as she was, but always in some sort of mess with others . . that would most likely go better as well. We had it good . . .now quickly get home and prepare everything . . . what should we eat. . .from a tin bought at Fuente . . . soup and carrots . . . no . . . Sam would have to decide . . . Nicely musing, with all the pain completely lifted, I returned home.


But in front of the door I noticed a rioting bunch of people, jostling noisily. Street people, had run there from their home, to have a look and weird passers-by, who stopped to see. It was a boy. He lay across the ronded edge of the fence, his head bent down deeply, showing nothing but his hair. Around him people discussing:

'He's drunk'

"Surely not, he just got it all of a sudden.'

'Me must be drunk, Jan hust smelled his breath and he said it stunk as hell of jenever.'

The boy just hung there askew across the pole.

'Jan, come here . . . do smell again to make sure if he's drunk or not.'

Under his legs Jan-boy crawld, holding his mouth close to others' :

'Well there you have it: rank.'

Strangely tall, the boy crawled back up and stood joking along with the others now.

Miss Meks and housewoman were cozing:

'He looks quite decent.'

"Dear, you think so? . . .master Driesse, houselady thinks he's rather goodlooking . . .what do you find?'

Around the drunk biy, there war roaring cheers and joking as they tried to revive him.

"Shove a feather up his pants.'


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'Let's pull down his pants and piss up his arse (nl slang = burgemeester maken). Who does it gets a dime from me.'

Suddenly a dirty brong piece of chewing tobacco splashed against him, and sputtered in all directions. . .dumblame he felt it with his weary hand and smeared it all over his cheeks. Dirty brown. They began jerking and pulling, his coat, his pants, they grabbed him scurrillously at his crotch as one boy cried out again: Shove the chewing tobacco down his pants. . .anyone who fills his asshole gets my dime too.'

Wild anguish rose in me. And to miss Meks I said disturbed:

'miss Meks, drunk or not, I will take that boy inside with me, for as long . . .'

'As you wish . . . you don't have to look like that . . . just do as you wish.'

Quitely I walked up to him and lifted him, as he continued to list heavily and limb against me:

'miss Meks, can you hold the door for just a moment.' Along my cheeks the heavy smell of jenever floated up. Outside the streetboys cried. hooray! I carried him into our room alone. Weak and white he lay on the canapé, the room being dark now, as the remaining light greyed on his brown tobacco slobber.

'Is he staying here?'

"I don't know; he's really had it. When mr. Sam arrives we'll see . . .

Could you just light the lamp for now . . no the big one . . I'll help myself and him further.'Very tired and feeling weird about the new drunk boy I just watched him . . the brown spit streaking softly down his cheek towards the floor . . just wipe it off. I bent over . . . the white smell of jenever damping dingy down his mouth. But how nicely despeately fine and sweet and helpless . . .blue eyes, black hair . .some grey. How old would he be? Young for sure . . but there were grey hairs, white streaks in the long black locks. Strange.


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Old hair on such a young head. He slept determined and deep breathing.

When I bent over him, I softly kissed his red warm jenevermouth, and again and again. With my head on his chest I laid down and cried, until Sam entered.

'God, Jopie . . . What's this?'

'Quite, he's asleep . . .ifyou be quite I'll tell you everything. . .'


'What are we supposed to do with this?'

'Let's just wait until he wakes up . . . don't force him, you hear . . . what a creZy sight, hey? the white in his hair . . .ho old do you think he is?'

'Oh you . . .falling in love again, are we? You can't see a boy without falling for him.'

'Yes . . .yes, I guess you're right. lame, not? But it's my only remaining joy.'

'Yes. . .it's lame.'


He'd woken up, the drunk boy, still oddly dazed by the jenever he lay paralized on the couch with his tired eyes closed.

'Did you carry me in here?'

'Yes . . .you were sooo drunk, and the streetboys were making a spectacle of you . . but do eat something now first.'

He ate pleasantly. tWas two o'clock and we'd fetched soup and meatloaf at Fuente. The fine soupdamp swirled towards the light and around his white face.

'What a nice place here' The boy shocked his shoulders contented. What funny plates you have hanging there'.

'Yes, Sam bought those for me. you see Sam is actually called Arnold **, but we always call him Sam.

'OK, so I'll also say Sam'.



** Arnold Aletrino


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The boy stopped eating, staring lazily into the dimmed lamplight, his arm on the table with a shining bright spoon . . . I was watching it twinkle.

'Don't you guys want to know where I come from . . .you only know I'm called Jo, sofar'.

'O, but that's enough for mow, don't you agree Joop, you should actually never know anything of each other but a name'.

Obviously . . I think Jo should sleep a bit more and so should we . . It's almost half past two'.

He smiled meekly.

'No . . .let me tell you . . .I just got released from jail today'

'Aha . .fortunately . . .you're out now . . . an acquaintance of ours is still in there, not Joop?'

'Yes'

The boy observed us, strangely amazed, but softly he continued:

'You see, I'd never thought that I'd ever would end up there, but as things go ? I had not turned twenty yet and I actually just acte in a bout of stupidity, because I did not even need the money . . anyway, it got out . . .the patron made a case of it. At first I still thought he would suss the affair, as he'd done a year before with one of the other servants, who had stolen money. He'd sent that one to Liberia. . . a horrible country, but I'd rather have gone there But there was no vacancy, so he turned me in with the cops' . . .

His voice weakened away an the spoke soft and tired from deep down his throat . . .

'Jees, what misery. You can't imagine . . first all the fuzz with a lawyer and things and then the courtcase. Horrible I found it wishing it would pass and be all over, but later on it gets even more miserable. I got two years. Jees, that's a long time, and all that time no visitord, which you're allowed once evey fortnight.


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But for me no one ever came . . my mother is dead . . . my father had written, that I should never try to come back home again, because he would cick me out on the streets immediately.

That was all he wrote. Later on I did reply to him, but he never answered that. . . well, and today I got released . . . so silly, when suddenly you're free again and you see people and everything is back to the ordinairy. . . there was nobody to pick me up . . . well, you can guess the rest. You guys weren't orn yesterday. My father just threw me out as he promissed, and then I just couldn't think of anything but boozing.

Silently we sat together, slow tears ran down his cheeks.

'I still have some money, not much, but would it be allright if I stayed here?'

'Yes that's fine, I'm sure Joop also agrees.'

'That way I'm home again after all. I like it here very much. I'll find work, I will, don't you worry. I'll be fine and good to you guys. . . Say, don;t you find my grey hairs a bit weird for a twenty two year old?'

'It's not that bad.'

'Completely grey strokes . . .when I was at the bureau this morning it frightened me . . .There's no mirror there, but I could see myself in the food tin. . . isn't it a weird sight?'

'oh surely not.'

'Yes it is . . .I have a young face and that old hair on top, that's silly.'

Silence again. Outside Mie miauwed in front of the wincdow, Sam opened up, in the night silence is strangely shoved open and then closed. I trembled.

'Let's get to bed; it's terribly late. I'll leave a note in front of the door, that they will not wake us in the morning.'


144


Yes, we go to bed. Joop, Jo gets your bed, and we'll turn over the canapé, so you can sleep on that and I will keep my own fleebaskt.'

'Say, do you guys believe everyting I told you?'

'Yes, naturally, Joop too, that's simple.'

'Aah, I would not just believe it from another guy; I could be lying, . . about everything.'

'You never know that from yourself . . . jou just have to take things in good faith . . . but it's time for sleep now, you hear! Joop, did you put the notice on the doormat . . . you see boy, that's what we always do, when we need to be awoken late or not at all.'


In the darkness of the room I lay and stared, thinking about this strange boy. He would surely be asleep again by now. How would he be laying? With his head sideways slipping off the pillow and his arms bent . . . would he have lied . . .no of course . . . what a crazy sight, that elderly hair above young blue eyes . . . would he be asleep?

With my warm sleeping feet on the cold floorboards I trembled . . .why had I not stayed in? Quite now, don't go to him. Trembling I sat on the canapé . . . would Sam be asleep? Hey what time was that . . . four already. It started to dawn a bit outside. Have a little peek anyway, to see if he slept quitely. And softly I walked to the alcove. Sam slept . . .

the boy lay quitely on the white pillows.

'Jo . . .you asleep?'

'No'

'O, I thought so.'

What was I to do? He must be thinking this is odd, me standing there. We said nothing, but then he talked first:

'Hey, hear . . . do come here.'

'Feebly trembling I sat on the edge of the bedstead. In the room the morning gloried.

'Hear . . .hear me . . .'


145


'Yes, what's it?'

'Bend over to me closely . . . like that . . . no , closer . . .'

'Please no, don't . . .Sam is sleeping close by . . . when he wakes up.'

But the boy didn't let go. He pressed me forcefully against himself. I felt the loud beating of his hart right through my shirt. His breath hot along my cheeks and then he kissed me . . . kissed me !

'Oh you're so sweet so sweet you are . . .I've always loved boys

, how sweet you are . . .I've always loved boys . . .you're the best . . .that's why I want to stay with you forever. . .

Heatedly he pressed me against him and fell back on the bed, panting. Superiour happiness glowed up in me: that was the first time somebody loved me and not just me loving him. Whitetrembing in thee morning light I sat on the bed. . .

'Come on, do go to sleep now . . . you must be calm. . .'

'Do you love me then?'

'Yes, sure, I loved you straight away, the first moment I saw you.'

"And I love you to . . . now we can stay together for always?'

'Yes sure, but first you must get some more sleep.'

'Yes, I will, if you give me a kiss.'

And calmly I kissed him on the mouth, and he flattered delicately:

'I will vever ever get drunk again. really, bever, anymore. . .'

'No, that's right, you shouldn't. Now sleep tight, you hear!'

'Bye, bye, goodnight.'


There I was back on the bedcanapé, but much more pleased. It was light now . . let's lift the curtain a bit, so I could see out nicely, nobody would look in anyway. How nice and fresh it all looked outside, it must have rained. . . that Jo, an extraordinary fellow . . for sure . . .


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He must stay with us. Sam has to know, oh what about Sam. Who knows, what he was up to himself, he would always tell me eventually, but not everything close to his heart . . . odd, really, quitely staying at home and working. And going to sleep now . . . no, first have another look, to see if he was allright. The alcove was lighter now. Sam was laying still.

'Sam, you asleep?'

He was, and so was the boy, warm breath flowing from his mouth and nostrils. On his white forehead I kissed him, on his closed eyes. . .

Wide awake and cold I laid myself down and stared out the humid window . . . my eyes half closed not thinking of anything, then slkeep would surely come over me . . slowly I felt warm again and drowsy, dear . . .that Jo . . . what a nice boy!


Clear light when I woke up, finding Sam on my work-spot in front of the window . . . amazed at the light I wiped off my eyes.

'Sam . . '

'Hi Jopie . . . finally awake>'

'What time is it then . . .that late?'

'It's past two?'

'Dear time . . . no, but say . . . why did you let me sleep that long. has Jo woken up already?'

'Yep . . .yes Jopie, I'd better tell you . . . he's gone.'

'Gone?'

'Yes, when I wke up this morning he was gone.'


147


XVII Jailbate.


Dumb Srientje had returned home. Strangely twisted kid, hanging in bvreeches and walking in between Anna and miss Meks. They'd fetched her from the station and the deafdumb kid had estranged the house with her hard barking noises. Miss Meks told us about it, while she was sitting next to her on the sunny gardendoorstep.

'She's sixteen years old now, but her mind is not yet halfway there, anyway, you've seen yourself, but you wouldn't believe she's already twice as smart now as when she still was with the nurses of St. Michielsgestel. There it was just a hopeless case, you see, over there in Groningen she can stay an extrayear and then we'll be going to the hospice, where she can stay for another while, to work on her back and her legs. So you see, she will not be a great burden to us. . . . and well, a real burden she isn't, is she? . . .her father is coming home on wednesday.'

'Yes, I remember; so you've visited him for the last time there?'

'Yes . . is master Sam home?'

'No, he's off . . . why you ask?'

'Well,in that case I'll just come up, if you don't mind, so we can talk about it.'


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Very composed the Meksenwoman sat in front of me, no longer embarrased, now she'd gotten things off her chest and I knew all about the her cellcrook.

'Will you still . . .as we agreed?'

'Yes, sure, you can rely on me, it will not be as that day with miss Vos, you can be sure of that.'

'No, you see, de Bree would appreciate it, you understand, everything depends now on how you and the others will approach him. . . will mr. Sam come too?'

'Yes, we had thought to do it this way; I will go with you to Haarlem to pick him up and mr. Sam with Anna and the aunt of the children will come to the station.


'housewoman will also come with her husband.'

'Oh, not to Haarlem?

'No, just at the station.'

'Well that's settled then.'


Tuesday late. The gloomy souterrainkitchen dusky and warm. Toos had gone to bed; she'd asked if I'd be coming down with aunt, as she was not able to come up. Sam had gone out for a walk.

'Yes, here I am.'

'Oh, let me light thinbgs up for you . . it's terribly hot. . .could you close the door, please?'

Nicely folded on the table a set of man's clothing, a straw hat, haky, rolls.

'We have to leave early if you go along. Earlier still than we're already used to. . .

Yje clothing has to be there at eight . . .you do go along?'

'Sure . . .Why did you not sent the clothing there as a postal package, that would have been so much easier.'

'Well, we have to go there anyway . . . an those fwe hours they'll be passed in no time.'

She stood behind the table and counted: 'his coat, hus pants,


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his underwear . . rolls . . . you understand he's had nothing but rye bread there for to years, so when he gets out the first thing we'll sit down somewhere and he'll need to have a decent shave.'

Small and tired she sat down, the aging head sideways, while yellow light ran across: 'If you could feel my heartbeat . . if you could , would you believe, I haven't slept for an entire week . . . I'm so torn up about this, I just can't tell you.'

Softly sad she sobbed.

'If something would happen such a last night in there with him . . . you never know, things can happen.'

'Come on, you shouldn't worry like that, the worst of the suffering is over now, really.'

her tired voice sharpened up:

'Suffering, you can say that again. . . say that again . . but what I wanted to say, if you agree, we'd like to eat with you on your room, because we'll need the space.'

'So so, that many coming?'

'Many . . . no, not that many, just the ones I told you about already.\, our own folk, the houselady with husband, niecy and miss Lepelaar, the the Bree cousin and the policeman and miss Baalman with her son.'

'miss Baalman?'

'Oh yes, forgot that.' she said startled, 'You don't know her yet. . . they're really decent people. The husband died, and she now lives of their savings, but the boy is so careless. He also has been inside. And that's the way I got to know her. You don't object, them coming, cecause I cAN ALWAYS STILL ASK Toos to cancel.'

'Oh no, not at all.' I said and remained silent untill she resumed:

'You see, we should not be talking about those things.



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I will remind them of that thoroughly, because that would just be so embarrasing, for Toos as well, as a matter of fact.'

'Does she still know nothing about it?'

'No, Anna knows obviously, but not Toos, who still thinks her father is working in Germany, what I wanted to say, let's not forget to buy here a little something, so it looks like her father brought it.'

Silence again in the darkshadowy kitchen with the tin hanglamp. Outside the wind had come up and strangeley the gusts found a way to draft inside.

'Shouldn't we go to bed?' she whispered, 'tomorrow is an early starter.'

'Yes, goodnight, do wake me in the morning, so I don't have to set the alarm.'

Can you find your way through the dark souterrain?, sir ?'

Her voice cracked with emotion:

'Yes miss, what is it?'

'You hear, you've always been so good to us . . . so good.'

She cried softly with tiny sobs of pain.


Sunnydry weather the next morning and a clearbluewhite sky very early in the day, but fresh around the city because of the humid wind.

Six o'clock miss Meks and I left the house. Each carrying a bag of clothing for our crimimal. Annelet us out and looked after us along the empty sunny street, we turned our heads and nodded.

'That's that'

'Yes, now it will soon be all over . . . we go second class, that's just as nice, and when we delivered the clothing there, the two of us can go to Zandvoort, up and down with the electric tram.

'Oh, but you shouldn't make extra exxpenses.'


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The whole route up there she told about het jailer; how soft he was and how good and there was sadness in her voice: 'They took so much from him there; he's nothing, compared to what he used to be . . .all of his hair turned grey . . .all grey.'

In a strangely nice coupé with yellow pillows we sat alone, a strange luxury for her, and she started again about her sad worries. If only he can find employment now, if there's anything for him, otherwise I would not know what to do. The departure allowance he gets with him, that's not much . . . I'm happy he comes out, evidently, but the worries remain.'

Long stretches of the trip she kept silent and we looked out across the sunny meadows, laying widely in the clearness of the sunny morning.


Later on the bustle of Haarlem had started. More people on the street, children early to school. We walked up softly, through the fine parks, where the trees still dripped of morning dew, along the outer singel towards the prison.

'Two years he's missed the weather outside. . . how that tore on him, he's been cracked . . . two years, no sun, no air.'

We gave our clothing parcels at the gate, from the other side a clock in the center struck eight, a bit later another one.

'Master Driesse, now you hear, let's just not go to Zandvoort. That's so tiring and you'll see, it will bve really crowded, with the sun and all. . . you won't like it one bit.'

'But how can we spend our two hours here otherwise?'

'Oh, wo hours is not that long and if we arrive too late it could be even worse; then he'll be looking out for us at the gate all alonbe, he'll be a spectacle and laughing stock. . .


152


Let's just remain and quitely walk to de Hout and drink a glass of milk somewhere along the way, that sound so much nicer.'

So we ate our sandwiches there and sat piecvefully in the shadowy Hout, where the sun had not dried the dew yet. Miss Meks suddenly said:

'Master Driesse, before De Bree gets out, I must tell you one more thing . . . my husband is also in there'.

'Your husband . . .'

And she turned red and quickly answered:

'Yes, me husband . . . I'll have to tell you everything now . . .I am indeed married , , and my husband did do the crime with de Bree, who also worked at the post office, and he'll only be out in a year. . . and that is why I am so sad. . . you see . .'

'Yes that's lame'.

'just let me cry some, leave me be . . . you understand that especially today is feels so unjust. I just have to think every moment of my husband . . . makes me feel so awkward.'

'Yes, it's lame'.

'I'm so glad that you are here with me . .I felt, I just had to tell you; I can't get it off my chest to fool you any longer.'

'Just don't cry, please'

'No, lets go and be on our way'.

Strangely tired and purposeless we wandered along the Hout lanes where everything started to warm up for midday. Miss Meks had stopped crying:'You'll see, now I ran out of tears,\; I will not sob another moment all through the day. And in a year my husband will be released anyway . . . don't you think it strange that I'm married?'

'Hell no, why shouldn't you, like anybody else?'

'I've kept it from you for so long, but now I tell you anyway,


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because otherwise you might get totally wrong ideas about me and De Bree, like we'd been living in sin or so'.


Before ten we arrived back at the shadowless sillysunny square in front of the prison.

'Let's wait in that catpub there until he gets out'.

'In that coffee house? . . No, let's just stay in front and walk up and down, then he'll see us as soon as he comes out.'

So we started stroling up and down, on the empty square, with the weirdwhite sun glowing . . . from the other side two men appeared, looked at the square windows of the stone houe and joined us in walking up and down. . . in the city one clock and then another stuck ten now.

'Now, he'll be coming out any moment'

'He should already he here . . what do you say, not a minute they give you for free . . . god . . what will my husband be feeling like, knowing that de Bree is released today. He e, but ven wrote me about that, so that I would not be sad and have a merry party today, but veritably, I just can't . . . my heart breaks just thinking about my husband.'


The door opened, slowly and widely. We were just passing right in front. With a little jump miss Meks jumed aside c. . it was not him. An old grey little man . . jooking confused for a minute in the open streetlight and then walking up to the two men., who calmly took him along towards the citycenter. We had to wait even longer; we'd stopped walking, stood still against the prison wall. The maid of the director's house looked at us as did the wife of the subdirectoe . . from across the street they all looked at us.

'What do you think about that . . standing here for their enjoyment and malicious pleasure. You see them standing there, looking at us as if this is the way it's supposed to be . . . you see them?'


154


Another door opened. a Boy, but only him. Not a soul waiting for him. Across the square he made his way, straight and narrowly in his too tight coat . . a sharply insane sight, that single boy in that empty hollow ligth, fiercly stong burning our eyeballs. . .

and then there he was. Completely ordinairy.

'Hi Piet . .hi.'

'Hi aunt' . . .

'Well this here is our sir.'

On the sunny square we stood strangely happy shaking hands, from the houses across being looked upon. So we quickly made our way into the city while I watched backm at them. Deeply weak, with shoulders hanging down he tried to walk along with us, but we had to slow our pace down.

'They gave me four guilders travel money . . . is everything allright at home?'

'Yes, all fine and you'll see, what a rich day we've prepared for you; master Driesse is having dinner with us and master Sam, anyway, you'll see.'

Happy all over she talked to him as if she'd forgotten her husband was still in there. But the released one smiled so happy and did not ask about the other one.

'I'm so happy I'm out. . . wow you'll see other people again, be alive again, do whaterevr you want again, if you want to scream you scream . . .

Ans she, moving with the joyfull mood:

'Crazy man, don't scream, but get a sgave instead.'

'Yes, they don't shave in there, just cut everything.'

He entered the snallstone shaving cottage, a bright quadrant at the corner of two alleys and we stayed waiting, walking up and down in the sunlight.

'You see, he's not at all asked about my husband yet. he obviously is not interested . . . you understand, it's anything but a celebration for me.


155

What do you think? of him . . . good looking, hey?'

'Oh sure, but I already had seen his portrait.'

'Well then, and in no time you'll see my husband too. You'll agree thatr when he comes home, we must have a huige party.'

She cried softly again as I looked at her and then a smile returned through the tears.

'Yes, look at me . . better to cry now than ater on. where he and the others are present. . . you se it's a big day for him and the children too.'

'Oh but your time willcom too.'


The three of them walked back to the staion, through the sunsummery city. He walked slowly halting a lot to taste the fresh freedom and strange weather, observing everything. The houses, from top to bottom and then back up, and the trams and the bluewhite sky . .

'I see houses and people again . . .god, how delicious to bee this out again.'


156


XVIII Jailer.


The station crowded and somber, but the train was waiting when they were there. Then a nice partysurprise for him, the whealth of travelling in second class. And off was the train. Passing by

the prison, with its huge round dome, contrasting against the blue sky, with windows teasing in strict lined order in the new walls.

'That's past tense, hope to never see it around, or from the inside for that matter. ' He rolled up and down in his cozy cornerpillo, cozy and pleasing.

'I just can't tell you, what a weird feeling it is, now . . . just as if your eyse see things differently. Jees, how hrrible it was in there, but the suffering is over now.'

In front of the porter's window miss Meks was looking out. I'm just so happy . . . like a little kid . . . and it's extra fantastic that you came along to pick me up . . . is the other sir not here?'

'Master Sam, no but he'll be at the station with anna and the others soon.'

He moved around again in his warm velvet corner:

'What fun, god, so nice to have that many people coming for you, at first I thought that everyone would pull their noses up for me.'


157


'Oh no, why should they now?'

More silene, across an intensely wide field they looked out, the wagonwheels rattling busily and then our freed crook, speaking in soft gratitude:

'And if it wasn't for aunt Meks, god, what would have come off the children? You may not know, but she spared so many extra's from her own mouth . . .slogging and scratching things together. I would jump through fire for her.

And the dapperfine woman, nicely flattered, nicely warm in the sunlight:

'Come on . . . don't overdo things, we always had it better than you guys in your hotel.'

' a Hotel . . . hotel, you can say that again: they have the best waiters . . . different ones every day, and then that oberkellner, master Driesse, that guy was of an extra fine brand. fuckin hell, how dirty that guy could look at you, and cross eyed too, yes sir, crossed.

We laughed and chattered and joked, and miss Meks joined in, making a rhyme on the prisondirector wjho looked so squint. She even sang it, having fun and forgetting about her husband, who she'd left behind in the huge round prison thing. And so we laughed as well. Untill suddenly the man coolcalmed:

'Toos does not know anything about it? Because that I'd find really upsetting.'

'Toos? Oh no! She thinks you're returning from Germany from work. You'll have to buy her smething lateron at the French Bazaar, just as if yu've taken it along, as long as you also take care not t mention anything wrong at the table.'

'Well , that goes without saying.'


The whole troupe was at Amsterdam Central, Sam, the housewoman with husband, and Anna and Alex and aunt Christien and niecy.


158


So we jumped off the train, miss Meks as last, calmly stepping down. And they all yelled. On the crowded platform we stayed close together, our criminal in the middle amazed between so many people. Anna cried sadsoftly against him. And housewomen bent over t me in confidence:

'He does look rather decent, yes, even though he comes from 'there'. . . God, see how Annais crying, yes, it's always hardest on the children, coz I always say; the punishment may be over, but the shame remains.' . . .

And Sam talking composed over the enthousiastic greeting bustle:

'Let's not stay herebut move down.'

So they all followed slowly, getting down to the hall. nna still sobbing, close to her freed dad and miss Meks with sam and then me and housewoman with her husband trailing behind, again with his hands in his pockets.

Downstairs Sam had ordered carriages, two of four. Which caused more uproar about wh was going in the first and who in the second. But finally we all sat like this: in the first Sam, our crook, me Anna and miss Meks, In the second the housewoman with husband, and niecy and aunt Christine. Alex was on one of the coachbucks. Sandwiched between us sat the warm man and his warmth flowed sweltering through me, so much so that I got hot and queasy.

'It almost looks like we're getting married, with the two carriages through the city,' miss Meks observed, sitting huddled up with Anna on the fold-out bench. Let's not forget to buy something for Toos.'

'No, in the Bazaar.'

The rolling of the coaches overrattled our own rattle


159


as we shook about when the car thundered through a pothole. Reguliersbreestraat.

'Now you have to push that little ball, in order for him to stop.'

'And how about the others?'

'Oh, but we're ahead, so the others will halt behind us, but let's go in there with the two of us.


Into the dark Bazaar. In front of it the two carriages. From the porter's window and Christine laughed with Anna.

'Let me pay, it cannot be that much.'

'No, . . . I've got his money now after all. Let's choose quickly; such a little doll for instance?'


The five of us back in the steamyhot coach. Miss Meks giving instructions:

'When we get home, you give that to Toos and say, you brought it all the way from Germany.'

But the man saddened, his eyes qgreyed and stared away, the kept quite and nobody spoke further. Through the front window I looked out, saw Alex' pants, that was torn from below.

Softly the free man resumed, trembling in between us:'That directoe is a real bully, you should know, how he treats people, as if they're not human. If he does not get the Plague, I'd buy it for him.

'Certainly not from your release allowance, miss Meks joked, but he remained loomtired.

'Miss Baalman and her son will be coming too', miss Meks mentioned chilly. 'Please remember not to mention it, when you chat with her.'

'No'


160


Home.


The little square front room was all flowered up, bouquettes from the houswoman and her husband and from the girls with Alex and from miss Meks and Sam and me. Stifly straight the flowered the table, ours in front, with one behind and then two. The room busy with peple animated conversation here and there. The free man fallen down into a lazy chair, weakly tired his eyes lustless with circles around.

Near the chair the dumb lame girl was making cry noises, trying to stand herself on her curved little legs. Trying to say: 'sad . . . daddie' The man stayed quite and motionless. Miss Meks to me in fear: 'God, what would it be; let's just quickly get him some coffee,. That will divert him a bit; we eat at your room . . . as we agreed, not ?'

'Oh yes, . . . it will feel strange, but we'll quickly get used to it.'


Silence through the the rattling rumour housewoman screamed and pushed pale Toos forward, smallish and smiling beakly wuh changing cheekcolors. Then housewoman solemnly:

'I ask a moment's silence and attention for younglady Toosje de Bree, who will do a little recitation.'

Attentive silence followed; suddenly housewoman added:'do listen cloely, double your attention, and then say what you think about iy . . . the verse is mine.'

And in a fast rattle pale Toos started:

'Dad, we all now have learned,

that you finally returned,

form faraway German beaches' . . .


161


'German strands' corrected miss Bramer sharply. 'Didn't I tell you that a dozen times.'

Little Toos blushed in fright:

'from faraway German strands'

'to our dear fatherlands . . .

In god's name, just leave it,' said housewoman. You understand, it should have been strands and lands, but a clever person, to get that into the skull of Toos.'

'Did you make it?'

'Yes, obviously, ah well, miss Meks asked me and so I thought, why not . . . I naturally did not include anthing about thàt, as miss Mesk had begged me to . . . Toos still thinks he returned from Germany . . . how do you like it?.


Toos was done. Enthousiastic hanclapping as they chattered on top of each other. The tired man in the easy chair laid motionless. . . his eyes heavy blue, but turneup by the noisy applause he clapped along.

'That accolade must surely please miss Bramer' the Meksen woman said in a pleased tone and then they all agreed and miss Lepelaar, who'd just arrived. informed, as usual, how in gods name it was possible.

But silence returned. Quitely they all moved close to the round table. Only guest of honor stayed down in his chair. I sat alone in the cupboard corner, tired and not feeling for the conversation, across me Sam, but he was busy and friendly laughing with the policeman's cousin. From here and there I picked up things, when a voice would rise above the chatternoise. 'what a flowers, hey . . ssshh . . they can hear . . looks like a wedding . . .but really . . say, he's asleep . . master Driesse . . Joop'


162


Grey tingling overshadowed my eyes, that I had closed and warmly I was floating away in tha murmer of conversations.

But Anna woke me up . . . 'cofee and cake?'

'Yes please just put it there on the latch. '

Silence as everybode ate and housewoman spooned the cream off the scone.

Easy calm downed the feasy room, with goodwill and heds bowed down.


Miss Meks had opened the window, because it had gotten so warm and the table was done up in a festive fashion. Little sandwiches with cheese and large chunks of bread with brawn. Dark grey and redsquared and pigsleg with pistachios. Friendly she overlooked her gorgeous festive room. The two of us stood in the light yellow space, that was high and very silent and from afar we heard the conversation noises spill from the front room.

'How do you like it?'

'Unique, amazing, that must have cost, you have not been scrimpy.'

'No, if I do it, it must be done right, it's so rewarding for a special day like this . . . you think it will be enough? with the cheese and pig and all . . let's see, how can we arrange the setting. . . Housewoman ... husband. . .our Alex , , Master Sam . . .you next to de Bree.'


The backroomn chattered on . . . the first hunger was appeased. Hunger, as they were all eating with chewy motions and saying very little.


163


The centerfigure of the party next to me had cheered up some by the all around mood and joined in now, laughing and joking. Over him stood dumbcrooked Stien, just doing her widestupid grin. She heard nothing but the even tone of voices meaning nothing, just eating and avery now and then a yell or scream, that only miss Meks would uncderstand and Toos.

Then they served another slice of bread onto her plate or Toos just grinned back at her.

They were talking about thère, still carefully weighing their words because they were so full of it, and everybody wanted to know all the details. But the man still spoke of the hotel and of waiters and an oberkellner and an underoverkellner. Shrill on top of everything the housewoman's husband cried out, butb she dampened things with confidential whispers to miss Meks and me about the verse of just now. The eating done, they sat and talked on, nothing more.

Lukewarm the room dulled around the shiny heads. The clock struck two.

'You know what, I'll have the move to the front again, and poor them some raisins on brandy, and then we come back here around half past five for dinner . . . isn't that best ?'

'Yes, that leaves me some time to work . . . Sam are you going out this afternoon?'

And Sam from across the silent table: 'Yes to Siep.'

And then the chatter resumed. Loudest laughs from the housewoman's husband and the cousin who was with the police, untill the housewoman's husband loudly joked:

"You say . . . lick my ass.'

And the police couin, funnied wildly on top of that:


164

'I'm not going to clean that up'

---------------

---------------

But all of a sudden clammy silence fell on the joyous space. Down n his chair, the focus of the party lay weak and tired, eyes closed, cheeks white and tensioned over sharp cheekbones.

With cries of fear we all rose and stood over him, deafdumb Stien wailing fearfully and miss Meks cried:

'God master Sam, master Sam, Sam . . . he's dead.'

Fear and silence hollowed the high spavce, sharply interrupted by our cock crowing. The man in the flowery partchair, deadp pale, bluewhite pale. Sam in a composing voice: ' it's nothing miss Meks, really, don't worry, do vove on to the front room, so we can lay him down on mater Driesse's bed . . do move along . . .

you too miss Meks . . . he's not helped by heat and flowers.'

Quitely they shuffeled out, back to the front room. We laid the flacid motionless man on the bed.


Late in the afternood. Sam had gone out and quitely overthinking the sense of mayhem, I tried to work some. Miss Meks had already come up to me a coule of times to see how it was, but the man kept sleepiung quitelky.

'You see, it was nothing, just as master Sam said, warmth and exhaustion, nothing but that.'

'Now. . . when he wakes up, you will call me? I cannot leave the guests alone, miss Baalman and her son also arrived . . . I'll be back.'

Piecefully in the late dark and sunless afternoon I worked on.


165

But suddenly lightsharp, painfully sharp he lay in front of me, sunlit naked, his back . . . thighs sharply forward, licht flowing over. I tried not to see . . close my eyes, but the naked man remained in front of me . . . sunlit . . . still clearly starknaked. So unresisting with sorrow and joy I went to look, the way he lay naked and uncovered on the sunny bed, and my pain calmed slowly to a pleasure I savoured. It felt good, seeing him like that, softly breathing and quitely nude.

Then the vision was gone and the walls greyed in front of my eyes. I felt the cold emptyness in front of me where the bare and suny man was no longer, and heavily trembling I walked to the alcove and towards my bed, in which he slept.


166


XIX Criminal dinner.


Into the high room, where the light had gone later and sunless, we all entered. The waiting was for Sam and miss Meks kept looking out to see if he was coming and she had Toos on the lookout too, while still watching time and again herself, untill she could announce that Sam had returned. All had cried out things like 'the rich will keep us waiting' and 'you obviously aren't very hungry' until miss Meks bitched: 'All my food coul have gome off by now, so . . let's get going.'


Tableplecement worked out perfectly for me, far from the intimacy of the housewoman, in the nice warmth of the man. He had brightened considerably and sat on his flowered chair, of which te lowers now started to fade, even though miss Meks did them up that afternoon. Next to him the Baalman boy. Slender and pale, looking around with his deep eyes and strangely shy towards everybody who looked at him. But he was intimatly conversing with de Bree immediately, who he never knew, but he felt relaxed with her because they both had been there.

Housewoman sat between Anna and niecy and talked in a loud voice and making merry with domb Stientje while miss Meks served the soup.


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Your plates, if you please, master Driesse . . I'll take good care of you

. . . Anna, do get some more . . . otherwise master Driesse will have nothing but scrapings.'

Warm the thick yellow soup steamed from the plates and those who were served looked at it greedily.

'Who wants to eat can start now, we'll catch up' Miss Meks friendlied.

But they did want to wait. Housewoman's husband sat with his spoon stiffly in his right hand and swiveled his plate to prevent a fleece forming, which he licked off when it happened anyway. Anna came back and placed the full terrine on the table with a quick hurl, while miss Meks scooped on.

'That's that, and those who want to pray, they prey.'


Hungrily they spooned the warmfatty soup, leaving yellow residu behind on their spoons and final last bits on the plates.

'How's that soup? miss Mesk asked.

'That soup's superb, very nice indeed.' housewomans man talked pleased.

'There's not just anything in there, you know, if I may say so. It would frighten you, miss Bramer, you know what entails a good decent soup, but tell me, am I right? Yes or No.'

'It;s very good, miss Bramer agreed.

'Come, who wants another serving? An, there must be more down below? You must want some more, master Driesse?'

Talking they ate their second plat, even fattier than the first, little lumps between the curled vermicelli. Parypleasantries began to come alive around the room, that remained fresh with the two high windows open and the smell of outside greenery aand flowers.

'Jees, I do feel warm,' sighed man of housewoman. Miss Meks can't you open another window . . . another.'


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"Sure, me toiletwindow' joked miss Meks. At least two of the three are already wide open.'

'Soup like that wenever had at my lodging lady in Germany, joked de Bree, there it was groatsoup first and groatsoup after.

Mut miss Meks feared for Toos, who might understand and put two and two together:

''Well, yes, that lady, we won't talk about her, you're good and well rid of her. . . . anybody more soup?'

Housewoman took the thickest remains from the terrine and Anna got sprouts and potatoes and pork chops.

'Do give, add it right here, it will all end up in a stomach.' He joked. Greedy he ate the sprouts and everything from the fatty yellow plate.

We all swallowed the fatty food, giving us a slight nauseous feeling.

'Come on master Driesse . . . you haqrdly had anything, do take another piece of pork . . . you're very welcome to it.'

'Yes do give me some more, but just a tiny bit.'

Warmfatty . . . redbrown sweaty the party people's faces shone. Miss Mes served beer. Large tumblers white foaming, for Stientje we have a blue beaker, a white cup for Toos, because we ran out of glasses.

The police cousin raised, lifted the brown and whiteheaded glas from the table. A sharper posh tone and a grey voice he toasted: ' To your health, Piet . . . and that you may never have to get back to that German landlady . . . cheers man.'

They all toasted and called out they hoped the same for the landlady.

Miss Baalman looked at miss Meks and they nodded with faces of friendly understanding.


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More animated the gaiety noised through the now duskbrown room when the food was done. Large and sunk down in their chairs the filled up eaters hung limp, but they went on drinking the beer, more and more.

The round eaters circle was no longer needed and so they sat just as they liked.

Housewoman had come up behind me, reminiscing about her romantic history, niecy quitly snoozed, her head falling forward, in little shocks as she fell deeper asleep. Then, awoken for another while she resumed flattering with Stien or Anna. The policeman's cousin told about the child with the broken back and about his wife, who was in happy circumstances.

Slowly the darkness took over and colors faded as did the room's things.

'Shall we light the lamp?'

'No , , no,' they all cried out, 'lets remain in the twilight a bit longer. . . so much nicer . . too hot with the lamp.'

In the brown twilight, they remained warmly chattering.


But now the lamps burnt generously yellow over the festive table with teacups white and shiny silvermetal.

'OK, so let's have tea . . Anna, could you pass the cups around . . . Toos can you get the cookies . . . so I have some time to talk with master Driesse.'

We formed a separate corner of freeer talks: miss Baalman, housewoman, miss Meks and me.

'that really is another burden lifted off my heart, how about you miss Baalman' said housewoman.

'If only he can find aemployment.'


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Yes, that's true, but he also has his departure allowance.'

'That's true, sure, I already got a thaler from that, but you see, I did have loads of expences. . . inagine, where will he get the money from?'

We did imagine, and so miss Meks uttered:

'At the policestation, surely to have another check on how he looked, after those thugs got to him . . . couldn't they give that to him there, and must he go there himself' . . .

She complained on in a soft tone about leave allowance, that's supposed to be gotten from there. De Bree and Baalman were in their own intimacy, talking about the hotel and the director they called Dirk and the co-director they called little Dick. Still softly and with secretive laughs of mutual understanding.

Miss Meks had more tea poured and the serving lifted the mood for a while. But quitely the evening evened out. , groups apart . . . miss Meks getting tired now in her chair. Housewoman started again:

'You must have thought about your own husbnd today, not?'

'Yes , , , more than once.'

Miss Baalman sighed:

'a Year isn't that bad . . just one more, and then he will be out as well' . . .

'Thank god, yes . . . You unnderstand, what a feeling it must have been for him, when he heard the whistle of eight o'clock and realising Piet would get his own clothes back while he had to wait for a full year more.' . . .

'There you are, my hart hurts whenever I think of my own boy'.

'But I must say he did not write anyting envious or jealous . . . last time when he wrote "Too, take care that Piet's release day will be really good" and now I ask everyone, you too, master Driesse, did I do it good . . . yes or no?'


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But more worried muss Meks looked at our little crooks at their private talk, getting louder and busy and out of control. Rudely across the table into the room spoke young Baalman about prison and about . . . miss Meks interrupted decidedly: 'Hallo, Toos, it's been a busy day for you and an early riser tomorrow . . . so I think you should go to bed now, Anna will yu help her down the stairs, but don't let her fall.'

More at libery, now Toos was out of the way, the prisontalk resumed and in one whispertone, around two crooks while the others remained silent and listened.

'Dirk is even worsde as our little Dick . . . if he doesn't get the black plague, I will buy it for him.'

Baalman cried out. Shall I tell you what trick he turned on me? You see, you also have to go to church in there, anyway, it's a distraction as they're so evil, they don't even let them out to air on sundays. Anyway, one day we were in chirch again . . . with everyone in a separate cabin, so that we cannot see each other but can all see the priest . . . anyway, we'd prayed and I spole out loud "are they comming around to collect donations now?" on which everybody laughed, obviously, and for that only I had to go to isolation for 2two weeks. . . .


The audience broke up in angry chatter, all finding it a disgrace that inmates were treated that way, but oy crook, enjoying the attention, continued:

'And now imagine how a cell looks . . all cold stone and no furniture, just a wouden plank bed.


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And if you have airs, then they just put you in a straightjacket. You should see . . a great big raw sack with holes for your arms and legs, that you go in, and then they tie you to a bed. . . you can yell all you want, they won't hear and is you gotta pee or shit, you have to do it right there.'

Scurrilously he uttered these mean words and continued enthousiastically . . 'you pee andd shit in it' moving his head on the rhythm of his words. And he started to sing and stamp his feet . . 'you pee and you shit' untill he suddenly stopped, looked into the lamp and said: "Jees'.

Calmer and softly complaining gthe older man argued with de Bree, whining 'the cachot is an awful place, it's evil, but you've gotr no business there; you coulkd stay out, and if you're in church than you should remain quite and respectful, evidently.' . . .

The younger boy, headstrong: 'And why should fifteen year old kids be in there? . . Tell me, they should never have allowed that. . . now you say' . . .

He was still ruminating and weighing his words .

Well I do't know, if he heard , but he surely was a little asshole if I may say so, and wether he belonged there, or that it serves him right, I would not like to confirm. I've seen the building once, when we had to wait as visitors, and I can tell you . . I would not wish that on anybody.'

'And so do I, I hate the entire cachot and their hotel with it . . .it's all so fucking horrible . . .but do you remember, that same night, that number eleven smashed his entire posessions to smithereens' . . .


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'Yes, yes', the other agreed flatly 'and what good dit it do? . . . nothing . . . no, that's not the way to react . . . when you're in there you have to keep quite . . . you have nothing but your pee-jar . . . or your bed. . . they're horrible bullies and when I just was in there my hands itched to give that nasty Dick a piece of my mind and blow his brains out . . . but that all passes. . . in the end you don't care anymore. . . you agree to everything they do. When Dirk entered in the morning, we all stood up in line like soldiers . . . no fuck . . . and when the doctor comes you stick out your tongue . . . you do whatever they want.'

'Well, not me, countered the cellkid 'I did dare to make my point more than once . . . you hear: as I was making frogs . . . you see, those are firemakers, well, I was not allowed to make more than fivehundred a day, because the guy who bought them did not need more, and then I refused squarely . . . I just said: I had enough and wanted other work. . . well if . . . yep, just dare.'

The other was tired and remained silent and the solf chatter resumed.

'Yes' miss Baalman complained 'Cor always was so perky. Now he's boasting he's a loudmouth, but often enough they got the better of him. I've seen him once in solitary, I was allowed by the grace of god, for just a second.'

'You say, you say . .' murmered Meksie 'how about my husband then. How would he get by on a day like today. . . no, you tell me.'

In our circle criminal sufering complaints quited down and miss Bramer dozed off.


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Slowly the joy of daytime and lamplight began to fade around the festive teatable. . .tired eyes shutting down.

On the ground were crumbled little paper pellets. . . housewoman's husband played with his hands in his pockets again.

Deepdown our dullness sank over us . . . grey indifference was what remained from the evening's joy and evened out the entire evening.

Until miss Meks jumped up and said: 'An child, can you lay the table for sandwiches.'


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XX Hobby Comedy.


The entire neighbourhood had come to a standstill. It had happened in one of those houses behind us at de Hoedemakersstaat, little place, decent , plastered fine white over brown brick walls. Along the other houses th gossip was passed and discussed by him and her. That's how it got to our street, where miss Meks talkid it over with neighbourwoman acoss the garden fence.

'Healthy one momentm, dead the next' said miss Bramer. The day before he came home from work and the little boy played with him, you know, the adopted one.' . . .

'Yes' . . .

'Well, then they romped a bit as it goes, and he'd brought the boy to bed . . you know how fond he is of that boy . .. and when he got back in he said "Woman I don't feel very well." "And?" his wife said 'Then go to bed' But he wouldn't and he stayed up until it was their normal sleeping time . . . and the rest, as you know, they found him dead in his bed . . . it can all be gone in just a second.'


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'There you have it . . . such a handsome man . . .god, you should have seen . . . a real gentleman . . what is his wife to do?'

'You can say that again, . . say . . . she earned the kingdom of the heavens, if only for what they did for the kid, say yourself, six children and than take on another one like that? Not even the same religion. . . it's extraordinary . . . and what will remain for her how? Povert and bad luck.'

'You say . . . I would like to know if she's going to keep the boy now.'

'Of course she will . . than her own

I really believe she loves that strange kid even more than her own . . . her own kids go to school with Toos and that boy is at de Jan van der Heijden in a second form.


A few days later they came to me, together, miss Meks and housewoman. I was on my back at the canapé watching shadows of the sun on the ceiling, and Sam was out.

'Hope we're not disturbing.'

'Oh no, do sit down . . you sit there miss Meks , , , what can I help you with?'

'Housewoman did the talking:

'You must have heard about the carpenters-hand behind nextdoor here at de Hoedemakersstaat, who passed away last week?'

'Yes, I heard the tragic story, rather sudden, not ?'

'Well, there . . healthy one moment . . . buried yeasterday . . . and that's why we're here.'

'Oh, so it has to cost me again?'

'No No,' housewoman replied, 'it's not that. Let me just finish. You know,


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that woman remains with six kids of her own and one stranger' . . .

'Yes' interrupted Meks 'that was a boy ofn the neighbours, they took in when when their mother died . . . their father had run off. . . anyway, you see . . . he even was roman catholic and ALL.'

'no hate or envy,' miss Bramer took over 'they used to live in a cottage of mine, so I know all about it . . they have been wonderful to that boy.'

'Yes, but, what have I got to do with it? I countered. My mood was whiny, enjoying tlks about nothing much an more about others than myself. . . every now and then say something and then get back to the warm shadow, looking at the sun.

'You'll hear about that ' housewoman continued her story 'as I said, they've been wonderful for that boy . . . you see, he was totally not interested in finances; he was the regular carpenter for de Leur, so that would not pay him more than a guilder of thirteen, fourteen . . and now we wanted to do something for that poor woman.'

'Right,' said miss Meks and miss Bramer added a bit broader:

'I've already poken about it with miss Meks, and she has talked to me and now we wanted to try to get her patched a bit better .'

'Right . . . in one word, you must see, if you give her a few pennies in her hands, then they'll be gone in no time . . . to this . . . for that . . . you know how it goes.'

'You see . . . it'll cost me my money in the end . . . I told you so.'

'No, dear houselady, some cents it will always cost, but that's no fat off your bones, but the case is, we should give a benifit for her.'


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'a benefit? But what good would that do? I don't understand.'

'Yes' housewoman calmed, 'that's what we came to tell you, for a benefit a lot of things are needed . . . the play itself and then loads of herhearsals, that's not the problem nor is getting a hall, that we'll find, but we need to work out lists and fast to, and if pssible cugh up a sum of money in advance, and now we thoughgt of asking you would agree to work with me on preparing such a list . . and that we put in it her circustances and how good she's always been for the boy . . and if you'd want to help us at some of the rehearsals . . . you must remember, it's for such a good cause.'

Housewoman had finished. She'd laid her arguments against my calm shadowmood and gently I countered, too fine to raise my voice and quitely arranging words one for one:

'Yes, miss Bramer, I do want to coöperate, and believe you on your words, that she's a good woman, who deserves our support in every aspect, but if I do I want to do it right . . .and make you a list and do some rehearsing, if it's not too often.'

'Oh but that's fantastic . . . great . . . you'll see, what profit we can have left in the end.

'And then,' I nagged on 'you firts will have to check if the woman likes the idea in the first place, that a benefit is held on her behalf . . . that is question number one.'

'Oh, but we already know, not, miss Meks? . . I discussed it with her yesterday and she agreed . . . you see, pension she's got none, she'd be happy with whatever we can collect.

'In that case, let her come by here tomorrow or so, so I can judge for myself, ar must conclude immediately what needs to be done . . I do appreciate that you came to me here . . . and will do my best to help' . . .


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-----------------

-----------------

Tomorrow.

Clearer my shadowgrey mood lit up and I felt things intense again. Weird that drowsiness made me fall for the trick to allow a let-go mood A nice mess! who knows how many busy days of rehearsals . . . lists. . . when Sam hears he will be furious. And rightfully so. Cancel it? . . . well, no, let's first wait and see what comes of it. Maybe it will turn out easier. Fon, on the other hand, working with the houselady, and god knows a heck of a melodrama . . . who could that be? . . . Yes, come in'.

tWas miss Meks.

'Sir, here's miss Vroom, you know, the one mousewoman talked about and she'd like a word.'

'Well . . . then . . Yes, do let her come in.'

Now let's act a bit dignified, a bit benevolent . . . and a touch of highhartedness . . quite, there she was.

'Yes, come in, goodmorning madam.'

'Goodday to you, sir.'

'Do sit down'

A little boy with her in mourning, as she is; hard black, crazily solemn in the open light room.'

'Miss Bramer told me about you . . . it's a very sad case . . . my condolences.'

'Thank you, sir . . and all so sudden. Last week he still was as good as new and now so . . .'

'Yes very awkward. . . indeed.'

The boy kept standing next to her and laid his head sweetflattering on ger shoulder.

She spoke intimately:


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'Yes boy, if it was up to you, then mother would not be in such a poorly situation . . oh, sir, I can't tell you, how hard it all feels, to have to depend on charity.

'Come on, this is not charity at all, we're on this world to help each other (we benne op de wereld, A'dam traditional from Schaep) , we'll see, we might raise enough, to aford you to buy a canalhouse.

She spoke softly modest with a hardly daring of the soiled and toiled working citywoman, as soon as she's out of her housesneighbourhood:

'Miss Bramer spoke of a benifit and of lists . . if possible, could it not be done differently . . less public, I'd say,you see'. . . .

She talked on and her words felt like a merging wordless soundstream. Next to her was the boy and it's him I watched. The sun shining across his fine blushyred cheeks. His eyes blue, his mouth round, and tight and under his lips his skin dropping down sharply sideways.

Sunwarmth I felt as sweet ordinairy boylove of earlier times, having beeen dismissed all too often, but returning ever so often and then feeling so good to have around.

Her voice continued loud and vague, but I kept looking at the boy. Black stockings tigtly around his legs , his blouse also black and self made with puffsleeves, a flat collar and on top of that his sunny blushy ears. A vert nice boy. I imagined him naked and trembling in the briliant sun. A boy growing older . . finer lined out than with his boorish clothes on . . . his chest . . . his arms.

And now forcing a lusty finely festive desire for him rising above everyting . . . to kiss his mouth, his sunny belly. . .softly the new funmood of love dawned in me and shuddertrembling I fell back in my chair.

But suddenly I shook up . . .the woman kept quite.


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Having long finished about the suffering of the dead man. Not in the least mollified by her, but all the more by the fine favorite boy with her and I said soulfriendly:

'That is why I did call for you . . . just to know if you might have any objections or reservations. . . And we sure don't have to do a comedy, we can help you just as well in other ways. . . I am not unfortuned and a few friends of mine could also weigh in; we will not need a treasure for this case at hand.'

Relieved het white cheeks toned up and she started talking again, that it was all too much and she did not deserve such kind treatment and she was ever so grateful. But I wanted to know about theboy, next to her. And rudely I interrupted:

'You do have quite a few kids, don't you?'

'Yes sir, you could say that is my misfortune, coz what's to bgecome of the poor wretches, poverty and misery. I have six and then there's this one.'

'Oh, so he's not yours?'

'No sir, that's quite a story, that I cannot burden you with now, but he does miss my husband just the same as the others, you can take my word for that.'

'Yes, I'm sure . . . cmere boy.'

'come on Dirk, to give the sir a hand.' I let him stand against the inside of my leg, half-sitting on one knee . . . warm and soft his delicate bloodflow welled up through our clothes as I laid one arm on his hip.

'So your name is Dirk? And what school does Dirk attend?'

Fat reddening the woman veered up:

'Yes sir, he goes to school at de Jan van der Heyde at the second form, you should know, the grownup two going together . . .you see, my own kids are in the first form at the Amsteldijk, but he already was going there, so I left it that way.


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Pleasantly close I held the boy against me, trembling with his warmth across my legd.

'So . . . that must be quite a worry for you, and does Dirk take good care?'

The boy, not understanding and strangely touched by the flattering tone of my voice, of which he did not grasp why it was so tender, rigidlyrough retreated a little, but roughly I presed him tightly against my legs and said hotpanting: 'I see you're a good and kind boy, is he not miss, Dirk is a really nice guy.'

'Yes sir, he never was any grievance to his own mother and to me neither . . . I must say.'

'Well then, this is for Dirk.' I gave him some money, that he accepted strangely doubtful. But my moment of highest tension had passed and limb my passion dropped down. Cold shivers ran down my back, the boy between my legs now intensly bothering me. Annoyed I pushed him away. And ther entire silly movement of the quite sad woman oppressed me, and I ended in a snappy abrupt way:

'In any case, that benefit performance will obviously never happen if it's against your wishes, and for the rest, I will take care that you will not have any distress. . . . goodday madam.'

The woman strangely amazed by my roughening up the earlier soft talk raised.

'Thaqnk you sir, thanks so much . . . Dirk, yoi thank the sir as well.'

'good day . . . you will find your way out.'

'Yes sure, sir, thank you'

Alone in the sunlit room I remained calm and collected and worked on, no longer moved by the fine tender boy.


---------------------------

tWas miss Meks.

'If you don't mind and if it iterests me, may I ask what you have agreed with her?'


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'Agreed? What? Oh, about the benefit performance?'

'Yes, you promissed, not?' . . .

'No, that will not happen. and I don't want to have any more to do with that woman and her boy. Thank you.'

'Oh dear . . . has she been so rude?

'Rude , no, but at the same time, she did not leave anything of you intact, not about you nor miss Bramer.'

'Oh no, that's weird, you try to do some good . . do your best . . . but fine . . . what did she say?'

'She said' . . .


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XXI Master Frits.


That was the name of the wrestling assistant of mister Koppé, who lived above us on the second floor. If Koppé had been wrestling and was warm, tired and sweaty, then Frits would rub him down. Soft and firm, as not to injure the skin or the back of the wrestler. Fine and decent and correct Frits always accompanied the wrestlerman, just one step behind, carrying the brown citybag with oils and towels.

Proudly upright in front mister Koppé stepped towards the classroom somewhere in the busy cityneighbourhood. Frits always wore a grey hat, red tie and a woman.

Miss Meks felt it was a disgrace and so did niecy. Miss Kopp didn't mind as long as Frits was good with her, but when they quarreled, she also found it disgraceful and the three of them gossiped about him all around the inquisitive neighbourhood. Miss Koppé from her window, and niecy with miss Meks in the garden.

'The fact that he marries and leaves is one ting, but when he undresses all these girls starknaked, that's evil, how about you, niecy?'

And from the floor above:

'If i'd have known I'd never have accepted him in my own home, you understand, when you got somebody lodging,


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that's far more expensive than the expenses themselves, that speaks for itself, and my husband is kinda fond of him, I'd lie if I'd tell it differently, but he's good at his work.'

'Is that so difficult then, that drying-off ? I never thought that was that much of a deal' miss Beks relied to the upper window.

'No, don't say that so lighthearted, you can't rub too soft and not too hard either. Then you can just as well leave it. No, for his work, he's the best.'

oh in tat case I'd keep him.'

'No, I will not; if my husband wants to keep him away from the house, allright with me, I don't want this here to be turned into a brothel.'

'You're so right. I would not want that either.'

'That's the way it is, in this day and age, now he lives here, he's already had . . .lat me count . . . three others. . . first that German lady, you'll remember, the small one . . . she even had a pretty penny . . . anyway, mister Frits did not leave things undon . . the second one also was German, and now he's got an Englishwoman.'

'Oh, but did he not marry her? . . . youy said so youyrself.'

'Married, yes, in his fashion, in England, but that doesn't count. Not here. Did you see his marriage licence? I did. . . and in any case, married or not, he's gotta go, and she's gotta go. It would get you into a row with your own husband.'

"You can say that . . .no, they'd have to leave with me as well. but she does look like a picture, hey?'

'Oh no, her face is fine enough with that red hair and blue eyes, my husband says that it's fashion in England,


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well, I grant them their pleasure, but they are skating crooked, that's what I have to say.'

'But he's far from ugly, and so well dressed.'

'Well you can see through the handsomeness from close by, his face is full of acne, he's turned thirty, but you'd give him fourty and already as grey as a dove. . .and as for the suits, my husband can do that, and better, and so could I, if we didn't pay our regular bills.

'That's obvious, god, is he from thàt force?'

Yes, and not just a little, you should see how many cravates and hats he has, the finest of the fine, nothing's good enough . . and paying? nought! nothing settled.


Late in the evening we say quitely at our work. Sam leaning over me, rehearsing the last things before his exams. Outside rain on the panes as I shivered nicely and we walked in together.

'Some weather, hey?'

'Please, this way we'll soon be trough summer.'

'Yes, we've done a good amount of work today. You staying up for longer?'

'No . . . not that long, I'm a bit tired . . .have you been out today ?'

'No, stayed in . . .say Sam, I've set the alarm to six thirty tomorrow, so there's time to snug together and talk each other awake.'

'Yes, that's nic, if you do it quitely, or everybody will know about it . . but say , have a look, it's as if somebody's ticking on the window.'

From the window I looked out in to the rainy black garden, looking quaint; the houses across already dark in the late evening. I watched and stared into noting, tasting sweetness in my mouth and mesmerising Sam . . .


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We had it quite these last days, and it had to remain that way, as it slowly turned into fall again outside . . . long dark, already. Suddenly . .sharp and quick a pebble against the window , , ,

'No, say, look at that, what is it . . . that's insane.'

The window opened, from the second floor a voice, it was mister Frits's:

'are you there master Driesse?'

'Dear, it's you, mister Oosdijk . . . anything the matter?'

'Yes, I'm on my way.'

Quickly he clowned down, along the pear tree in front of the window, that swept up and down, quickly onto the latch and into our room, strangely dropping in to the pieceful intimacy of almost-to-bed in our room. I closed the window and immediately he started talking:'You have to excuse my entry this late, but I'll explain everything . . . you'll see,'

Finely shivery he trembled, dressed correctly in his black wrestlesuit hardly covering his lean body, but his face just too old, and frightened-restless.

'Do sit down . . . it can't be that bad, ' calmed Sam.

'Yes, yes, sit down, let's do that, god allmighty, I'm so miserable . . .'

'But what is it then?'

'I have to go back to prison.'

'Dear jesus, that's horrible.'

'Yes, I've seen it coming for a long time . . and could not get out of it. Each time I thought, things woukld wotrk out . . . but it's all wrong, they betrayed me . . .they betraued aand now they're on the lookout for me, so when I leave the house they'll snap me.'

'Yes, that's pretty bad.'


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'It's the second time already . . second time . . going back to the cell. god knows for how long.'

'But what do you want then, that we'll do it for you? Or do you want us to help you out of here?'

'No, that's impossible, it's too late. . . there's nothing that can be done now, nothing, I just have to go back in, but I only wanted to ask if it would be allright for me to stay here, so at least I'll have one more normal night, and tomorrow I wanted to just walk onto the street so they'll catch me.'

'Yes sure, you can stay here, as long as you want, Joop, can mister Oosdijk have your bed, so I can sleep in the alcove.'

'Yes, that's fine.'

Mister Frits had calmed down now, and quitly sat on the canap.

'I thought you'd agree, just for the night . . . unstairs I will not have a life anymore. They do nothing but yell atr me. Can Lizzy also stay here?'

'O yes, If you like, yes.'

He smiled softly: 'You see, you don't get to meet any women there, and who knows for how long I'm in for this time. You'll have to forgive me for tonight. . .it's a last time, you should think, because if and when I get out Lizzy will be long gone, I presume.'

'Yes, that's likely . . you can do whatever you like here. We'll drag my bed from the alcove and then you can have Joop's bed, how obout it, Jop?'

'Yes, fine with me.'

But woewhite disgust I felt for the guy, who wanted to spend his last hours like that and who was nicely smiling now: 'Yes, when I'm out, Lizzy will be gone.'

All his crazy fears for grey celltime, that would be back for him soon, cleared up in his mind, with the prospect of a night, that Lizzy would still be with him.


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Shall I call her . . she can come around the front steps of course, they're not watching for her, you see.'

From the window he whistled sharply into the thick night silence, twice long and one short.

'That's it, she'll be coming'.

------------------------------------

Strangely fine, shy, she was inside, and she understood that we knew why she had to be here, for this last night of mister Frits's freedom. Coat over her arm, hat in hand. She talked a bit English in short sentences but had an agreeable airy laugh and soon she made her home in our room.

'That's it, again, I'm happy I'm out of there . . . that woman did nothing but sream and rage all evening.'

'You can stay her for as long as you want', Sam said 'Joop will help you turn the canapé and drag out my bed.

There and then we prepared our bedroom, the canapé with its hight end off the wall, for me, and Sam's bed right up against it. The alcove was dark and empty now the one bed had ben removed, we were standing there with the four of us.

'Here's everything you need . . . powdersoap in the box, towels in the drawer' said Sam.

'Then shouldn't we get tyo bed? mister Frits asked 'I;m tired and long for the bed and it sure has been a long day.'

She was more girly sensitive about what she knew would be coming and trembled back about us.

'No, let's stay up a while longer, if the gentlemen agree . . . so we could chat some more.'


190


Sweetly through me that odd sense of weirdness downed about that girl, that was still happily chattering the night before she would be all alone again.

Bending over laughing she now talked to Sam in the yellow light shining from the lamp burning across her face, and now she quickly aimed het chatter to me:

'You're a bit quite tonight.'

'And you look very happy why all this merryment?'

'Why not . . rather ask why not?' . . .

'Don't you also feel it's lame that Oostdijk has to go?'

'Surely, I do. but I can't cry about it. . .when I cry I look ugly and when I look ugly I cannot make any income.'

'No . . it's fine you can say goodbye to him here . . . he seems to have been had in a horrible way?'

'Yes, he'll surely get three nuts to croack . . but we do have a proper goodbye tonight, for good, don't you think?'

'Maybe yes, I don't know, maybe you'll see each other someday again.'

'I don't think so, and we don't need to, we love each other as it is, but Frits understands I cannot wait for him for three years.'

'But what are you going to do . . . where will you be going . . you have to go someplace.'

'Yes, tomorrow Frits will walk onto the street . . . he said he will be caught soon enough, and then I'll move into town.'

'But you could stay here . . . where would you go in the city?'

'I don't know . . . you shouldn't ask that many questions . . . I don't ask any . . . we'd bvetter go to bed.'


The tight quite darkness filled the room. On the cool canapé I laid down backwardsa, painfully wide awake. Sam in the bed next to me slept piecefully. In the alcove, where the two were in my bed, it had been quite for a while, time of decency, as they presumed we were not asleep yet.


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they had their goodbye ritual. . . goodbye forever because he was off for more years of greyness in a cell. Fine sounds of laughter, but shortened, smothered and held in and in between sounds of kissing. That first and then wilder laughs, more uncontrolled, her voice sharply piercing through. . .

In me their parting ritual pained fiercely and wanked through my legs, every time I heard they kissed. And he was going on for such a long time . . . would they never cum together? . . .never . . .

-------------------------------------

But it quited eventually, as they must have fired each other enough to fall asleep. Around me nothing but black silence, thge soft whizzing in my ears started. . . softsharp . . .on and on. And it just wouldn't ease off. . .so I started talking to myself to overcomne it, it helped nothing , but it did soften to a sleepy rustle . . .that tickled my ears from the inside. . . deeply teasing soft and then suddenly rising to a crescendo again, shosking me to the bones. The silence blacker than black and then getting even blacker. In that thickness it bubbled up again . . . the room full of sound . . . thick turdy noise, blowing in from all corners.

But then, desperately chilled and insane I cried it out:

'Sam . . . Sam . . . darling.'


Light of day when I woke up. The bedstead in front of the canapé moved out of the way. All three were up and dressed to go out. So quickly I rose, washed, dressed as well, nicely loose. The sense of blackness was gone, still my head spun slightly dizzy for a moment.

Come on Joop, get a move on; we're getting to eat something.


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Lizzy cleared the room; made coffee, and moved strangely around our daily messy posessions. Zhe was quite beautiful after all . . . where would she be going . . . the district, obviously, pity still . . . but she could not stay with us . . . no, quite impossible . . .

We quickly ate.

'That's it . . . so, now I'' be on my way,' said mister Frits in a somber voice, you'll see how soon they will catch up on me, anyway . . . you're safe here . . . well master Sam, all the best to you and master Driesse again, I thank you very much for your kindness . . . well, Bye Lizzy, hold tight.'

Calm and cool mister Frits moved outside and was arrested that same day. Strangely left with three, we remained behind in our room. Lizzy just asked miss Meks for water to clean the cups and washed our breakfast things.

'Done . . . so I guess I better be on my way as well.'

'Miss Lizzy . . if you have no idea where to go, you can stay here for a bit longer . . . until you find a place.'

'No . . no . . I'm off to the city . . I thank you kindly for the hospitality and mister Sam as well. . . I'm off to the center.'

'So you don't know where?'

'No, indeed . . .'

And there she went. Walking gracefully in the morning sun out the street . . . around the Centuurbaan corner, direction center.


193


XXII Sam's maid.


Sam was out. Had gone back to his own room and left me alone in the house where we'd lived together and where everything remained his property just the same. He'd left in piece, without the intense fierceness of some of the earlier times. It had turned fall and the autumnl greyness forced our minds into dullness. It rained equally uninterrupted for days and onto our garden where everything saddened in shiny wetness. We'd quited during the continued end-of-season melancholy.

So one day Sam said:

'Jopie, I'm starting to feel so strange again . . . I think I'll be off for a while and go back to miss Kater.'

'Are you sick?'

'I don't know . . . I feel so feeble . . . so soaked through . . . It's really for the best, for me to be gone for a while. I'll write you often and when I'm better I will return . . . maybe if it gets a bit sunnier again.'

'Yes.'

Then more days alone. Long hours rained on emotionless with just the dead books to keep me occupied. Every now and then a tiny note from Sam, that he still was not allright, but that he'd be coming back soon and that I should reply to his messages.


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But he did not return, not for days, not for weeks, not.

The sad fall had become wintry clear . . . why did Sam not return . . the weather was fine now . . . he could already be better for a long time . . . he'd never been away for such a prolonged period. . . a week, a fortnight, yes, but it's been over a month now. He had written nothing recently. Desperately the days covered over our last day together, the memory faded and obscured away. Would he have gotten worse? Was he incapable of writing? Should I go and look him up . . .


It started raining again. Making the early winter look like fall and my clear mood soaked into synister calm. I'd stopped working and remained on the bed in the dark alcove for entire days, not going out, just sadthinking about Sam and where he'd gone. I felt to weak to do anything and just stared in the distance of days lived alone without anything from him.

One morning than. More sustained rain, the first sounds of day, rain dripping from gutters into the gaps between the houses. It still had to be really early, as the light srill was greydarkened in the opened alcove. Rain again! What should I do today? . . say in ? more rain . . . that rain . . . should I get up or stay in . . . no, don;t rise . . rather stay laying down and have the hours slip alongside of me. Silently on my back I watched vagely how the klight clearwhitened the alcove . . . but over my eyes the morning silence greyed to a close. I dozed off again.

Suddenly the the frontdoor bell was loudly ringing me to my senses . . . another fierce jolt had it ring even fiercer. It was the milkman. Some more moments of just rainsilence . . . then the jamming door openen.


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Just one jar today . . . nice juicy weather again, hey?'

'The time of year, nothing else, you gotta accept that, whenever it falls'.

'It surely is little fun to be out in the cold rain this early in the morning.'

'Here you are, sur . . .'

And then miss Meks again: 'hey, is that you, master Sam'.

------------------------

O there he was returned. Sam. Soaking he stood in front of my bed all of a sudden.

'Hi . . hi . . . hi Sam.'

'Hi Jopie, how are things?'

'Are you coming home . . . are you staying with me . . . you've been away so long.'

'Yes, I'm not feeling wel . . . are you getting out of bed?'

'Get up? Forgot about that, but you're so insanely early.'

'No, stay in bed then . . . I've got to have a very serious talk with you.'

In the light dusk of the alcove his fine cressing voice talked smoothly, but penetrating deep and incicively within me.

'Jopie . . don't think it's silly, but I have a girl . . . pleas keep quite . . . let me finish . . . that is why I did not write you all this time. . . it already started then . . . come on Joop . . . don't cry for me, it's awful for you, I can feel that too, please don't cry . . you don't even know, how it fits together . . .shall I tell you?'

Lame my legs lay under me and body a weakwhite pain spread all through my body. So that was it . . .the end . . .the end.

'Sam'

'yes . . . what?'

'I've often thought you didn't love me enough' . . .I find it all so rotten. . . so now I really lost you.'


196


'No, you havn't really . . . seriously . . listen' . . .

'Yes . . . tell me, I find it all so lame . . .I can't tell you. . .I had imagined all kinds of everything, but this . . . You?'

'No . . . me neither . . . it all went so weird, I met her in the infirmary . . .and then we started feeling for each other, and that's how igt came about.'

I cried and lay sobbing on the bed, my hateful bed.

'I find it disgusting.'

At that we did not speak for a whole while. Sam sitting on the bed edge without moving. . .his face half in shadow. Outside more rain, plaintively adding to the mood . A big sad sorrow mourned in me. . .about that. Now I'd forever have to go it alone . . . Sam would graduate and go live elsewhere . . . somewhere in the country . . . but then I would go live with Koos . . . it didn't matter to me what people would say. . . I would do what I wanted. And then Sam started talking again:

'Say Joop, you shouldn't imagine it all too beautiful . . .she used to live here in de Pijp before, at least that's what she says, but she can lie . . .I, as you know don't have any instinct in that field. I love her a lot and luckily know very little about her. . . she said she'd lived here in de Pijp and she has no V.D., that I know. Most people don't know that about their girl.' . . .

More rainy silence and then Sam:

'Do you really find it so awkward?'

'Yes'

'Me too . . .but it can't be helped . . . do you find it so lame because of what happened before?'

'No . . .you know that' . . .

'Say Joop, I'll tell you right here and now, I wanted her, eh , that she'd come live here . . . do you agree?'


197


Yes . . if that's what you want . . . I love you so much . . why you do this to me?'

'So you agree that she's coming here?'

'Yes . . .have you already discussed this with miss Meks . . . Sam, come closer to me . . .It will work out, you know . . . I still find it awful, but it can't be that bad.'

'Maybe so . . . good of you to agree straight away . . . I'd asumed that you wouldn't.'

'Yes, it's all the same for me . . . I'll be kind to her . . . but will miss Meks agree?'

'I don't know . . . I was going to ask you that, could you have a word on my behalf . . . would you?'

'Yes . . .Sam give me a kiss . . . the last one . . . married man . . .married . . .fuck, a married man?'

'Yes . . . laughing about that, again?'

'Yers, why not, better than crying . . . Sam just get her over here right away . . . you must have already set things up?'

'Yes, sure . . . I'll call her.'

'And call miss Meks in on your way out.'

'Yes . . . bye Joop'.

'Bye . . . give me one more kiss . . but now a really serious last one.'

In the corridor Sam called down the dull hole of the souterrain: 'Miss Meks, could you come around to master Driesse?'

'At master Driesse . . . yes . . . I'll be right up. if I get my blouse on.'

A door slammed and then more rain and silence. Sam was gone and sadly pained I dwelled upon this morning's early events. A girl in the house and her movement around ours . . . Sam's best inner intimacies no longer foe me . . . but for her. In me the sadness weeped and the self pity about feeling deserted but also about Sam . . . his voice had been so tired and his sadness had permeated me.


198


But maybe it was all for the best this way . . slowly I would come undone from Sam . . he would not stay in Amsterdam forever and if and when I would stay alone, that would be better on all counts. With my sick weird boyfeelings I'd never fit in well with other people . . . actually, it was rather good this way . . .

Miss Meks knocked.

'Yes , do comne in.'

'Dear, you've not risen yet . . . shall I return later on?'

'No, do sit down on the chair . . . I've got to have a serious talk.'

'Oh, that's allright . . . there's nothing bad going on?'

'No, just listen.'

And clearly I talked my talk, irritated by her minute objections, about decency and neatness. I explained I would like to do it that way and impressed on hger that she would be doingf Sam a huge favor.

'Yes, look here, you rent out the little room extra, so that must be about six guilders extra a week, let's say, because it's a womanperson, who'll always be home, eight guilders, now then, think of all the work it'll save for you: the girl will naturally keep up with a lot of washing and master Sam is counting on you anyway, so I suggest you should agree to it.'

'Yes, that's easier said than done for you, and if it only was up to me, but you know how people are, my previous sir also; at first he had the little room all by himself, and I have had to send him packing, because he wanted to add a misses to the household' . .

'Come on, don't bullshit me any longer: it's been agreed as I told . . . yes, and you can nod no, but you don't mean it . . . hey, there you'll have them . . .they promissed they would return on the double.'


199


Deeper i dove under the blankets, trembling; Sam and she had come in.

'Come on in here . . . I have not risen yet.'

'Tonia . . .this here is Jopie . . . Jopie, her name is Tonia.'

'Well, that's good.'

It was quite light now in the alcove . . .jees, how horrible Sam looked . . a tendersick paleness shimmered through his brown face . . . now be sweet and kind to her . . .

she wasn't that horrific . . . it could settle, possibly . . .

'Say Toon, if you'd be so kind as to bugger off for a minut, than I can rise . . .what time is it?'

'Half past eigth.'

'Dear me, that's funny, almost forgot I got a whole lot of work to do . . . Toon, could you make coffee, as a maid, I'm getting up.'


Forn the first time at the table a girl of our own, sitting with her back to the rainy window, I bent over her and Sam with the light sideways on his face. What a lot of weight he'd lost; sharp folds saddened his jaw and his sweet smile was now tired and dull. I said the first thing that came to mind:

'Say Sam, is it alright with Toon that she can have the little room, I've agreed to eight guilders a month .'

Enptyloud he laugher to me and scornfully: 'Well, that's nice, very nice, so miss Meks wanted cash right away?'

'Oh yes, immediately, no sign that she didn't like that.'

'Well, that;s settled; now Toon can stay as long as we have not found a home of our own, when I graduate, so she can do the household.'

Then another oppressing silence, the empty grey rain fooling around things, burning my eyes sharply, through my splitting headache.


200


And helplessly sad Sam could not keep up the empty grin and softly said: 'let's get to work then.'

'Yes, there's so much to be done . . what will you do Toon?'

'I don't know.'

'Well, do whatever, we also do just what we want, dont we ?'

In my usual study corner I tried to work, but kept looking into the hopeless autumn garden. It had stopped raining. The tree in front of the window half green and half black dripping with heavy drops, now and then, tingling on the window bench, the wooden garden house greenless and contaminated. . . on the fence a weak wet cat, thin lumpy hair. In the hopeless drizzle I observed the wetty catty. . .slowly stretching his paws, in and out. Then I turned my head slowly to delve into the books again. But the sharp pain tortured merrily through my hotdry head and my thoughts went up and down with the painjolts and I watched them, paining from within my eyes. I wanted to peer at my books, so I stared thoughtless at the lines of words and rows of lines, aand the letterstew greyed and blurred together to a single vibrating grey. Behind my eyeballs the pain now burnt across my cheeks and thick teardrops dripped on my book, that I could not hold any longer. Then helpless in Sam's arms I cried about our torturing painful misery. . .

---------------------------

Drearilydry the days saddened along. I was dumbed and used to the being of Tonia between us and we'd stopped talking about it . Mostly I just did my daily chores. Sam had become quiter and in the house everything dulled tired whiteness across everything. Miss Meks had noticed too and she drilled angrily through our tepid indifferent misery: 'It has not improved a bit here, since miss Tonia moved in. What it is, I don't knowm but I'll tell you, I find it higly depressing . . . master Sam is losing weight . . you as well . . . Sam bit of much more than he can chew, if you ask me.'


201


But Tonia kept on doing the little things she did for us ar read helplesly from the books Sam had given her to read and of which she knew that Sam wanted her to read. Meekly she just did whatever Sam wanted her to, with sweetness, that sharply infuriated me. Then again I sweettalked to her, to please Sam.. But he just saddened more and more and dulled under the heavy misty lameness of our lives.

Every noon exactly we walked our strollwalk, Tonia in the middle, simply dressed, because Sam wanted it that way, And so we naggtalked some first, but silenced further on, taking turns at saying things to Tonia, questions and answers, loose and lustless.

And I was thinking about the strange changes in ourt lives . . everything grey and empty, dizzying empty with no solid ground left in our existence. Tonia without anything . . . Sam dulldrowsed and empty ffocussing on his daily routines . . .


That night I looked up Koos from the Dam and together, because Sam and Tonia stayed at home, we went to the Nieuwendijk at the empy side across Het IJ.


202


XXIII. Doctorsday.


Darker saddened winterdays over us with lightless mornings and easlier setting in of the evenings. Heavydull had become helpness and hopeless misery, under which we walked on bent and dejected. Only Tonia remained irritatingly the same and continued as she'd done from the beginning, talking optimistic about better times that were boun to come around, that Sam would finish and they'd go and live in the country and I would spend summer holidays with them, long summers of pleasure.

Then, on an afternoon the light receeding and the greyness of the room getting more intimate, Sam, for the first time since forever said something about our lives again. Tonia had gone out.

'Jopie . . could you come around and sit with me like we used to?'

'Yes, what's going on?'

Close to him I sat, but not safely anymore and my hart now pounded in my throat.

'Say Joop . . . don't you think, we;ve grown different towards each other?'

'Yes . . .yes, I suppose so . . . surely because Tonia is with you now.'

'Maybe . . . I don't know . . . I feel so empty . . so tired and when I think of the old days than it looks as if nothing is as nice as it was.'


203


'Yes . . . say Sam . . . I've been with Koos again.'

'Aha, while you said that you wouldn't do that anymore.'

He said it weekly and immediately followed up: 'but maybe you did right . . . you should do whatever you want to do . . . why wouldn't you?'

'Yes' . . .

'Everything seems to be wrong now, what you do against your self . . . you must do and let go, just the way it goes, that's better' . . .

'I believe so too . . .are you sad?'

'No . . no, just me thinking of you . . . will you be lonely when I'm gone ? . . . For me it is very good as it is now . . . Tonia loving me very much and me loving her . . . but what will you do, when I'm gone?'

'I don't know . . Koos will want to come live with me' . . .

'Yes, that's the best.'

And together we quitely weeped in the deeply sad afternoon slumberlight vaguely taking in our changed lives and how it used to be.


Sams doctordays had started . . week of doing exams in parts . . now and then an hour, another hour. We rarely saw each other now. He'd returned to his own room with miss Kater and only came around overy other day around dinnertime. Slowly he had saddened off, so gradual that you wouldn't notice from one day to the next, but when I think back of some of the moments of some days, the bleak decay was horrific. His voice monotonous and indifferent, often falling back to his throat . . weekly. And vaguely he kept babbling on about things of the past few days, as if he was concerned with totally different stuff in his mind. Sadness overpowered us profoundly.

Sometimes it seemed to lift and the warmth of his voice and some color returned, touching things deeper, but only for an instance.


204


His jollyjoking gestures of earlier days just saddened to pieces, even if he tried to move up and out of it and waved his hands and shortly managed a shining eye, but dullness took over ever faster and with soft and carefully weighed words we made do, as if there was a very sick person at the houe. Times in long brown phantomshadowswe sat together in the dusk, sometimes touching hands like in the old days, just walking past him and say: 'Hi Sam . . . hi sam.'


Once that week we'd even been intimate. Again around dusk, the fourth day of his exams, as around that time he always came around. Tonia had been with me all day, talking about the usual stuff and how difficult the exams were for Sam and about the village in the country where they would go live, dignified, where nobody knew her from her days in Amsterdam. Meek tiredness held me hostage as from afar I just heard her voicesounds in my ears. And then Sam arrived. For the first time with a light and airy voice and his gestures agreeable as before. In the shadowy duskroom it got sweetly intimate.

'Jopie, now I remember, how we used to be. The way we were back then . . . I remember exactly.'

'Yes . . jour voice just now even returned to how it sounded back then . . . your entire attitude, has it been that good a day today?'

'Just ordinairy, you know, no, that's not it . . say boy, we've had a lousy time, lately, but you'll see, everything will turn out just right . . .are you coming along with me tonight to sleep over?'

'At miss Kater's?'

'Yes, you've never been there hey?'

'No, I 'd love that, say, it could really turn out pretty good' . . .

'Allright then, so I stay here tonight with you two, and then, when Toon goes to bed early, we'll go for a walk.'

--------------------------

I turned the lamp up for us to work some more through the evening. But bent over my books with the bright lamplight shining on things around me my pleasure mood withered to muggy yellow.


205


No . . it was over and done with and it would never again be the same anyway. Sam himself had changed. He said it himself:

'Say Joop . . . you should stay home after all . . . don't come along to miss Kater's'

'No, . . . it's allright.'

'I think we've hopelessly changed . . I never thought I'd have it so good with Tonia . . . and I'm very happy now.'

'yes . . . yes, don't bother to explain.'

'You see Joop, I'm just an ordinairy womansman . . some luck with a girl and a bit of a good life . . . that's enough for me, but you'll be having a hard time.'

'Yes . . . I believe I might.'

hateful the yellowgenerous lamplight proved the point and it burdened me to pieces to see Sam's blandtired face. If only he'd leave . . .be out of my way. It was all over anyway . . . and notrhing would ever return. Shartly sudden by Yonia's arrival his feelings for me had changed and so had mine for himn in return.

But luckily he left earlylate, asking.

'Are you still walking to town with me, Toon?' And she was happy to be able to leave the arid day around the house; 'yes!' she wanted to come along.

'Bye Joop.'

'Bye Toon . . . I will not be waiting foir you . . . I'm off to bed.'

'Bye' . . .

'Well, bye Joop . . . don't be too miserable on your own?'

'No, I'll be allright. Bye you two,'

Asthan they were gone I went to Koos and stayed with him in a hotel for a few days.


The last days of Sam's exams. Winterbrown Saturday, snow threatening from a packed grey sky and


206


sinister with dark sunless light. In the afternoon Sam only had to do an operation and then they would go to the university to hear. Tonia moving impatient around me again always talking about the same. But I'd arranged with Koos, who would be waiting for me until ten and this time I really wanted to go. As usual Sam knew and I'd told him I would rent a room, where we could always go , because it became too awkward to enter into a h0tel all the time. It was about Koos I was thinking now.

Miss Meks had been upstairs for a bit. She hardly ever came up these days and her sweettalking was over and done with. She didn't like onia and felt Sam had changed for the worse. Stiff and dignified her words sounded.

'Master Sam will get through, don't you think?'

'Yes I think he will.'

'At least I've ordered flowers at a venture. . . . lots has changed in our household, masdter Driesse, but today I also want to pull my weight . . .and it's from a good heart.'

'Master Sam will be so pleased.'

'I sure hope so . . . I just told De Bree, how different it was compared to earlier days, but there's too much roof on the house". . ..


Throuhjthe busy shimmermiddaystreets Tonioa and me walked to the Oudemanhuispoort. People on the way were taking normally and fluffy thoughts invariably turned to Koos. Still great that I at least had him . . . but now it was as good a moment as any to look out for another boy . . another, why really? . . . Could I not just leave it this way? That would be better. If only Sam would move to the country, than I could get myself a boy for keeps. Again talking about living away from thge city Tonia balonied all the way.


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At the university Sam and three others. He introduced us fast and cordial and the four of them discussed who could have failed.

'Did it go well, Sam?'

'Yes . . . very well . . I think all four of us will have passed.'

'Would it still be long, before we get the news?'

How terribvle Sam looked, standing in the dimlit gateway, where lanternlight flickered spooky. I saw how much weight he had lost. Close to me he stood unmoved, staring and when I looked at him he cried.

'Joop'

'Yes' . . .

'Say . . .it had to have been arranged s it is now much earlier . . I can feel . . .we're totally estranged from each other .

'I believe so too,'

'When I lived with you alone, I always thought that we were the most similar people in the world, and that I would never need girl-luck, but now I realise it's different and every time I think of how much I love Toon, I find it awkward for you and I have to cry.'

"I've changed too . . you'd better move to the country real soon, so Koos or somebody else can move in with me and I will come visit often.'

'Yes, that's the best . . . I long for nothing but a house of my own . . . sometimes I find it silly, that it all happened so fast.'

'You don't understand . . . but It's true, in me as well . . evrything is different now . .. I still love you a lot, but very different.'


The Pedel came out, oldish man, who was used for decades to announce the failed and the succesful every Saturday.


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'Mister Overhoff can now enter.' A boy faded then entered. When I looked at him I realised I liked his failing. The three others were quite for another moment of not wnting to jump up and celebrate, but then bursted out:

'That's it, we're through . . . I'm happy . . .'

'And I . . terribkly sad for Overhoff.'

Busier talking than from the three graduates came from their friends and relative people, who'd come along. Sam smiled sweetly, happy with the other's succes. Strange to see him enjoying now, yes . . . he must be changd with his desire for womanhappimess and quite, better than our lives from earlier. . .

The old Pedel came around again, having changed his face from solemn and tight to joyous and relaxed in sharing his delight with the tree graduates. They could enter and we shuffeled behind them towards the commissioners table, we remained in the darker behind of the hall. And hurriedly flat the chairman said the commission was pleased to declare them succesful and to be the first to congratulate them as young doctors. It became a fast shaking iof hands to all commisioners and the graduates and the families and friends. But the three of us took our leave silently and poorly, along the Pedel, who got a thaler, and through the line of assistant this and assistant that, who also all got a little something.

Outside wet snow and snowwind traight in our faces, so we had to bend forward and couldn't talk. Strange thoughts about Sam arose, about this being the day of him becoming a medical doctor, as we so often had presumed he'd become and who turned out so differently as we'd thought. I was s empty with it, such a thing from other times, that I could no longer pin to today's joy. I'd changed myself, stood far away from Sam.

'Let's go eat at "De Kroon".'


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'Yes, if it isn't too full.'

'Otherwise at "Mast" or "Het Gouden Hoofd".'


Nicely we warmed up in the yellowlight and animated dining hall. Waiters running around with ordersand the little piccolo's waiting here and there, to see if there was anything they could do. Jees, what a nice piccolo there . .. what a sweet snout. . . a bit pale but honourable, with a arrogant kind of pomp when he brought things around . . bread or sugar for my soda water.

We sat, each at a side of a centertable and looked around the hall until the soup arrived, but Tonia and Sam intimizing with little jolts of laughter evey now and then. Alone with the two of them I sat and found it rather sad after alll, that things had taken this turn, that is wasn't as short temporary departure, but a very definite split for always and ever because we'd become so different in so many ways. And thinking back at the deep pain I felt in me whenever Sam used to be gone for a while in the past, now felt the loneliness of him for always, and found it sadly strange it had come to this. And then he talked to me, in a friendly manner:

'Say, Joop, I'm just so eternally grateful, that I passed through it.'

'Yes, I'm sure you are, it must be great fun.'

'Yes . . . I did not care any about that before . . but you know, how I think it got that way? In the past everything would have stayed the same wether I was finished with my studies or not, and that is why we did not care, but I do now. . . now we're getting married and move elsewhere out there, where it's so much better for us'. . .

'Yes, so much better.'

'Don't you think it's rotten, when I'm talking about it?'

'No . . . we've estranged from each other . . you don't have my sentiment . . . I thought you did earlier on, that you had enough with me . . . and I with you, but I can see now, that is not the case . . you need a girl . . . So good luck with it.'

'Yes . . . we didn't realise that.'

'No, it's fine, as it is . . . we'll keep seeing each other untill you settle elsewhere and then I will also break up things here.'

'Are you leaving miss Meks?'

'Yes, if you merry, I will go marry Koos, or someone else . . . without the licenc obviously, but I also feel the need to have a prace I can really call my own.'


Flatly we ate on, longing actually to be on our way. There was nothing left of the Sam I used to know and he just talked of living in the country and piece and quite and I was just so amazed at how he'd changed because of the girl.

'Say sam, . . .don't you ever feel the need recently to hit or punch anybody , like before ?'

'No . . . that's all in the past.'

'Well . . . that's nice.'

But suddenly waves of tenderness broke over me and i rose from the messy finished table.

'Sam . . . we've been so intimate for so long . . . you can not just neglecgt me entirely.'

'No' he said controlled 'you may come stay with us as often as you want.'


That night we whirled around and round, through the busy center until very late. And then around ten I said calmy: 'Sam, I'm off to Koos . . .won't be back home tonight . . . we have a room of our own now.'

Three days later I found myself home again, sad through and through and drunk.


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XXIV. The last.


Even further estranged from me Sam had become these last months and sadly different our lives adjourned.

Sam had kept his room at miss Kater's and hardly ever came around to me. And early in the morning Tonia would go to him, stay there all day only to return late at night. But she never stayed away overnight.

At home I too was not myself, the high room bittered my days for me with its always light light and I was no longer able to work. I had taken an extra safer room, Miss Meks complained, that it had become so quite around the house. . . far away she felt the threath, that soon we would be leaving her with empty rooms.

'I don't believe you will have a chance to see my husband here, it will never happen' . . .

'He's returning this summer, not?'

'Yes, exactly a year after de Bree.'

'No, than your fear may be justified.'

Apart from Koos had another biy now. Younger than him, about fourteen years old only an not reallt adult. A strange boy. Just a twitch squint from his troubled grey eyes, mut nicely so, just as if he always looked vaguely in the distance at something else than really was there. He had been a carpenter's apprentice,


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but I'd found him so beautiful, that I had intercepted him and kept him with me. Every morning hed tell his mother he was going to work. To his old boss he'd said he'd found another master and we felt quite safe. Every week I'd give his wages for his mother and sometimes a raise and we'd gone on like this for a few months. Time that I would not see Koos and was just glad with the boy. And meekly he let the things go, for the lazylusty life and the things of beauty, he got. And also, because because he found our doings nicely caressing for his tender sensitivity of big boy.


When one afternoon Sam arrived at our room, the boy had just gone out.

'Hé Sam . . . you here . . . how did you find out I was here?'

'You told me yourself . . . are you doing allright?'

'So so, the ordinairy . . . how about you?'

'Say Joop . . . when I walked up here I wanted to be really sweet to you one more time . . . and all the way I've tried to get me to act as before . . . but I can't anymore.'

'No . . . me neither . . . we've helplesly estranged ourselves from each other.'

'By Tonia . . . I'd never thought . . .that it would come to this . . . sometimes I try to alter things, but it just does not work . . I have a feeling as if I need to move somewhere but am too tired ' . . .

'Thatb does not look goed.'

'Joop . . . I sooo wanted to be more intimate with you, but can't . . .I cannot . . I feel so bleak . . . so tired . . . are you mad at me?'

'No . . why?'

'Because I've changed? . . .


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'No . . I've drawn the consequences and changed myself too . . . we have had some good times . . and now I'm good again with Koos and some other boy.'

Therethan we st in silence opposite each other and Sam started to walk around the room to take it in and look at things.

'You've got some cozy things here, say Joop, I've come to say boodbye.'

'You're going? Where?'

'I'm going to Texel for a while. I feel so feeble and tired . . .I think I need a few months away and then we can get married after that.'

'Is Toon going with you?'

'No . . that is impossible after all.'

He stood in the chimney corner, and the fine light shadowed about his round face. And when I looked straight at him I suddenly felt a weeping melancholy crying up in me, not for him anymore, but because he was gone, the guy I used to love . . .and I stood up to kiss him again . . .just once more. But my desire stumbled and feebly I uttered: 'when are you going?'

'Tomorrow morning.'

'What will you do this afternoon? Do you want to stay with me and have dinner somewhere?

No . . I'd rather go straight home.'

'Than I'll bring you.'

Together we walked through the busy afternooncity, In silence. Spring lay waiting in the air and made me sadder, with a vague not knowing why.

'We're walking as real strangers now.'

'Say, don't worry about silly things.'

'Yes . . .that is what I find so absurd. You see, if they'd have said a year ago that we would be walking so indifferent and empty next to each other, I would not ever have believed . . and you?'

'No' . . .



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'Wel. just the same it could be all over withToon in a year . . . Absoluterly no security is left anymore.'

'No . . .no . . . with Toon things will remain steady . . . you'll see . . . it's just your sentiment.'

----------------------

----------------------

----------------------

Sam died. Very simply and simple. That day, I brought him away, he had turned sick and the day after he was unable to leave. A few more days he just laid there. A very severe pneumonia drew the last reserves from his already heavily battered body. And he did feel it, desperately turning around in his tossed about bed. With as a last passion declaring his desire for a countryhouse and his girl-luck. And this is what he said to me last:

'Joop, I can feel, I'm dying . . .you know it too . . .in the old days I couldn't care less . . .but now I do . . . now I do . . . I so very much want to stay alive . . . gog Jopie . . .now I see everything clearly . . . our house . . . our children . . . I've never have longed for anything like this, as you know . . . but now I want it . . .I want it . . . Joop, and you are going to get it . . . that's what I find so miserable . God, if only you could die . . . you don't care anyway . . .while I so very much want to live ' . . .

But the powerful disease paralyzed the him, feeble he gould no longer complain out loud and crampmoaning he had to lie down in the misarable feverbed, sunk away deeply in the clammy wrinkled sheets. Long days I remained with him suffering in his unsettled disquite. And saddened he moaned: 'do open the curtains . . why don't you grant me some sun . . .you'll see plenty of it, so why not let me have a few more days of sun . .why don't you allow me that?'

But opened sunny windows bothered him even more and than he'd rave again : please draw the curtains . . . I will not get better anyway . . so forget about the sun . . .


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I know, you've got the sun and I havn't . . . you're teasing me . . you never loved me.'

Softly sobbing in his helpless weakness he lay dying away in the shadowedsunny room.

--------------------

--------------------

With a strange funeral he left us. Tonia did not want to come along, because she did not find that decent. They also never did send out cards or notices of engagement or such and so she felt she now also did not have to do anything. Miss Meks complained bitter and angered about the street creature, that Sam had taken under his care and who now rewarded himin such an icecold way.

But master Sam would have his decent funeral, that much she was sure of. If his own next-of-kin were so doggish, than strangers would have to show they did have a heart fdor him.

And together they stood around the sunny grave on the quite wide graveyard . . .miss Meks and Anna and Toosje and houselady with husband, and niecy and miss Lepelaar. Tinypale Toos looking strange in black mourning frock, cried saddened by the surrounding quite strangeness. Houselady sobbed with miss Meks and her husband sighed.

'Me husband sends you his condolences . . I received a letter from him this morning' . . . Meks told.

'Thank you.'

The coffin hung in ropes above the cold sandpit and we were about to lower it . . .heavygently. Then trembing of fright pale Toos came to the front carrying a great big wreath in her hands. And admiring we all watched if she'd do it correctly. Neatly she laid the wreath from the friends and neighbours in the warmsunny sand next to the pit. It already had started to wither, but still richflowery and thickgreen with a wide ribbon saying:

'rest in piece, dear friend.'

Then, happy having completed her task she rejoined our little group.


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The coffin was lowered. Than more intense sobcrying miss Meks said:

'Master Sam was a kind sir, though a little odd and weird at times . . . and I hopefor all my life I will have another tenant like him at my rrooms . .that's what can be said here in the face of death.'

---------------------------

---------------------------

Calmly the days passed by and over us and slowly warmergold tints of summer neared. I had cancelled my other room, given Koos some money and told him to never come visit me again and do as if he'd never known me if we met again. For the other boy I'd found a good employer. And now I lived calmtired the ordinary houselife with the others, completely immersed wwith them in the ordinairy ups and downs of daily routines. At their table I ate, slowly getting used to their rude approach of doing and speaking, and growing confident and satisfied with this liefe.

Tonia has stayed. Never talked of leaving, and neither did I. Miss Meks angrymooded talked to her about giving notice for the small room and that I should not let such a bald girl eat the cheese from my bread. But I said she could stay for as long as she wanted and do whatever she pleased, as Sam would have wanted.


But then, one morning, after being away for three days she came to my room.

'Joop . . . I'm laving you here.'

'So . . . where to ?'

'In a service . . .,I've found employment at a house in de Spuistraat.'



End.


218



Readers with plan of Amsterdam in hand will have no trouble to find the locations where this novel plays, With one exception. At the end of the book de Haan mentions de Hoedemakersstraat. The name of that street has since been changed into Kuiperstraat.



219

Pijpelijntes

Lines from De Pijp

The history of an 'immoral' book

by

Wim J.Simons


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In 1904 publishing firm Jacq van Cleef in Amsterdam released the 218 pages counting novel Pijpelijntjes, written by a 22 year old Amsterdam teacher Jacob de Haan. The book was dedicated:

'to dear A.Aletrino (prewinter 1904)'

Although Pijpelijntjes is his first novel, it was not his first publication. Apart from journalistic work verses from his hand had appeared in magazines like Nederland and De Gids. That first magazine in may 1903 also brought his 'Spel van verwoest Jeruzalem' Hardly readable,of little significance, to limited in sie to attrract attention or recognition . All that changed when Pijpelijntjes showed up in the vitrines of bookships. Not immediate recognition, but notoriety. Around this novel, of which the name is derived from the Amsterdam low quarter called de Pijp, where most of it plays out, shortly after publication a row broke out, caused by the 'scandalous' content of the book.

Pijpelijntjes presented the controversial story of a homo-erotic relationship of two young men, in the first print called Sam and Joop.

Jacob de Haan was born december 31st 1881 in Smilde as son of the religious teacher and Gazzan Izak de Haan and his second wife Betje Rubens


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Only just in that same year as his sister Carolina Lea, who had been born new years day of '81, and who later on as Carry van Bruggen would claim her place in Dutch literature. A year later the family moved to Friessian Gorredijke, and in 1885 to Zaandam. In her charming booklet "the little house at the ditch" she recorded her youth memories of their days in Zaandam, attractive narration giving us an impression of the environment in which Jacob and Carry grew up; but this publication certainly helped to start legend-forming around both these writers.

When Jacob turned fourteen he went to school at the very renownd RijksKweekschool in Haarlem, to study on for a teachers diploma. Here he got more and more distanced from his orthodox jewish environment, and also here his first encounters with socialism took place. He converted to Marxism and joined the S.D.A.P. As young teacher he ended up in Amsterdam, where he found employment at a public primary school at de Pijp. At first he lived in St. Willibroirdusstraat nr. 29. The SDAP surely wanted to make use of the considerable capacities of the young teacher. P.L. Tak, then editor in chief of Het Volk, atracted him as literairy contributor of Het Zondagsblad in which he also had a part with their children's columns. Diring the railwaystrike of 1903 he was the youthful and fanatic spokesperson and even got himself arrested once. Besides the fact that he had to search for spare time, as he was also prepairing for the state-exam, so he could start studies at the university.

About this period from the life of De Haan we have some curious information through a number of letters that have been preserved. These letters, directed to the later literature authority dr. Arnold Saalborn, then a young gymnast, have been published as "letters to a boy" in 1958. As an example of these letters


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a quote from one dated 1903 from the days when De Haan was working on Pijpelijntjes. He writes to Arnold Saalborn:


I'll be travelling whenit's your birthday, but when I return you'll get a nice book from me. I'm very happy, that you lkike my style. I myself find it rather friable. Anyway. You should not fulminate that hard against "de Echo" and also not use angry words as 'stealing'. Nous autres journalistes, we don't steal, we just make excerpts. And then, angry fellow, does the Dutch publisher never steal from international writers? You know, a Dutch Joyzelle costs 65 cents less or just about 35 % because the French publisher pays copy fees to Maeterlinck and the Dutch publisher does not. When I want to do my exams? It will be like this: a While before the children's exhibition of 'De Telegraaf' I did my final exam gymnasium. I'd have done it sooner, but before that I did Gymnastics, Gereal teaching, French and the main certificate, so I couldn't have done it any earlier.. Next year I'll be doing my bachelor degree, I'm very sure, but no hurries. This winter I will be writing and prepare myself a very fat savings pot, just like the shawls to prepare you for winter. And then one day I will say 'Bonjour' to all the papers I work for, I'm going travelling, come back, work hard and do all exams. C'est simple comme bonjour. And my exams always go easy. I think, my little master, because I don't nag myself with the Thought (with capital T), if I will make it or not. I just go on a journey with my 500 brothers and sisters. Hell, no, nive o'clock is perfect time to go to bed. Some boys think it looks great to stay up late, but I would love to be able to go to bed at nine. But others would suffer when I do and no time would remain for friendly babbleletters.


The riot about Pijpelijntjes started with a letter that P.L. Tak wrote to De Haan on june 9th of 1904. Tak had suggested to De Haan to write a boysbook, but the novel he got on his table was quite different from what he expected. So he reacted without delay.


224


Mister De Haan,


Yesterday, I received and read trough the book you published as 'Pijpelijntjes, It will be clear to you, that after the release of this book, which was a very undesirable surprise to me and many others, I'm sure, that I will have to terminate your coöperation with Zondagsblad and Het Volk. So we will not be expecting any more copy from you.


Sincerely,

P.L.Tak


To prove he was serious that same night Het Volk included a notice: "we inform you that mr. De Haan will no longerbe working with us on Zondagsblad."

Dating june 10th there is another note from Tak, after he had talked with Roukema, secretary of the S.D.A.P. about fellow partymember de Haan.


Dear De Haan,

I have, through a talk today with B. obtained some more insight in the creation of the book. And while as responsible person for Het Volk I had to reject you as associate, I will not do so in person, just in case you would want to talk to me as a somewhat older and wiser person, who knows life and the hardships you may have encountered in these for you so troubled days, against which you must feel weak and unarmed.

greetings, Tak


This letter for De Haan was oil-on-the-fire as if he did not have reason enough to feel offended? Within the S.D.A.P. not everybody agreed about the way Tak had taken his decisions about De Haan . Still Tak was undeniably a most respectable figure with only the best of intentions. Especially as editor in chief of a party-newspaper he was in a glass cage and the party in those days was sailing stormy seas anyway. But surely Tak could have acted with some more tact, more elegant.


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Mr.Maurits Mendels was annoyed, for instance, that in the anouncement that De Haan would no longer be part of Het Volk, there was talk of mister De Haan and not of (most usual and more friendly) comrade De Haan. Still we must not think too soon that Tak dealt in a hypocritical way, even if he was authoritarian and showing little or no democratic tolerance. The homo-erotic novel of De Haan had irritated him, and made him see his coworker in a dirrerent light. He felt he could show some consideration for De Haan's personality and his homosexuality, but just could not keep him at Het Volk. To say that here's a sign of antisemitism, is way too farfetched, and cannot be substantiated. We can at best see it as a sign of bourgeois mentality, certainly in the field of morals .

It didn't stop at breakng thge bond wit Het Volk, also his position in education became shaky. In all sections of the Union of Dutch Teachers there were negative judgements about Pijpelijntjes.

The hardest it must have been for de Haan that his literairy friends offered little support , but sooner resistance. Aletrino, to which De Haan had dedicated the book wa angry and dismayed and later wrote to Herman Robbers that at reading it he 'almost got a stupor of fright' Maybe a little strange, for a doctor-sexuologist who knew the young writer and also knew what was troubling him. De Haan had asked him if he could dedicate the book to him, but obviously Aletrino, just as Tak, had assumed it was aboys a boys adventure book. (well it was!!)

Presumablyit shocked him extra that both main character fom Pijpeklijntjes had the daily names op De Haan (Joop) and Aletrino (Sam). Did De Haan suggest there was something like an intimate relationship between them, or is the choice of names coincidental or circumstantial or did both play a role?


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We can only be sure that the release of the book meant the end of ftiendship between the two.

Aletrino endeavored to get Pijpelijntjes out of distribution and in that must have bought up most of the edition and destroyed it. De Haan himself also has coöperated with that. He even asked his brother in law Kees van Bruggen who'd married Carry (Lientje) de Haan, editor of the Deli-Newspaper, in order to -as he told me - buy all the copies that were in Dutch Indie (Indonesia).

It cannot have been many copies though. All in all, the first edition of Pijpelijntjes soon got off the market and to this day copies of that first edition remain one of the rarest and most precious Dutch books of the early 20th century. Nevertheless, in that same yearstill, (1904) a second edition of Pijpelijntjes saw the light. Now with the subtitle "the life of Cor Koning and Feliz Deelman".

The dedication to Aletrino had disappeared, instead of it there was an extensive citatin from Catullus.

The new print counted 228 pages, so ten more than the earlier edition. Apart from some small things the book remained the same. As is evident from the subtitle, the provocative names of the main characters were changed. Still the novel had been revised in its entirety, the style was changed and -unfortunately- many points-of-thought were inserted. Remarkable, in aspect of the content of the book, is the fact that at the end, where the main character starts a new relationship, in the first edition the boy was 'fourteen years old' and in the second 'not adult yet'.

To Arnold Saalborn, who obviously had heard anbout the rumours around Pijpelijntjes, De Haan wrote a letter which reveals that he himself did have reservations and second thoughts about the book:


229


Dear boy, don't hold it against me, for not writing sooner and also not that I'm a bit abrupt with you: I have a lot of work to do and my heath suffered. No, my book is not fit for you to read, if you read it, it's not my responsibility, but you will not receive a copy from me, even though you're the friendliest friend I have. Evn for most older people it is not apropriate. There is another book howeven, that will be released soon and I'll gladly give that a 'hommage d'auteur' as proof of my affection.

Best regards to your family also from

Jacob de Haan.


The ather booklet he referred to, appearantly is the bundled stories 'Kanalje' that was released in 1904 by G.J. Lankamp publishers in Deventer and in which the publisher as recomendation added: 'author of Pijpelijntjes'

The second part of Pijpelijntjes never got published. Some fragments of outlines however were published in De Nieuwe Gids. The manuscript , unti;l this day, has never been found. Most likely it has been destroyed together with the letters to and from De Haan. There is proof that the manuscript got completed: in a letter to Herman Robbers de Haan wrote early 1907: " I finished the second part of Pijpelijntjes and will release it next year, when I've revised it: let the mobs roar "

A week after the first letter to Tak de Haan looked for support from Lodewijk van Deyssel, who'd also wrote an immoral book, to judge from a review by Frederik van Eeden in the third volume of De Nieuwe Gids about "a Love Affair 1888 by Van Deyssel"

"Dear mr. Van Deyssel, I've written a book called 'Pijpelijntjes' and it is about the life of a young homosexual guy. About that book people that I always honoured and respected highly, have, immediately after its release, made such an unprecedented uproar, that I felt obliged to retract it with the publisher. Now I'd like to ask you if I may be permitted to send that book to you and if you could be so kind as to tell me yur judgement about it. I assume you do not agree that we should not write about immoral (or so they say) things. True or not? It would be a tremendous pleasure if you could? I will send you my own copy, as all the others have been destroyed already.It would soo strengthen me. I hope I've now written you in a decent fashion and just want to reitterate my anger with all the pathetic little people. As if they are such innocent sweeties. I very much love Catullus and 'die Zeit':


Pedicabo ego vos etinrumabo

Qui me ex versiculis meis putastis

Quod sunt molliculi, parum pudicum.

Nam castum esse decet pium poetam,

Versiculos e jus nihil necesse est

Please read the book ?


In highest esteem, kind regards,

yours,

Jacob de Haan


Proof of the support Van Deyssel offered the young writer is in the letter De Haan wrote on june 19th to Van Deyssel; also interesting for the inclusion of personal information.


Dear mister Van Deyssel, Here's my 'decent' reply. And, for starters, my most sincere gratitude for your letter, that has lifted my spirit in these awful times. If a book is artistically good, our lettered friends should have nothing further to do with it. That is the beautiful golden rule of Nieuwe Gids Magazine, as you say, we, even younger than you are, should most certainly maintain. People are exasperated about me, especially in social-democrat circles [ what's new? Ad@ ] they try to make my life very difficult: My main employment, of which I could run a decent life, and had to, has been cancelled from september, and it is highly questionable if this criminal person, writing you now, will find other livelihood.

Never before have I found people so brutal and barbaric, as today, and that is why I was so uplifted by your letter. Aletrino also is very angry wit me. He said he loved me, but this has been too much for him. These are wretched days. You see, if I'd been a bit older (I've passed 22 now), I would manage, but I have so little experience, to work myself out of this mess. And running up the first tree I see, that's too stoïc for me.

Dear mr Van Deyssel, I presume you can more or less feel the intensity, of the suffering I encounter from people ; it'ss really bad. People have written me such disgraceful scurrilous letters, it still disgusts and horrifies me. Meaning it was really awful. I think I'm at a crossroads in my life, and I really do not know which way to turn yet. Luckily it's sunday now and I do not have to meet people. Everything still is a daze to me. I first thought of going to Paris, away from here , but that would be too crazy and admitting defeat, so I won't. I have to stay in Holland and finish my books, don't you agree? And that is what I will do, dear mr Van Deyssel, so please, will you help me through this a little? I wanted to ask you permission to publish some kibbles of the book in De 20ste Eeuw. My presumption is that it will reassure people and stop them attacking me in such a beastly fashion as they did until now. If you agree, I will once again scrutinize and rework the section in question and send it to you. Could you venture with me? It would be such an extraordinary support. Because this I'm so sure about, after having worked so hard and long on this book and suffered soo much, I just cannot throw it in a corner. That would be the death of me. No, I will republish it. And now I'm asking you something very serious, I know that, but could you write a preface for the new release, like you have done for Boutens and for the late Henri Hartog? Maybe then people would leave me be again. And you can get through to the thick skulls of those brutes and get them to realise they are treating me wrong.


232


I know, I ask a lot, but if you don't I have to struggle against tese devils all on my own, and if you give them a decent blow with your strong fists, most of their uproar will crumble. Everyvody left me to my own devices, so I'm writing from deep desolation. So please, help me through this and respond to my request. Maybe I will leave the country after all, as everything has turned so illogical anyway, and no action seems to follow from precious deeds and lack any guidance. If so I'll come by to say bye bye. For now I'll try to salvage what can be saved. Maybe it will not turn out all that bad,

so meanwhile ,

with highest esteem,

your humble servant,

Jacob de Haan


Van Deyssel did not take up de Haan's request of writing a preface for the new edition. Though many more letters followed, Van Deyssel more and more played hard to get. The already suspicious De Haan even suspected him to be not very honest and being influenced by otherd (amongst them Aletrino). Still, Van Deyssel did react positively at first, as shows from this letter published by De Haan:


"Dear honorable Sir,

In answer to your letter yesterday, I have the homour of informing you that even before you wrote me I had already read your book 'Pijpelijntjes' in full and with great curiosity. Of the understanding, which I will call "Het Nieuwe Gids Understanding", which has over the past 2 decades governed Dutch literature critique, there cannot be any generalizing remarks made about your book, but indeed it should be considered to the most exquisite published in recent years. For me you are a rare and decent artist.

Be it, that in recent years my own understanding of what a literary book should be has somewhat been revised and completed. As such I recently learnt that my novel "de Kleine republiek" was found in the librairy of a H.B.S. (Hoogere Burgerschool or Higher Civic School) and had to dis-approve emphatically.

Continuing alng that line, one comes to consider publication of a book as an act in society, and thus judge it less favorably if it encourages lifestyles, that are considered as not to be promoted. We are and will remain prducts of our recent cultural-historic past and irresistably feel as such . That is why, even seen from another psychic philosophy, this inclination must actually be seen as the noblest a human can abandon oneself to, as the men depicted in your work, something that we would not want to experience in our daily lives, and as such don't want to see promoted. Publications as yours encourage such behavior and feelings as yu som exquisitely and talentedly portrayed.

As I said, I admit my feelings in the matter don't quite fit the "Nieuwe Gids" theories, but it is right, when you apply the theory in its ultimate consequence, as you did in your sketches, thatb we become aware of where they are to tumble and fall, or driven too far. In this I hope to have clarified my appreciation of your work,

with collegial greeting,

sincerely,


Later Van Deyssel wrote:


Keep the faith, keep courage. You will live a lng and happy life,

and write other just as artful books, containing other feelings.


De Haan sure needed the courage wished to him. He'd lst his journalist appointment at Het Volk and was fired as teacher. It was next to impossible to find other employment and at times got struck by nervous attacks. From the Van Deyssel correspondence there's another letter worth quoting: a dated 14 juni 1905, signed Jacob Israel de Haan, the name he used from then on, which he officially got at his circumsision in january 1882.


234


Magister Van Deyssel, magis, magistra veritas.

Very respected mister Van Deyssel,

the latest postman today brings me your letter, which in itself is a joy, but nevertheless with bitter sadness.

I will respond acact and in detail. Indeed, no, I have never met you, but there is something more from you to me, than just nothing, and that shows in the somewhat cantankerous tone of your writing.

(Van Deyssel was said to have blocked membership of the literati club because De Haan was not a literary artist W.J.S.) The case with the literaty club is this: I give you the names and fames of it, so it can become clear, who is telling unsubstanciated lies. I for sure am not one of them. I wrote to Quérido publishers, that I waived membership, because a contribution was part of it, and my beat-up financial situation holds no prospect of rainsing that amount. Also the fact that I could not think of two members remaining, who would vouch for me, as Borel obviously did not want to compromie himself. Quérido then wrote me, and that was in March, he wouyld very much have wanted me to join and would gladly support my aplication! And if Henri Borel did not want to do so, he surely would find two others that would. He then named Mr. Coenen and yourself, wondering if I'd agree with asking. I was not very enthousiasic (Coenen beig a friend of Aletrino, and you treated me, as I felt then, not in a respectful way) also Borel made himself number two. That's all I heard about the matter. Sunday I spoke with Borel, who told me it was you who spoke out against my membership, as your favorable opinion about my work had turned around. He'd heard that from Quérido (clash, boom: uproar with Quérido!) and only by his assistance I was pulled through. That is how I've been told and nothing else. you see, mr. Van Deyssel, I'm not an extraordinary good human, and my life has, frm earkly childhood, not been any better, because I was no better. But lying I have dne never, ever. It may very well be that I now will get told off by Borel or Quérid, but on a head s pinded into apathy, one does not feel five or six extra blows. Anyway, even if I would feel more pain and suffering, even then I would not remain silent. It may very well be I'm a loudmouth.


235


But rather one loud mounth than two telling different stories. I now realise you have developed a resenting antipathy towords me, for that I'm sorry. But I know I did not deserve that, so it is not a reproachful regret. I have shown your letters to me to Borel. Don't you show letters that praise you to thers? Borel has written a reprimand about yu accusing you of not protecting me, showing himself as a brave practical person, defending your 'Nieuwe Gids' theories. You think I set up Borel to do so? If I'd have known, I would have advised against it. But I didn't. Yu think I was nt touched unpleasantly by it?


By the way, yu promissed me, you'd write abuot what happened. I would have appreciated that, not for praise or benefit for me, but for the sake of the scurrilously violated literary principle, that is and should remain sacred to us. You remained silent. Is not for you a promis something as dear as your own child? Why are you blaming and hurting me so deeply You are not a diminutive person, whose words only have ridiculous value, you are Lodewijk van Deyssel. Don't you know? And evry word, you send me, has its value through you. You accuse me, and that really hits hard, that I published Pijpelijntjes in the form I did, without having consulted Aletrino. Who told you thgat? It's a crying shame, nothing less. Aletrino knew I was writing the scetches, and that they were dedicated to him. Granted, he did not read them in advance, just as I had not read his novel "Zomeravond", that he dedicated to me. Does he really need to go berserk about me? I know, he now goes around telling I was just a nervous mental case for him. Well, if that was so, than his attitude towards all my other nervous dispositions ssure need revising. He will for sure walk up against other things.


236


He tought me stuff with the sharpest attention, that one is not supposed to teach a twenty year old, yes, I had not even turned twenty then. I'm surely not complaining about that, even if my soul is poisned and my life ruined, s much so, that I'm now longing to die. Why does Aletrino act that way? God, what cowards people can be, and what an ultimate cissy Arnold Aletrino is. He would have supported me 'until death do us part' ? Well, let's not be too drastic. He must have his pains, you know him. And we always judge others sufferings much lighter than one's own. If he would not have been afraid of the alderman (Aletrino was a civil servant of the city of Amsterdam W.J.S.) he surely would not have deserted me in all my grief, but they threatened him with his employment. And he's getting on in years, and his eyes are getting poorly towards blindness, so he did not dare to speak out. One has to forgive him. Do you think I do not know all the details of those eventful days? They are exactly one year ago this week, so shall we organise a celebration of sadness? After he had read the book, and the vionent tunderstorms ad pulverised me, e came around to me, because I, wit my alledged mental disorder, could not safely visit him. One time, even, I did visit im and is wife, and we taslked about reserving the book's proceeds to benefit me. We never spoke of teir benefit. But I do not bow my head to people who are our lesser. Do you wish me to bow now? When that old-liberal alderman mingled into the affair, he witdrew support of me, not before.

The deciding moment, by te way, for all of Aletrino's actions is neiter his own reasoning, nor his own views, but the fear for his livelyhood, which sure is better and more secure than my own, but as you know, the more one has, the more frigtened one becomes of losing it. If indeed Aletrino has been thrown on the streets becuse of my scetches, then for sure, magister Van Deyssel, I have been dropped in the slurry pit. e's snugly back home with the misses, while I'm still in the gutter, downtrodden by all the little people. Arnold Aletrino, our mutual friend, was supposed to help me, like a factory director is morally obliged to help his workers, when they get injured at the job. Through the corrupt sexual teachings of Aletrino all tis has happened. Well, I may be a nervous wreck, but what is he then?


237


Is morphine good for the nerves? He should keep quiet and recognise that he's just as much to blame for the birt of this book and all the consequences (because I sure will not bow) as a fater is about the birth of a child, even if not he but the mother carried it. Yes, he is denying this extramarital child and the mislead mother with it. That is the honorable thing to do ? But honesty stands before honour and fairness. I am guilty (if tere is any guilt) and so is he. He sould recognise his, as I do mine. Open and thrutfully. I will not repudiate anyting he's tought me, and was so delightful, and in that I honour him as the friend he was. Van Eeden has often warned me about him, but I did not want to forsake him, as long as he wanted me near. Dear mister Van Deyssel, I may very well be a vile person, but my friendship with mister Aletrino as been a sacrifice. Do you really want to reproac me for making te letter you wrote to me public? Te reading of tis letter may be too tiring for you, and writing it burdens me more than I can tell, or I would show you that surely people may condemn me, but not as much as you think. In your letter there's no talk of third parties, but if that is your fair verdict, than you should stand behind it, and if it is not, than you should not have written it.

I've asked you for a talk this summer, in remembrance of the starting words of Henry Hartog's book, that one only then comes to a good agreement. Then we could have discussed tings in person, as now I have to write. When my integrity was abused so shamefully in Het Volk, I urrgently pleeded for consent on publishing your letter to me in my defence. You did not even bother to answer me.

You were not obliged to do so, you may have been too usy, or felt I was of too little importance. I did not use your letter then. But nowe it has become to horrific, and I have no other options left.

I do beg your padon, for doing it, but it has to be done. You'd rather not speak of the the injustice and sorrow of my liufe; you ave no idea. It is of no consequence to you anyway, but it has snapped me irreparably, mister Van Deyssel,


238


One does not die of a nervous disposition, and in every chart you can find ow long a person of 23 still has to live. It is long. So you should leave me alone with my sorrow, rather than weigh my nervous suffering against thegossip spread in name of Aletrino, totally in contradiction with your theories of decency, that one should not publish nor quote from private letters. Something that remains a questionable theory anyway. Are you angry abut this writ8ing? I'm telling it like it is and as I feel it. There are no lies in this letter. If you're angry, try to place yourself in my position. Gof forbid, yu'll ever get in a similar situation. Believe me, as I'm sure you do.

Your dedicated,

and still appreciative,

Jacob Israël de Haan


How the relationship between De Haan and Van Deyssel has been in reality is hard to deduct from this emotional letter. Obviously De Haan had a clear opinion on it. Over five years later Aletrino came back to the matter in a letter to Willem Kloos when De Haan offered fragmentsd of te second part of Pijpelijntjes t De Nieuwe Gids - of which both Kloos and Aletrino were editors - Aletrino resised teir inclusion in te magazine and wrote amongst other tings: "The history of the first part of Pijpelijntjes, was that of a tremendously perverse individual, with all kinds of gross indecencies, and for that idividual he had taken me as role-model, and depicted him so good and sharp in his appearance, that everybody who knows me immediately knew it was me. That is the basics of the history."

Aletrino kept on resisting publishing Pijpelijntjes II in De Nieuwe Gids. While the Haan kept insisting, as both Van Deyssel as Kloos had promissed to do so. When nothing came of it, De Haan asked assistance of Mr. H.Louis Israëls, advisor of the Literary Society. In the end a fragment did get published.


239


Open letter

to

P.L. Tak,


Chief editor of Het Volk,

member of the party committee of the S.D.A.P.

member of Provincial States of Hoord Holland,

member of the city council of Amsterdam,

member of the schools commission of Amsterdam,

member of the health administration of Amsterdam

editor of "De Kroniek",

chairman of "Art to the People" society.


by

Jacob Israël de Haan


Motto:

'for truth, that's old will nowhere find salvation or consolation

This one calls wisdom, holds a finger on the mouth,

O, if only I mastered that art, but what at the base of the heart,

gropes me at the throat, so I've been pressed and stifled.

It woks like new wine, bursting at the brim,

If it still is imperfect, it's bound to grow to perfection. . .

--------------

Or now a reprobate will interpret it contradictory,

that I might allow the people against authorities . . .

Thus I shall flat-out repudiate it.


(VONDEL)

Amsterdam

Jacq van Cleef

1905.


240


In above quoted extensive letter to Van Deyssel de Haan spoke about a letter from Van Deyssel that he intended to publish . That indeed happened, only a few days after De Haan had written the letter. At Jacq Van Cleef his 28 pages Open Letter to P.L.Tak was published, extensively listing all functions of the latter.

Anybody wh payed 15 cents, could purchase the open letter and read how De Haan turned his outrage inside-out. He denied Tak te right to act as he'd done, without consent of te party leadership.

One could see this Open Letter as the closing chapter in the Pijpelijntjes affair. De Haan indeed had finished raging. He'd gotten to know the true nature of his friends and foes and realised nothing would change.

Not that he intended on giving up his writing, nor leave the subject matter raised in Pijpelijntjes alone. In 1908 his second novel saw the light, Pathologiën, in which again a homo-erotic relationship of two boys took center stage. Contrary to Pijpelijntjes, this book has at certain stages an undeniable sadistic tendency. Evidently "Pathologiën, or the destruction of Johan van Vere de With" succeeded to be far more persuasive than Pijpelijntjes, but the author had grown older, wiser and more experienced. Still Frederik van Eeden, who, despite ups and downs, throughout his life remained a loyal friend of De Haan,also condemned this novel. He argued that this book could not be seen as art. As earlier he had typecasted Pijpelijntjes as "the most horrific book of Jacob de Haan".


241


foto


242


Socialy De Haan had recuperated quite a bit in the following years. With help of mr. G.A. van Hamel he had obtained a simple engagement at the Rijksverzekeringsbank. On november 23rd 1905 he graduated for law at the University of Amsterdam. Even more important to him was his marriage with Amsterdam cityphysician Johanna van Maarseveen, that took place on march 28th 1907. De Haan got to know his many years older bride when he was applying for employment as teacher and needed to have a medical examination. Through this marriage with an academically educated woman he disconnected from the petty-bourgeois environment in which he was raised; the marriage offered him a new status and provided the backbone for rebuilding a carreer. Even when the marriage which never was disbanded, ran aground within a short time.

On july 6th De Haan did his final law exam and established himself as repetitor. In 1916 he aquired a doctoral degree on a thesis about judicial signicicance. In that same year he was admitted as private teacher at the Amsterdam University where he held a lecture about "the essence and task of judicial significa".

The novel writer De Haan had become passed tense and disappeared into oblivion. The poet de Haan came to prominence, though.

In his "Liberarian Songs" (1914) his "Songs" (1919) and especially the beautiful "a New Carthasgo" (1919) and his poetic diary "Kwatrijnen" (1924) he will find inspiration once mre in homo-erotivc love, but never agtain did a resistance against it flare up as with Pijpelijntjes. Next to that De Haan would gain a reputation as poet of "the Jewish Song (1915, 1921) and as author of travel letters from Palestine where he settled in 1919 and his justicial employment. Here oo there were troubles when the Zionist De Haan showed himself more and more as ultra-orthodox

and was prepared to take position against zionism because in his views the "land of the book" did not prove to be the "land of the book" he envisioned.

Just before his return to Holland he was assasinated in Jerusalem on june 30th 1924. A political murder, not by Arabs, as long has been said and written, but by zionist jews. Nobody has written a better In Memoriam than P.N. van Eyck with much understanding and insight as a lasting valuable memory.


In love I follow the unrest of his travels

Around the world and through hisd heart,

The hands, in seach of the sweetest of sins,

Have stiffened in their last grasp.


But even the darkest urges of that life

have not quenched his thirst for god,

and this is the best he's given:

a slender flame, a cleansding glow.


It burns now, as it's silent where passions yield

and the body that drove them no longer cares,

Bright in the silvery glow of his poems

from the only oil that no flame consumes.


Wim J. Simons




kleefkloddertjes’ sticky-lumps ‘zinzeggen’ sentence-saying, ‘aandachtsheerlijkheid’ attention-deliciousness

I lay back in the warm bed, the lamp was turned off and a dark shadow of light shone on the things with unclear contours. My white shawl was on the chair... I looked at it and got scared. “Sam, move the cloth for a moment... so... yes, that's fine... Sam, tell me, am I really different from others?” “Yes, a little bit… but don't talk about that.” “Yes, well… let's talk about that… do you love me a lot?” “I'm not saying that, you know that.” 'Like I love you?'.... 'The regular questionnaire starts again... well, but I won't say it... always the same.' “Then say it again... just like I say it from you?” “No… you know that. Well I'll say it again... but that's for the last time. You love me positively, and sometimes you like me to sleep with you, but I love you a lot... but otherwise... I'm fine with whatever you want, but I'll give it to you never ask, you know that'... 'Yes'.... “And, you see, you sometimes like other boys, and I would never want that from anyone else”… 'No... just from me'.... 'Yes... I'm still going to marry Eris, just get married with a butter letter'... 'Come on'... then it's definitely over between us?' 'Goddammit are you getting serious? No, but then I'll... . The yellow lamplight extinguished and the damp-wet darkness waved over me.... "Sam".... 'Yes'.... 'Day'.... 'Bye... don't stay awake, if I go with Siep it will be late, you know that'... Close the door. And in the tight rain sound his footsteps broke... until he was gone and the downy darkness was alone... soundless.